Suicide Fleet

1931
5.6| 1h27m| NA| en| More Info
Released: 20 November 1931 Released
Producted By: RKO Radio Pictures
Country:
Budget: 0
Revenue: 0
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Info

Three US sailors aboard a decoy ship fight German U-boats in World War I and try to win Sally who works on the Coney Island midway.

Genre

Drama, Comedy, War

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Director

Albert S. Rogell

Production Companies

RKO Radio Pictures

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Suicide Fleet Audience Reviews

Protraph Lack of good storyline.
Supelice Dreadfully Boring
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Uriah43 Immediately after the United States enters World War 1 against Germany, three men from Coney Island by the names of "Baltimore" (William Boyd), "Dutch" (Robert Armstrong) and "Skeets" (James Gleason) enlist in the U.S. Navy and leave behind a young woman named "Sally" (Ginger Rogers) who each of them have fallen in love with. Unfortunately, Sally only loves one of them so the other two Dutch and Skeets) do their best to keep them apart by deceiving Baltimore about Sally's true affection for him. However, although Baltimore falls for their deception, they soon discover that he has his own plans for them as well--and his involves a deception towards the German Navy. Now rather than reveal any more I will just say that this was a comedy which had a bit of slapstick humor here and there but otherwise I didn't really see much humor in it. Of course, this film was produced over 80 years ago when budgets were rather strained so perhaps it deserves a bit more slack. Be that as it may, although it wasn't a great film by any means, I didn't think it was necessarily that bad either and for that reason I have rated it accordingly. Average.
MartinHafer "Suicide Fleet" is an amazingly dull film about three guys (two of which are real jerks) in the US Navy. All three (William Boyd, James Gleason and Robert Armstrong) are in the navy and are infatuated with a young lady (Ginger Rogers). However, she loves Boyd and the other two spend much of the movie lying to their 'friend' and trying to steal the girl for themselves. These antics were very tedious and the chemistry between these three is quite poor--making it difficult to like them or care about them.The three eventually volunteer for special duty about a sailing ship that looks similar to a German one that has been disguising itself as a Norwegian fishing boat. The plan is that when the subs come to refuel and be refitted, they'll alert the American fleet to intercept them. Despite a fairly interesting plot, the film suffers from uninspired acting, dull characters and a need for more action. I've seen quite a few other military films made in the 1930s--most of which were frankly a lot more interesting than this one. Aside from a chance to see Ginger Rogers before her big Hollywood makeover or Boyd before he re-created himself as Hopalong Cassidy, there isn't a lot to recommend this one.
Al Westerfield This film is much better than other reviewers would lead you to believe. If you're a fan of Robert Armstrong, James Gleason and early Ginger Rodgers as I am that would be almost enough. The three guys and a gal plot may seem old now but it wasn't then. It's carried off pretty well here. I appreciated the views of 1930 New York including Luna Park at Coney Island. As far as I can tell the midway was actually filmed at an amusement park in California; it certainly added a sense of reality. I, too was confused by the 1931 clothing in a film taking place in 1917. I kept wondering what war broke out. However, such anachronisms are to be expected in almost every period film. Women's hair styles and makeup always give it away. And if Greed could carry it off wearing late 1890's clothes in 1922 crowds, why complain here? But the naval scenes are the star here. To my knowledge they are the most extensive authentic scenes ever filmed. It's obvious that the Navy gave it's complete cooperation. Everything looked authentic because it was. I loved that the film shows the German side without prejudice (or subtitles). Frank Reicher and Henry Victor lend an air of authenticity here, too. Except for the semi-comic interludes it could have been an excellent documentary. Over all this should be better known for its appeal to World War I fans and naval historians. Look fast for Richard Alexander (Prince Baron of Flash Gordon) as a crew member with one line.
calvinnme ...at least during its first half. If it had started out with the three buddies in the navy and concentrated on the naval action scenes, it would have been a much better and tighter film. The second half of the film is worth it, especially for the action sequences and close up shots of early 20th century ships, but it's like a dull toothache getting there. Also, don't watch this film just because Ginger Rogers is in it. She has an important role, but it's a small one.The film starts out showing three New York City buddies working the tourist trade and also in good-natured competition for the hand of Sally (Ginger Rogers), a singing candy salesgirl along the avenue. World War I breaks out, the three buddies seem completely indifferent to the struggle, yet enlist in the navy anyways. The one of the three with the least industry as a civilian (Bill Boyd as Baltimore) winds up the commanding officer to the other two (Robert Armstrong as Dutch and James Gleason as Skeets). To make matters more complex, Sally has fallen in love with one of the three, but doesn't have the chance to tell him before the three sail off to war.The film is a little more interesting on board ship, mainly because of the close shots we have of the ship itself, and also because the chemistry among the three buddies is believable. However, James Gleason at age 49 looks a bit long in the tooth to be a swabby, especially when the sign at the enlistment office said you had to be between 17 and 35 to be eligible.One real obvious flaw in the film that made me believe that everything outside the naval scenes was slapped together with minimum care is the costume design, or, I should say, the lack of it. In the scenes in New York just prior to WWI we have everyone dressed in the fashions of 1931 and everyone driving the cars of 1931 - no effort was taken to bring this film into period.In conclusion, if you watch the few scenes with Ginger Rogers in them and the last 45 minutes involving the naval suicide mission, you've seen everything here worth seeing. The rest is padding.