Infamousta brilliant actors, brilliant editing

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

lazarillo Depending on your point of view this movie is either an interesting Freudian exploration of the "beauty and the beast" myth, or it is a particularly pretentious example of what Robin Bougie of "Cinema Sewer" magazine hilariously dubbed the "bigfoot-rape" film. Evidence of the former would be that this was directed by Alfred Sole who directed the cult horror classic "Alice, Sweet Alice". This isn't a patch on that one,of course, but it's better than a lot of Soles other equally bizarre, post-"Alice" projects (like the off-the-wall slasher spoof "Pandemonium"). Evidence of the latter, however, would be that this movie stars D.D. Winters, a singer/actress who couldn't really sing and DEFINITELY couldn't act. She would later become Prince's protegee under the name of "Vanity" and then eventually a born-again Christian (and I'm not sure which is worse).This movie is about sexy and oft-naked woman and her husband who go off to live on an island for reasons that eluded me. The only other being on the island is a ape man/bigfoot type creature who the girl nicknames "Blue". The girl feels a strange affection, even perhaps an attraction, to the creature, which makes her husband increasingly jealous. He becomes determined to capture this monster and put it in a cage. The Freudian metaphor here is pretty obvious--the monster represents the wild, uncivilized side of the man, and he fears the woman's attraction to it and wants to repress both it and her. This intriguing idea is pretty seriously fumbled though by some truly horrid acting and a clichéd, cop-out ending usually used by filmmakers when they have totally run out of ideas.This movie greatly resembles the notorious Walerian Borozyx film "The Beast". It is also a arty, metaphoric exploration of bestiality (albeit a little less graphic than the Borozyx film). But while "The Beast" also starred a sexy but talentless actress (Sirpa Lane) as the object of the bestial affections, Borzyx had the good sense not to give her any lines. Winters has many lines in this movie and is unbelievably annoying when she's not having sex or getting naked. More importantly, however, "The Beast" had a strong ending that tied everything together, while this one . . .well, I won't spoil it--I'll just let it spoil itself. This is a potentially interesting but flawed film.

Woodyanders A then unknown pre-Prince Vanity stars in this outrageously campy, sexy and compelling "Beauty and the Beast"-type allegorical oddity as Tanya, a naive, but gorgeous and hence quite desirable aspiring young actress who has a nightmare that both she and her possessive, overbearing, sadistic older painter boyfriend Lobo (excellently played to vile perfection by Richard Sargent) are living together on a peaceful and tropical isolated island. Tanya befriends a gentle, turquoise-eyed huge gorilla whom she names Blue (persuasively portrayed by Don McCloud in an amazingly credible costume). The ensuing platonic relationship raises the bitter and jealous ire of Lobo, who degenerates into complete base savagery as he competes with Blue to be the sole object of Tanya's affection. Well directed by Alfred Sole (who also gave us the terrific, vehemently anti-Catholic horror knockout "Alice, Sweet Alice"), with exquisitely lush cinematography by Mark Irwin, a lovely, lulling and melodic score by Jean Musy, a provocative subtext which incisively explores the fine line distinguishing man from beast, a strikingly authentic ape suit that was designed by Rick Baker and Rob Bottin, and ample shots of the delectable Vanity prancing about in her birthday suit, this offbeat low-budget outing overall rates as an intriguing curio.

theNomad Tanya and her (surely old enough to be her father) lover Lobo live a free life on a tropical island,until Tanya meets an ape like creature Blue (which has a great for its day creature make up,from fx guru Rick Baker surely based on Jack Palances features).All is fine until Lobo gets jealous of his woman spending so much time with the beast,He captures it.Only for Tanya to release it in disgust.Leaving Lobo ("No Damned Animal Can Beat Me") to protect his camp site and partner from the angry beast.The plot comes across like Beauty and Beast crossed with the Blue Lagoon,and contains a few sex scenes which could push it into the realm of adult cinema.My fave part is seeing Lobo at the camp turn more beast like while Blue becomes human like.The ending for me is the films flaw,having the beast rape Tanya with a purely crude looking blue tint effect on the picture.I'm sure fans of traditional make-up FX will enjoy this most and maybe the beast rape will entertain exploitation fans enough to please them.I gave this one a [6 out of 10] sure it has its flaws but entertaining all the same.

acmilanno A strange film in content and delivery. Tanya who is dangerously attached to her abusive artist boyfriend, Lobo, has an extended dream, in which she and her belligerent beau live on a deserted island paradise (cue gratuitous nudity over the opening credits). Tanya befriends an ape, Lobo gets jealous, and the trio fight in a manner which comes close to slapstick. The comic violence combines with sexual symbolism to create an unnerving mix. Perhaps the weakness of the film is Tanya herself, who provides a feast for the eyes, but leaves the mind a bit empty. She seems to spend the whole film both confused and amused by the whole situation. If the film is about Tanya's sexual naievity, then this theme is not developed sufficiently. For its weaknesses, this film is certainly a unique and interesting creation, worth seeing