Interesteg What makes it different from others?

ClassyWas Excellent, smart action film.

Comwayon A Disappointing Continuation

Connianatu How wonderful it is to see this fine actress carry a film and carry it so beautifully.

thomas-johnston Mark Twain has always been my favorite author since I was a boy. I read voraciously but I always return to Mark Twain and if I was stranded on the proverbial deserted island and had to choose to take only books by one author, those books would be by Mark Twain.This movie is wonderful although it takes great liberties with Twain's real life story. I have seen it several times over the years and, in fact, I am writing this review now because I just saw the last 20 minutes of it on a classic movie channel. The ending has to be the corniest tear-jerker of all times but it is also wonderful. Being a big, tough male, I have a total aversion to touchy-feely things and I am not one to cry even at funerals but the ending of this movie always makes me cry like a baby. It is shamelessly emotional but it is gets to me every time. If you haven't seen this movie, do so. The only problem is that I believe it is out-of-print on VHS and I don't think it has been released on DVD. Perhaps your local video store or your library has it. Don't confuse it with two more recent movies of the same name. One of those stars James Whitmore and I have not seen that one so I cannot comment on it. The other one is a claymation movie, presumably for kids.Like another reviewer of this movie, Mark Twain changed my life. In fact, in many ways, he shaped my personality. That reminds me that I have not read any Twain works in a couple years so when I finish this review, I am going to start reading one again from my library. Those who only think of Tom Sawyer and Huckleberry Finn when they think of Mark Twain are missing so much. Many consider Twain to be the greatest American author of all time. I agree with those people. The world is a better place because of Twain.

theowinthrop He's now been physically dead all of 95 years, but Samuel Langhorne Clemens (a.k.a. Mark Twain) is still the most popular novelist and writer in American history, and one of the few great American writers to merit his own film biography. There is no film (at the very least no remembered films) about Charles Brockden Brown (our first major novelist), Washington Irving, Fenimore Cooper (whom Twain hated reading), Hawthorne, Melville, Howells, James, Crane, Dreiser, Wharton, Alcott, Cather, Fitzgerald, Lewis, Hemingway, Faulkner, Steinbeck, Wouk, Salinger, Vonnegut, or Bellow. You have to go back to Edgar Allen Poe (the subject of several films, including a silent one (THE AVENGING CONSCIENCE) by D.W. Griffith) to find another major American writer who is a subject of biography. There is also a film on the life of Jack London made in the 1940s. But the key is that Poe, London, and Twain had interesting lives meriting filming.The film is true in its outline but the fleshing out is questionable. For example, Twain did go into the mining fields of California and Nevada in the late 1860s, but he probably did not win the jumping frog contest that was the basis of his first literary success, "The Jumping Frog of Calaveras County". Nor was his literary rival, Francis Bret Harte (John Carridine), the man who lost that contest. But there was a contest he apparently witnessed in 1865, and he expanded on it for his classic short story.Some aspects of the story I am surprised to find in the film. The infamous Whittier Birthday Speech fiasco (although still debated) did occur in 1876, and somehow hurt his acceptance by the eastern literati whose "gods" (Emerson, Holmes, and Longfellow) were somewhat laughed at in it. Also there is the frightening story of the Paige Typesetter that helped bankrupt Twain (forcing him to go lecturing and writing around the world in the 1890s.The fact is, the film is actually better in presenting Twain's literary and private life than the average movie biography of that period or even now. March looks like his subject (and his make-up ages him properly). He knows how to do the delivery of the comic lectures perfectly. Note how at one point when he says to the audience, "The last time I went south....", March points quietly but prolonged downward, so the audience realizes he means "the last time I went to Hell...." We are used today to Hal Holbrook's "MARK TWAIN TONIGHT" performances, with his southern delivery, but March is just as effective in his way.The other performances are good, with Walter Hampden lecturing March about what gentlemen of his class consider REAL literature, or with Percy Kilbride as a typesetter who trains Twain, and who later claims he helped make Clemens Mark Twain. Alexis Smith manages to portray Livy (Olivia) Twain as the perfect love match she was. The film does not hesitate to show Twain's career had as many missteps as successful peaks. It does avoid his attack on American Imperialism, and it does not detail the series of family deaths that plagued his last decade (two daughters and a nephew followed Livy to the grave before Sam followed her in 1910). But for getting the general outline correct, and for casting the film correctly and producing it very well I can say it deserves a "10" out of "10".

