The Clouded Yellow

1951 "Tense, exciting, unusual !"
6.9| 1h35m| NR| en| More Info
Released: 12 November 1951 Released
Producted By: General Film Distributors
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

After leaving the British Secret Service, David Somers (played by Trevor Howard) finds work cataloging butterflies at the country house of Nicholas and Jess Fenton. After the murder of a local gamekeeper, suspicion (wrongfully) falls on their niece, Sophie Malraux (Jean Simmons). Somers helps Sophie to escape arrest and they go on the run together. After a cross-country chase they arrive at a coastal city with the intention of leaving the country by ship. All's well that ends well after the true identity of the murderer is revealed.

Genre

Thriller, Mystery

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Director

Ralph Thomas

Production Companies

General Film Distributors

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The Clouded Yellow Audience Reviews

GamerTab That was an excellent one.
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Comwayon A Disappointing Continuation
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
warstoreflagsuk Okay, I admit it, I bought this DVD because I'm a big fan of Jean Simmons. Great story and I recognized many places that I've been, particularly the scenes in the Lake District. One scene overlooking Derwent water is really fab. The only thing I would say, on the downside, is that the ending was too quick. There should have been an extra scene where the police and two fugitives go back to arrest Jean Simmons' Aunt. Well worth watching though. Don't let the fact that this is black and white put you off either. This is a film with an interesting storyline and although you think you know who the murderer is right away, you'd be wrong.
RanchoTuVu A young woman (Jean Simmons) is convinced by her scheming and dangerous aunt (Sonia Dresdel) and uncle (Barry Jones) that she's losing her mind and in very delicate condition that requires their supervision which turns out to be more like manipulation, as they try to keep her as far away from outside human contact as possible. The only other person she sees is the estate caretaker, a lascivious character played by Maxwell Reed, whose caught the wayward eye of the middle-aged aunt. All of this, the aunt and the caretaker, the butterfly expert uncle who has a serious underside to him, and the susceptible niece in the middle, would have made for a darker and more sinister film. As it is, a frame-up for a murder sends Trevor Howard (a fired government secret service agent who took a job at the estate cataloging butterflies) and Simmons across the countryside escaping police, catching headlines of "Police Net Closing In" over her front page photo, hopping on buses, and winding up in Liverpool, where they meet some wonderfully cast characters, and finally face down the greedy and murderous aunt and uncle.
videon This is an average thriller with good performances all-round. Trevor Howard is excellent as an ex-spy, David Somers, taking a break to work on cataloguing butterflies in the Fentons' country house. There he meets their highly-strung niece, Sophie. The film plot in some ways resembles the plot of 'Gaslight' when we see her strict aunt Jess is intent on convincing Sophie that she is losing her memory.When the police suspect Sophie of murder, she goes on the run with Somers. This gives us an excuse to take a trip around early 1950's Britain. Somers makes full use of the contacts he made during his previous spying experience.After a short stay in Newcastle the couple travel on to the Lake District and we have an opportunity to indulge in the scenic beauty of Ullswater, Patterdale as well as the waterfall at Sourmilk Gill.In contrast to the countryside scenes, the denouement takes place in Liverpool. There is a small final twist, but anyone watching carefully will notice that this twist had been hinted at some time beforehand. Nevertheless the film is enjoyable and doesn't put too many demands upon the viewer. 6/10.
Varlaam Sort of paint-by-numbers Hitchcock. But still, it probably comes closer to the style of the master than any other pretender with the exception of "Niagara".Hitch always liked a story with some odd eccentricities to the plot. This story has a butterfly collector, a taxidermist, and some shady Chinese Liverpudlians.But you can tell it's not Hitch easily enough. I believe it's the pacing, which never reaches a nail-biting pitch of intensity -- more like nail-drumming. I hope someone more astute than I will analyse precisely what marks this film as ultimately un-Hitchcock.The film's ending is very abrupt and more than a little unsatisfying, with the loose ends being tied up in a slip knot.An important element in many a great Hitchcock film is the pursuit sequence through imaginative locations. At least we are not disappointed in that respect. Besides Liverpool, our hero and heroine are hunted through night-time Newcastle which is made to resemble Vienna in an earlier Trevor Howard film, "The Third Man". Some of the best chase scenes take place among the hills, lakes, and waterfalls of the English Switzerland -- the Lake District, at that time in Cumberland (hence the name of the bus line) and Westmorland.Our beautiful English Swiss Miss, Jean Simmons, seems to be more voluptuous here than she would be later in her career, but perhaps I'm mistaken.The film's mysterious title refers to a variety of butterfly found in a meadow near the collector's house.

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