Tempo

2003 "Every Game Has Rules."
4.6| 1h23m| R| en| More Info
Released: 17 June 2003 Released
Producted By: Grosvenor Park Productions
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Budget: 0
Revenue: 0
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Jenny, a young American woman, moves to Paris and gets involved with Jack, who is seemingly the man of her dreams. However, he has a lot to hide and Jenny quickly gets entangled his dangerous lifestyle.

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Director

Eric Styles

Production Companies

Grosvenor Park Productions

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Tempo Audience Reviews

Solemplex To me, this movie is perfection.
Supelice Dreadfully Boring
Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
wes-connors "Sarah James (Melanie Griffith) lives on danger's edge every day as the courier for a ruthless French black market dealer. Her boyfriend, Jack Ganzer (Hugh Dancy), is a handsome, young American expatriate she's seduced into becoming her partner in crime. But, when Jack unexpectedly meets and falls for Jenny Travile (Rachael Leigh Cook), a sexy but seemingly naive jewelry shop clerk, he quickly finds himself trapped in a treacherous love triangle filled with suspicion, vengeance, and murder. This riveting thriller will keep you guessing until the very end," according to the DVD sleeve description."Tempo" opens with its exciting car chase climax, then goes into flashbacks leading up to there. Possibly, they had no other way to begin this movie. Next up, you get mild erotica with Ms. Griffith, as the still sexy older woman, wrapping her legs around Mr. Dancy, as the attractive young stud. And, that's about all there is to this downhill film. The chase winds up being the culmination of an unappealing heist storyline. Only Dancy shows skin throughout. Griffith gives her character more vulnerability than the film deserves. And, Ms. Cook is almost completely, and uncharacteristically, nondescript.**** Tempo (6/10/03) Eric Styles ~ Melanie Griffith, Hugh Dancy, Rachel Leigh Cook, Art Malik
jpschapira During the short and entertaining ride that is "Tempo", there's not one scene where you can't help but thinking: "This looks like a movie made for TV". Apparently, that's not the reality…In its cast it has consecrated stars and other young and very talented actors that wouldn't be uncomfortable at all with a "star" position.Three main characters call all of the shots, when two women get too involved with a charming man and end up in a love triangle situation that includes a robbery, a police chase, guns and more elements than at least these characters expected to deal with. What the movie tries to say is that sometimes we don't measure our actions and we cross a line…Yes, that line.A film like "Tempo", with its typical storyline, must at least get you involved with the feelings of the main characters; and it doesn't fail in that department. The writing team includes L.M. Kit Carson (who once adapted the brilliant "Paris, Texas") joined by Jeremy Lipp and Jennifer Salt; writers of some clever and engaging TV series.So the director Eric Styles seems to be the only one a little far from television between the crew (John McCarthy is basically a series composer) and although probably everyone said it already, he brings a lot of style to the table with his intensively focused cameras during some crucial shots and his fast motion management when the film finds its adrenaline moments. Helped a lot by cinematographer Robert Fraisse, Styles achieves the quality of the image that's as good as the film can offer.A few things fail in the plot and with the general idea, which is why the movie doesn't become good; but the emotion you get from the first scene doesn't vanish at all, and you want the best for this flawed human beings. Rachael Leigh Cook, between the best actresses of her generation and more beautiful each day, gives a desperate tone to her character that makes us believe love can actually happen fast, when you're alone in some place and you need it.However, her character is flawed because she is not able to think things twice. Hugh Dancy plays the young attractive man supported by an older woman that cares for him. Even when his character cares for the woman too, he allows himself to slip, considering he will resolve it in the end; but he's not able to do it, because he's flawed. Dancy portrays all of these shades solidly; yet he completely fails in achieving the American accent.The older woman I mentioned before is the character played by Melanie Griffith. Griffith has always had to 'find' the role: "Milk Money", "Now And Then", "Forever Lulu" are some of the films in which the role fits perfectly for her; without mattering if the picture is good or not. "She always speaks the same way", I told my brother; and he said that people can't chance their way of speaking…In "Tempo", the role fits for her and eventually fits for us; luckily.
whpratt1 Melanie Giffith,(Sarah),"Tart",'01, played an excellent role of a very complicated gal with all kinds of mixed emotions about her life and her past relationships with men. However, Sarah is very much sexually involved constantly with Hugh Dancy,(Jack),"Shooting Days,",'05 who is very young looking and is a mixture of gigolo and con artist. There is wild graphics and great wild sounding music in the background along with a car chase all around Paris, France; which had me thinking about Princes Diana and her car crash for some unknown reason. Rachael Leigh Cook,(Jenny Travile),"My First Wedding",'04, plays a very young inexperienced American gal who left her family and got a job in Paris and happens to run into Jack; who manages to take her "CHERRY" away from her and she goes ballistic in Love with him and can't wait to get his clothes off whenever they meet. Melanie Griffith gave a great performance, however, her addictions have taken a great toll on her beautiful face, she is showing plenty of Crows Feet around the eyes and a burned out look.
rdash At first look, Tempo has the appearance of a low budget European or Canadian film. While there are some stunning shots of Paris, the overall quality of the film and its special effects are less than average. However, if you can get past that, you discover a great performance by Melanie Griffith. Although you know that you are not suppose to like her character, Melanie's quality of vulnerability has you rooting for her character. Her whispery voice is put to work here in which every man alive just wants to protect her. Her co-star Hugh Dancy also does well in this film and is very believable, while Rachael Leigh Cook doesn't fair so well. I just didn't buy the chemistry between her and Dancy. Although Griffith is old enough to play Dancy's mother, she had much more chemistry with him.While the film will never win an Oscar, and may be predictable, it is a great renter. In fact, what surprises me is something like Tempo doesn't get a theatrical release, but on the other hand we have to put up with garbage like The Guru.