Michael O'Keefe Irving Rapper directs this biopic of the beloved American author Sam Clemens, better known as Mark Twain. Fredrick March is excellent in his portrayal of Clemens from his early 20's to his death at age 75. The story goes that Sam's birth was ushered by Halley's Comet. This entertaining tale may not be accurate enough to be a serious biography, but is good enough to sustain Twain's legacy. Alexis Smith plays Twain's wife Olivia, who understands that her husband may always be a boy at heart. His tales of Tom Sawyer and Huckleberry Finn remain enduring as the day he introduced them. The prolific writer had a major financial reversal due to bad investments and his struggle to publish the memoirs of Ulysses S. Grant. Twain would go on a world wide speaking tour to pay off his debts before his death. Most memorable is the film's finale with spirits of Tom Sawyer and Huck Finn urging the spirit of Twain to join them in heaven...just at the time Halley's Comet streaks the sky. In supporting roles are: Donald Crisp, John Carradine, Percy Kilbride, Alan Hale and William Henry.

Ben Burgraff (cariart) THE ADVENTURES OF MARK TWAIN is one of my favorite films. Even as the years pass, and I discover an ever-increasing number of biographical errors, it still possesses a kind of magic that is captivating. It may not be the historic Twain on the screen, but it's a Twain we all would have liked to know!How can you criticize a film when, at the beginning of the story, the lead character threatens, in writing, to 'shoot you' if you look for a higher moral? As the camera pans back while a hand signs a name to the document with a flourish, we are 'introduced' to the spirit of Samuel Langhorne Clemens, himself, the living embodiment of the white-haired rascal we've all seen in his many 'turn of the century' photographs, with a twinkle in his eye and his tongue firmly 'in cheek'. Fredric March bears an astonishing resemblance to the author (thanks, in large measure, to Perc Westmore's extraordinary make up), and, more importantly, portrays him with a sense of irreverence and fun. His Twain is a man who loves the 'Mighty Mississippi', writes from his heart, and observes life with the eye of a born humorist, seeing all of Man's foibles as part of a giant Cosmic joke he is privy to.In the fanciful biography, Clemens is delivered as Haley's Comet streaks overhead, as scores of black slaves listen to his father call the celestial event a "jubilation in Heaven". As a child, he plays with Huck Finn, Tom Sawyer, and the slave, Jim, then escapes to the river after writing a far-fetched tale, which gets his older brother, a printer, in hot water. Despite the boy's total ineptitude, a riverboat pilot swears to teach him his profession, and in a few years, the adult Clemens masters the Mississippi, successfully guiding his riverboat through the dangerous waters at night, until the cry of "Mark Twain...Safe Water" is heard. While dazzling naive passengers with tales of how alligators 'hitch rides' on the paddlewheel, Clemens sees a cameo with the image of young Libby Langdon (Alexis Smith), and announces to her brother that she would be the girl he'd marry.Heading west with friend Steve Gillis (the always wonderful Alan Hale) to strike it rich where the "gold is on the ground waiting to be picked up", he fails spectacularly, and ends up a reporter at a frontier newspaper. He writes an account of a leaping frog competition, and the sad fate of novelist Bret Harte (John Carradine, perfectly cast!) and his prize jumper. Not thinking the story very good, he signs 'Mark Twain' as the author's name...then decides to throw the manuscript away. Fortunately, his editor retrieves it from the garbage, and sends the story back east, where, to a public overwhelmed by Civil War news, it provides welcome relief, creating a sensation. Mark Twain becomes a national celebrity! When finally tracked down, Clemens sees a way to win his ladylove, and plays both himself and Twain at a packed New York lecture. Libby is dazzled by him, he goes courting and 'moves in' to her home (much to the bemusement of her father), and, with her inspiration, his fabulous career as 'America's Voice' begins.Chronicling Clemens' eventful life with unforgettable scenes of spectacular success as well as tragedy and failure, THE ADVENTURES OF MARK TWAIN is the tale of a legendary man, told in 'larger than life' terms. While most of the story is fictitious (the real Clemens' biography would require a Ken Burns documentary to do it justice), the film is never less than entertaining. Fredric March is superb in the lead, and, as Haley's Comet returns, ending his time on earth, you may find it hard to hold back a tear, especially when his spirit says to his grieving daughter, "The reports of my death have been GREATLY exaggerated..."He was absolutely correct...Mark Twain will never really die!