Stometer Save your money for something good and enjoyable

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

nomoons11 This one I didn't have a clue what it was about when I decided to watch it. Being that Richard Conte was in it I expected more of the same with him. Lo and behold, he finally gets a role that's a little different from his usual bad guy/scumbag roles.Eddie Rico runs and owns a laundry service in Florida and does really well for himself. He and his wife can't have kids so they decide to adopt but something in the way of and old acquaintance needs a favor derails his plans. His wife demands he doesn't do what they want but he has no choice...he's a former account for the mob. He still believes his old connections are "OK" so he tells her not to worry. His old friend from years back wouldn't steer him wrong. Turns out his brothers were involved in a killing and their bosses think one of them is going to squeal so they disappear. He's ordered to find them under the guise of they just wanna make sure "they're safe" under wraps. Eddie doesn't realize he's being used to find his brothers so his old connections can kill his brothers.I will say that right up until the end this is a pretty good little film. For the lack of cast it had they really picked some decent B grade actors to make this believable. The tension and watching Conte play this clueless ex mob guy railroad his brothers to their death is sad. He thinks you really can be left alone when you leave the mob, but in reality, you can't. He's naive in this regard.Richard Conte has always played the scumbag roles but this one is a tad different. He's an old mob accountant who really has no violent or bad guy tendencies. The real down point of this film is the end. It's beyond unrealistic. It just about wastes the entire film's effectiveness. Throughout you realize that this guy is not gonna get revenge through violence for them killing his brothers and he would turns states evidence instead. It's a pretty transparent conclusion throughout but the real "yeah right" in this is turning states evidence and his life in the end resumes to normal. This wouldn't happen lol. I've read enough news stories and books in my life to know that would never happen. He would have been relocated somewhere else with a new name. Not in this. Keeping up with every things ends up alright theme of Hollywood in the 50's, they just about give it a "G" rating ending.Outside of the ending this is a really decent film. Not a great cast but it was well written and solidly acted without a doubt. I wouldn't hesitate to recommend it for someone to see. Well worth the time.

MartinHafer Richard Conte plays an ex-gangster who's gone straight many years before the film begins. However, even though he's a successful businessman, he's called out of the blue to do them a couple favors. Unfortunately, it turns out that the mob is looking for his brothers--and although they claim to want to get them out of the country for their own good, it sure looks as if they are just using him as bait.The casting of this film left a lot to be desired. There was a 26 year difference in ages of Conte and Darren and they are supposed to be brothers! In addition, they looked like they were 26 years apart. Yet despite this, it's a taut and well-acted film. For lovers of film noir, you won't be disappointed--though the movie is more cerebral and less violent than most examples in the genre. Plus the plot if very interesting and kept me engaged throughout.

dougdoepke Former gangland auditor is persuaded to locate missing brother before mob is compelled to kill him.For a crime drama, that lengthy opening scene is a surprise. It's marital bliss all the way as Eddie (Conte) and wife Alice (Foster) cuddle up, providing a ton of promotional material for the censored 1950's. But more importantly, all the lovey-dovey defines Eddie's truly reformed character, plus Alice as a wife you'd want to come back to.For a Karlson crime drama, however, the violence is oddly played down by a director who knew how to make the audience shudder. Instead, paranoia mounts as Eddie sees suspicious characters wherever he goes in search of brother Johnny (Darren). When Johnny is finally confronted by the mob, Karlson oddly passes over the potential of a centerpiece violent scene. I suspect that's because of censorship concerns given Johnny's youth and the emotional buildup preceding it. Also, note how abruptly the final shootout is handled, as if they're suddenly running out of film.That early scene between Eddie and Kubik (Gates) is a minor masterpiece of treachery that carries through the rest of the film. As the oily family friend, Gates is simply superb. Excellent too is Harry Bellaver's smooth-talking local chieftain, who keeps appealing to Eddie's sense of survival.As a whole, however, the movie is more a collection of good scenes rather than overall impact. Maybe because there's a curious lack of intensity to heighten the dramatic narrative. Whatever the reason, it's a good crime drama without being first-rate.

laurmartin I had requested it for almost two years over on TCM's suggest a movie site. It's also being released to DVD as part of a film noir collection due out in November. Being a big fan of James Darren, he was the biggest reason for my interest in this film but it's also a pretty good film. Richard Conte is a good lead with Dianne Foster as his worried wife. Kathryn Grant and James Darren would play a couple a year later in Gunman's Walk also directed by Karlson. James Darren's two scenes as the youngest brother make you wish they had continued casting him in these types of roles, although I like the first two Gidget movies. Anyway Thank you TCM for showing this.