Diagonaldi Very well executed

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

jarrodmcdonald-1 This RKO picture benefits from William Wellman's direction, the re-teaming of Irene Dunne and Richard Dix, and a nice blend of music, adventure and romance. Miss Dunne is particularly suited to play an opera singer, and only MGM's Jeanette MacDonald could have performed the lead nearly as well. As for the love interest, Mr. Dix essays the title role of a dashing bandit, the first time he has worked with Miss Dunne since the studio's earlier hit, Cimarron.Mary Boland does a fine job as an obnoxious snob, proving her worth as a would-be member of the cultural elite who makes things a bit difficult for Dunne. And don't miss Andy Devine turning on the charm as Stingaree's high-pitched loyal sidekick (what else?).

JLRMovieReviews Richard Dix and Irene Dunne, both from Cimarron, star in this very strange little film about an opera-loving outlaw on the run. Richard Dix happens to meet Irene Dunne and hears her sing. When Mary Boland (who is a total hoot as a self-absorbed patron of the arts and herself), from Greer Garson's Pride and Prejudice, won't let her audition for an influential friend, but only sings herself in her own off-key and shrill way, Dix fixes it so that Irene can audition for the V.I.P., despite the fact he puts himself at risk in doing so. As usual, Dix likes to ham it up, but endears himself at the same time. Ms. Dunne has never sung better in some very dramatic songs. And, what this film may lack in some technical ways and by feeling rather dated and old, it makes up for in originality and presentation. Overall, I liked it, despite its flaws and its incredibly unrealistic ending! Just go with the flow with Stingaree!

Michael Morrison This is interesting, but not very enjoyable, except for the music, some classics and opera, and an original score by Max Steiner.Beware: The ending reminded me of the last scene of "The Graduate": Two thoughtless people going they knew not where, to survive they knew not how. Dumb! All the performers were superb, but I'm reminded of the cliché, "A thing not worth doing is not worth doing well." The alleged hero is not at all heroic, although courageous enough. He is not at all admirable and one has to wonder why the heroine would fall in love with him.Yes, this is one to see, if you have nothing else to watch, but you won't want to see it again ... except out of horrified wonder.

MartinHafer This month (April 2007), Turner Classic Movies has re-introduced six old RKO films that were presumed lost. Nearly all of them were very good, but STINGEREE was a dog--a film better left lost! Unless you are a rabid fan of the Jeanette MacDonald and Nelson Eddy style operatic movies, this movie will probably annoy you with its very old fashioned and horrid singing. In addition, the plot is pure 1930s corn--completely lacking in realism and full of silly clichés that make decent actors look really, really bad.In addition to horrid opera-style singing, the film was saddled with some weird miscasting. As for the Irene Dunne, she was just fine. Her horrible warbling is exactly what the producers were looking for and back in 1934 it would have gone over quite well at the time--after all, she could sing, though in a style that is so out of style today that many will find the singing quite painful (my ears are still bleeding). But for the leading role, "Stingeree", they poorly chose Richard Dix who was unable to effect any sort of an accent. It seemed very odd that although the film was set in Australia and he was supposed to be English, he sounded exactly like an American! They should have instead given the part to cute old Snub Pollard, an Australian who played a tiny bit part in the movie (so you know he could effect a convincing accent of at least an Australian) but who used to be an amazing comic with Keystone Studios.Now for the incredibly silly plot: Irene wants to be a professional singer, but the nasty old crow who took her in is jealous of Irene's talent so she is planning on keeping Ms. Dunne from meeting a famous English musician and producer. But, quite by chance, the famous bandit Stingeree hears Irene and does everything he can to make her dream come true--even if it means him being caught. He is, but she is discovered in the process. After traveling the world and gaining great fame, Irene is determined to go back to Australia, as she knows she loves him and must marry him--even though they barely know each other and he is currently on the run again. In the end, just like in the campy MacDonald-Eddy operettas, they live happily ever after and the audience is thrilled that the singing is finally completed! They don't make movies like this any more--and for once, I am quite happy about this! What a load of hooey!PS--Late in the film, Ms. Dunne is braiding her very long hair. If you watch closely, you'll see an editing error, as her hair goes from just beginning to being braided to almost completed in a blink of an eye.