Suicide Kings

1998 "A crime is a terrible thing to waste."
6.9| 1h46m| R| en| More Info
Released: 17 April 1998 Released
Producted By: Live Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Carlo, a former mobster, is abducted by five privileged young men desperate to raise a $2 million ransom to save the sister of a friend. As Carlo plays mind games, however, his captors splinter -- each wondering whether one of their own had a hand in the crime.

Genre

Drama, Action, Comedy

Watch Online

Suicide Kings (1998) is now streaming with subscription on Prime Video

Director

Peter O'Fallon

Production Companies

Live Entertainment

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Suicide Kings Audience Reviews

ada the leading man is my tpye
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
David Little You're not missing much story wise, if that's all you're interested in. Instead the story sets the context for that strange protagonist switch that starts to evolve throughout the movie, culminating in what I thought was a brutally efficient thought-provoker above that of the Warhol Soup Can.Yeah I just praised this movies sense of art more so than a widely respected and acclaimed cultural icon. Sue me.Starring the kid from Rosanne was a nice touch I thought, his character is so pitiful its hard not to feel bad for him, and he conveys that pretty well... Giving a stark contrast between the seemingly ignorant yet vicious character played by Jay Mohr, as well as the seemingly compassionate yet troubled character played by Jeremy Sisto.... Walken does Walken tied down in a chair most of the flick. 'Nuff said. No really, you *know* he's mafioso, yet the situation he's in could make one ponder that his motives are actually true and just... Not just the typical ruthless mobster. Hence the protagonist switch.It's that thought alone that brings a lot of artistic value to this film. I thought about pre-judgement and true common sense. That's the artistic quality of a painting, right? It evokes thought, and emotion...On that note, some of the acting is pretty unbelievable, but the usual contrast by a more talented actor makes the emotional twist of this movie sink in a bit.Not a film for the ages, but this should be watched in film studies. The movie itself conveys the same thought I mentioned previously: It's so campy and low budget, yet keeps you hooked with the awesomeness of Leary and Walken. And now that you've bitten, the movie delivers on a promise that you thought it couldn't make.Post-Modernity :D
itamarscomix The premise of Suicide Kings - four young and privileged men kidnap a retired mob boss played by Christopher Walken - is appealing. So much so that it makes me wish it made for a better film.Suicide Kings tries to be a psychological thriller focusing on mental cat-and-mouse games between the mobsters and his kidnappers, and the actors are good enough to pull it off - in fact, they're good enough to make you think that there's any psychological depth to the film, when really there's none. Walken and the talented young cast - Denis Leary, Jay Mohr, Sean Patrick Flanery (The Boondock Saints), Jeremy Sisto (Law & Order), Johnny Galecki (The Big Bang Theory) and Henry Thomas (E.T's Elliot all grown up) - all deliver their lines with so much passion and conviction that you almost don't notice how messy and shallow the script really is.This fine group of actors - and Walken's wildly charismatic performance most of all, from an actor so powerful he can dominate the film while being tied to a chair for all but a few minutes of it - is more than enough to make the film entertaining, even very enjoyable. The weak script, which deteriorates into cheap twists and conspiracies towards the end - makes it entirely forgettable. A quick comparison to Danny Boyle's Shallow Grave is a testament to how much more comfortable the British are with theatrical minimalism. With a great director and a great script, Suicide Kings could have been something wonderful. As it is, it's good enough for one pleasurable watch, but leaves no mark and no impression.
napierslogs The "Suicide Kings" believe that when one crime is committed, the best way to solve it is to commit a couple more crimes. This sets up the dark comedy execution. It begins with crimes, corruption and enough intrigue to keep moving forward.Christopher Walken is Charlie, the mob boss with connections, a shady past and even shadier make-up. Avery (Henry Thomas)'s sister is kidnapped, and then Avery, Max (Sean Patrick Flannery) and Brett (Jay Mohr) kidnap Charlie with the help of aspiring doctor T.K. (Jeremy Sisto). Ira (Johnny Galecki) unfortunately knows none of these goings-ons even though they decided to use his father's house. They are all smart and privileged, but also blindly stubborn and confident. Taking place almost entirely in one house and one bloody night, everything is put in question.As the characters develop with the plot, they start learning more about themselves just as we do, and there is a surprising amount of thought and introspection to the "Suicide Kings". It is a crime drama thriller with a liberal use of dark comedy and just so well written that I can't even fault it for being mostly male-driven.
sideburnmikeguitar This is a fun movie about a kidnapping gone wrong. The kidnappers are generally spoiled, rich "kids" in their 20s who trick an old mobster, played by Christopher Walken, into taking a ride with them. They hold him hostage and he cleverly manipulates them to fight with each other. there's nothing too dark, and the dialog and dynamic with the younger characters is really solid. Dennis Leary's mobster role is funny and angry and brutal in just the right doses.***Possible spoiler*** Most of the way through the film I was convinced there would be a killer climax. The problem is that the story is leading you to believe that there's an "inside man..." but when you find out who it really is, it seems misleading. The motivations behind the actions of the kidnappers don't quite add up, particularly Avery and Max's interaction. The flashback sections of the story lead you to think one way, but don't come off as too convincing. On the other hand, the movie's good at digging into these different personalities and Walken, Leary and the Ira character are really compelling. (It seems a lot of people didn't like Ira but he's pretty a very important foil for the others and the film would lose a lot without him. Plus, he's awfully convincing as the uptight kiss-up geek.) The twists are pretty cool, and not too tricky to get, just a little contradictory when you consider all the different ways the movie could have gone. But this was the way to make it interesting and not so obvious.Well worth renting or picking up used.