ada the leading man is my tpye

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

a_chinn Writer/director Dario Argento's modern day horror masterpiece still holds up as a brilliant and disturbing piece of filmmaking. With a strong emphasis on visuals, musics, and atmosphere, the film tells the hallucinatory tale of Suzy Bannion (Jessica Harper), an American ballerina who joins a prestigious European ballet school, but begins to suspect the school is harboring some sort of secret following a series of mysterious events, not the least of which is a series of bloody horrific deaths. "Suspiria" is probably one of the scariest films ever produced and certainly has the most frightening horror film score of all-time, which was composed by Argento and the prog rock band Goblin. Prior to this film, Argento has mostly made Giallo thrillers (ultra-violent Hitchcockian type of thrillers) and had not done much in the way of supernatural horror, but he does an amazing job with the genre. What makes this film so scary is not so much the story, which is certainly serviceable, but it's Argento's direction, the wild production design, the stylish photography, and the over-the-top frightening music that make the film so memorable. There is no way anyone can watch this film and not have it burned into your memory as something wholly unique. I will concede that this film will not be everyone's cup of tea and that there will be many who will watch this film and find it off-putting and/or ridiculous and even an endurance test, but I find this film to be an amazingly unique surreal nightmare and an example of "pure cinema."

moonspinner55 American ballet student Jessica Harper goes to Europe to attend famous dance academy, but the school is a front for a witches coven. Italian director Dario Argento's most successful thriller in the States (thanks to an effective ad campaign) is also his most derivative film up to this point, using several other movies as stylistic reference points. The elaborate look and ambiance of "Suspiria" is truly original, however, and Argento's use of color is striking; for those unable (or unwilling) to follow the plot, at least the picture provides a memorable visual experience. Harper has an appealing presence and a pithy way of speaking, though the supporting performances are uneven, often confounding and inscrutable. The mechanisms of the loosely-hinged story--usually the least-important aspect of an Argento picture--come together neatly at the finish line. Weaving a hypnotic web, Argento ensnares viewers with shock cuts but holds his audience with a rapt attention to atmospherics. **1/2 from ****

SnoopyStyle Suzy Bannion (Jessica Harper) follows her aunt's footsteps to attend a dance school in Germany. A girl runs away and is killed by a mysterious figure. Strange things happen at the school and Suzy faces innumerable dangers.Influential Italian horror director Dario Argento creates a good Euro horror fantasy. There are some good bloody splatter and nice brightly-colored set design. The plot is pretty simple. It is filmed in the slower traditional pacing although it does have some good thrills. It is different from the other horrors and it works.

Kirpianuscus not the story is the most important fact. but the refined art to build the fear. light, shadows, music, the precise performances, memories about similar stories, crumbs from Snow White and the fragile ballet as the pillar of a thriller who seems be magnificent puzzle for explore states more than a story. a film of details. like each movie by Argento. and this is the motif to be victim of fascination for a perfect world who use yours deep fears as bricks for a splendid story about appearances and the dark truth.