PlatinumRead Just so...so bad

Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Shannon Wilkinson I got the very odd symbolism but then the movie just Ends.... so " what?! " is what you'll say. However it was interesting enough to keep me watching. So I can only thing the moral of this is.... don't throw-up in the sink.

garnermcculloch I'll keep this short and sweet. It was very heart warming, strange and in the end a nice simple movie that I enjoyed quite a bit.

VinnieRattolle Paul has recently been dumped by his fiancée and fired from his job, so when he sees a commercial on TV for a retreat, he thinks this may be the jump-start he needs to turn his life around. To say much more about the plot is to spoil the story, which is precisely the problem with this movie. Running a scant 70 minutes (with almost 10 full minutes of end credits), there's not time to get to know any of the characters aside from the lead and the story feels overwhelmingly underdeveloped, leaving a great many lingering questions. Frankly, it feels like a student film or a padded short populated by recognizable actors and complete with a pretentious ending. The performances are solid across the board (though everyone but Johnny Galecki and Anna Friel have little to do), there's a nice atmospheric mood in cinematography, music and direction, and the FX aren't bad.I saw the trailer a few months ago and have been stoked for an offbeat oddity ever since. Unfortunately, the trailer played like an abridged version of the movie, leaving out only the resolution. For what it was, it's an okay movie, but it had the potential to be so much more.

David Ferguson Greetings again from the darkness. Sometimes, it's just difficult to know how to describe or discuss a movie. This happens more frequently at film festivals where the most creative and risky films often find their only audience. This first feature film from writer/director Bobby Miller isn't really a comedy – though there are some uneasy laughs; and it isn't really a horror film – though isolated cabins in the woods and creepy little creatures give the impression that it could go that way.Johnny Galecki ("The Big Bang Theory") stars as Paul, a down-on-his-luck nice guy who hasn't recovered emotionally from being dumped at the altar by his fiancé. One night he's dozing on the sofa when a TV ad captures his attention … it's a spiritual retreat for the downtrodden! The timing couldn't be better.He's joined at the isolated retreat by struggling actress Maggie (Anna Friel), a young couple, Eric (Kyle Gallner) and Lily (Diana Bang) working through relationship issues, and a quasi-caretaker and holdover client played by Kevin J O'Connor. The on-site leader is played in full-bellow mode by the great Angelica Huston.Day one is the juice cleanse, and the participants have to force down a disgusting concoction designed to "eliminate" … the step preceding "termination". Elimination is pretty easy to figure out, as our new friends expel from both ends (fortunately this is mostly implied, not shown). While that part might be expected, the surprise comes in the form of the eliminated creatures unique to each of our players … little critters representing the emotional baggage we all carry inside.In the midst of misery, the retreaters are told that the movement (no pun intended) leader (Oliver Platt) will be arriving soon. He's kind of a cult-like figure without the expected pretentiousness. In fact, he's a pretty nice guy that seems to really care. Of course, that would be a pretty boring story, so plenty of things go awry during the process."Let's Get Pure" is the name for the retreat, and the idea of physically removing our negative energy and emotional baggage does make some sense. Director Miller seems to blend the worlds of early David Cronenberg and "Gremlins" to deliver an odd little film that could develop a cult following of its own. It's a serious message conveyed in a not so serious way. Galecki and Friel do a nice job of keeping us grounded and giving us some peeps to pull for. Just watch that final step … termination can be brutal.