ReaderKenka Let's be realistic.

Phonearl Good start, but then it gets ruined

LouHomey From my favorite movies..

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

zardoz-13 "Coroner Creek" director Ray Enright's Civil War-era western "South of St. Louis" ranks as both entertaining and distinctive for the three Texas cattle ranchers (Joel McCrea, Zachary Scott, and Douglas Kennedy) who share a bond of kinship as stout as brotherhood. This heroic threesome is symbolic because their communal ranch, called 'The Three Bell Ranch,' is burned down by the villainous likes of Victor Jory and his raiders. Jory's Luke Cottrell is equivalent to the murderous William Quantrill who committed atrocities galore. Kip Davis (Joel McCrea of "The Virginian"), Charlie Burns (Zachary Scott of "Mildred Pierce," and Lee Price (Douglas Kennedy of "Dark Passage") all wear one small bell attached to their spurs. The first glimpse we get of this trio in action occurs they corner obnoxious Yankee guerrilla fighter Luke Cottrell in a Brownsville, Texas, saloon. Kip refuses to slap leather with the evil Cottrell. Nevertheless, he sheds his gun belt and batters Cottrell into submission with his fists before he banishes the brigand from Texas. The American Civil War that spawned Cottrell shatters the solidarity of our three protagonists. Lee decides to enlist in the Confederacy and dons a gray uniform. Meanwhile, Kip and Charlie enter the gunrunning business. The color of their hats reflects the morality of their characters. For example, Lee wears a white hat, while Charlie sports black headgear. Kip comes up in the middle with a brown one. Indeed, Lee is virtue incarnate; Charlie is malevolent incarnate, while Kip stands somewhere between them. During all these early shenanigans, we see Kip and his future wife Deborah Miller (Dorothy Malone of "The Big Sleep") delay their marriage plans indefinitely because the three men aim to punish Cottrell for his act of arson. "Humoresque" scenarist Zachary Gold and "The Big Country" writer James R. Webb have drummed-up a historical oater that chronicles the way that the Civil War fractures the tight bond among the three. The other recurring character--introduced later--that takes a fancy to Kip is red-haired, dance-hall warbler Rouge de Lisle (Alexis Smith of "Gentleman Jim") who dresses seductively and knows how to belt out a song. Confederate sympathizers will like the way that the rebels triumph over Union. This rugged western shoot'em up is a mite more complicated because it thrusts Kip into a predicament. Charlie and he are running guns across the Texas/Mexico line dressed up in stolen Union outfits when Confederates attack them. Initially, Kip refuses to return fire, but Charlie convinces him otherwise. German lenser Karl Freund of "Metropolis" is responsible for the exemplary cinematography.

Sean Morrow Lot of different things going on in this enjoyable civil war type western. The plot is set in motion in the opening frames when a ruthless raider named Luke Contrell (I guess he's the union version of William Quantrill) burns out the Three Bells ranch in Texas. The Three Bells is run by 3 friends, Joel McCrea, Zachary Scott and Douglas Kennedy (I hope you don't mind my convention of referring to the characters by the actor's names, it's just easier and apart from Contrell, the names don't mean much) who set of for Brownsville to get even. Contrell carries out his raiding under the protection of the union army, which prevents our hero, Joel McCrea, from doing much more than beating him up and telling him to leave town.Our three heros -- it's weird seeing Zachary Scott as a hero -- are now kind of shiftless and looking for what to do next. Kennedy decides to join the Confederation and fight in the open. This is kind of different, the movie is set during the Civil War and one of the hero's decides to join the confederation and doesn't feel the need to talk about protecting his way of life. The union army might protect Contrell, but they don't like him much, and the commander offers to buy McCrea a drink after he beats up Contrell -- but McCrea don't drink with Yankees. McCrea and Scott get mixed up in gun running and take to the trade, blockade running guns from Mexico to the confederates.The romantic sub-plot is that a saloon singer played by Alexis Smith has set her cap for McCrea and McCrea's gal, Dorothy Malone, has followed Kennedy into fighting the good fight as a nurse (the film just never really gets into the nitty gritty of the politics of the civil war). I found the romantic business, usually something of a drag in the avg McCrea feature, to be pretty interesting and not quite so ham handed as is often done.The production values are not bad, the acting is pretty good, the story interesting and a little different. If you love westerns, and I presume you do if you've read this far, you could do a lot worse that this movie. I enjoyed it quite a bit.

silverado1941 Good old fashioned Western, the plot however is very similar to the Jimmy Cagney classic "The Roaring 20's" re-fashioned to a Western setting and with a sanitised ending, McCrea as the Cagney character survives and Scott as the Bogart character is killed after changing sides back to the law and Order camp. Worth watching as a good example of Hollywood in its pre message era when a Western was for entertainment. The production values were good with great Technicolour and a strong cast. McCrea was always good in his Westerns having played both comedy and drama in his earlier years and Zachary Scott was a very under-rated actor, good in any movie he was in.

Marlburian Not as bad as one IMDb critic found it, nor as bad as the "Time Out" review suggests. The opening shot was a bit amateurish, with the usually excellent Victor Jory emerging from behind a flaming torch, laughing manically and chucking it through a window. His character's name, Cottrell, and behaviour brings to mind Quantrell and his raiders, but Jory is mainly on the Union side, something not appreciated by one Union officer when Jory and his henchmen swagger into a saloon. Alexis Smith as the saloon girl Rouge did a lot of grimacing, and, rather more effectively, Bob Steele did a lot of glowering,.The ending was a bit contrived, and everything works out as one might have predicted, though I'm not sure that McCrea got the best girl.