StunnaKrypto Self-important, over-dramatic, uninspired.

Matialth Good concept, poorly executed.

Borgarkeri A bit overrated, but still an amazing film

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Jithin K Mohan A brilliant adaptation of a Dostoevsky story done using mindblowing animated narrative. The complex themes of the story are used to explore the possibilities of the type of animation used in creating a dream and/or nightmare of the human condition. This short film talks a lot in its 20-minute runtime that many films fail to do in hours.

Horst in Translation (filmreviews@web.de) "Son smeshnogo cheloveka" or "The Dream of a Ridiculous Man" is a work by writer Fyodor Dostoevsky and here we see the 20-minute adaptation by director Aleksandr Petrov. He made this one a while before his Oscar win and it's one of the rare occasions when one of his short films did not manage to get in with the Academy. It is from 1992, so it will have its 25th anniversary next year. If you know Petrov, you will immediately recognize his style in here. I personally have not read the story this is originated on, but maybe you have to in order to appreciate this little movie. I personally must say I liked the beginning, but it gets a lot worse and much more absurd in the second half, which is why my overall verdict is negative. Of course, you need to appreciate the effort Petrov puts into his animation, but still this is not enough for me to say this was a good watch. It's entirely subjective how you perceive the maker's animation style. I personally would not say I loved it, but it was okay. Your overall liking of the film will have to do a lot with how much you like the style. I give this one a thumbs-down. Not recommended.

Pierre Radulescu What is the point of doing good? Is there any evidence of a sense in life? Then, is it not doing good as senseless as being a villain? Dostoevsky takes this question and discusses it in his passionate way in a short story: The Dream of a Ridiculous Man.The story of Dostoevsky walk us through reality and dream, up to the point where reality and dream become two equally possible universes. I would say three potentially real words, as the dream comes in two successive versions: humanity before and after the fall. And the answer of Dostoevsky is, if I understood it correctly, that the sense is given by our capacity of choice: we choose to do good or not, and it is our choice that gives sense to our life.Aleksandr Petrov adapted the story of Dostoevsky and made it a 20 minute animation. Petrov found here in full blow the religious dimension he seems to be particularly interested in. On the other side, telling in images the story of the ridiculous man is challenging, as it is highly symbolical. Petrov proceeded straightforward, so to speak: he simply followed the text and left the interpretation for us.

ackstasis 'The Dream of a Ridiculous Man (1992)' was Aleksandr Petrov's third film as director, after 'Marathon (1988)' and 'Korova (1989).' It's the work of an animator who's well-and-truly become comfortable with his craft; nobody with doubts about his own talents would ever attempt something as ambitious as a Dostoevsky story. Unfortunately, like most of Petrov's works, the film is notoriously difficult to follow if you don't already know what is going on. He delights in blending realism with fantasy, decisively blurring the line between the two, and so it didn't help that I ventured into the film without English subtitles. Nevertheless, from a purely visual standpoint, there can be little doubt that 'The Dream of a Ridiculous Man' is an incredible piece of art, a shifting canvas of vivid oil paints that more closely resemble an Expressionist masterwork. Unforgettable dream-like images – the flicker of passing lights through a train window, a dazzling Utopian land beneath the blazing sun, the gleam of flaming dancers – retain their strength even after the film itself has come to an end.Unable to understand any of the dialogue, I was forced to piece together the story through its vague images, aided by a brief synopsis of Dostoevsky's original short story. A lonely man, having decided that nothing in his life matters to him anymore, rejects a young girl's pleads for help before returning to his apartment to contemplate suicide. Yet unable to commit the act, the man instead falls asleep and dreams of his death, after which he is whisked from his grave and transported to a Utopian island where it is always sunny. However, after he tells a lie, the entire land is swiftly consumed by the cold hand of sin. The man awakens, and returns to help the young girl whom he had earlier brushed off, having been handed a new lease on life. 'The Dream of a Ridiculous Man' is an excellent work of Russian animation from one of the field's most impressive artists, meticulous enough to rank up there with the director's finest – which are, for the sake of reference, 'The Old Man and the Sea (1999)' and 'My Love (2006).'