Sons of the Sea

1939
5.6| 1h22m| NA| en| More Info
Released: 23 December 1939 Released
Producted By: British Consolidated
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

The head of Dartmouth Training College has been murdered, and his successor, Captain Hyde, suspects that he himself may have been the intended target. He enlists the help of his own son Philip, a reluctant cadet at the college, to help him confirm his suspicions about planned enemy action... but meanwhile, there is a Secret Service agent staying at the college observatory, the foreign-born professor of astronomy is behaving strangely, and Naval Intelligence disclaim any knowledge of what is going on...

Genre

Drama, War

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Director

Maurice Elvey

Production Companies

British Consolidated

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Sons of the Sea Audience Reviews

Greenes Please don't spend money on this.
InspireGato Film Perfection
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
cynthiahost I just recently received the VHS version of this picture form nostalgia family video.Although the transfer is analog and not very sharp, it is a Good broad cast print.It looks like early Eastman color.Its a medium budget film and an early anti Nazi intrigue film. The word Nazi is never used cause at that time they didn't want to start a war yet. The plot is that the captain of Darmouth naval college has been murdered. The murder was intended for the head of the college, by played Leslie Banks, because he knew of the torpedo, in the bay. He gets aid from his son who wants to quit the military and go into business with with a friend an alleged astronomer visits this college then claims he's a an agent. This was the first and only feature in a early single strip color process called ,Dufeycoulor, which used tiny micro color lenses , rather than dye emolution,. Now this was a probably restored print using Eastman color process. Its hard no notice any grainy look since its printed un sharply on tape. but i bet you if projected on screen the grain would be more noticeable.It was used only for one feature because of the war needs to salvage film stock. Joan bridge,who was a Technicolor associate adviser, was an associate adviser for Dufycolour. My guess ,also, Technicolor, of england, might have bought them out too too
Igenlode Wordsmith I actually enjoyed this film a good deal more than anything I'd read had given me to expect. I suppose in retrospect it's (very literally!) a schoolboy story of a pre-war Britain where murder is the preserve of dastardly foreign agents, a naval career is the highest pinnacle to which any right-thinking boy can aspire, and even the enemy is honourable -- but then I always enjoyed those tales on their own terms, and the murder-mystery here, while not deep, is skilfully told. The culprit is fairly obvious from an early stage, despite a trailed red herring of truly clumsy proportions, but the focus shifts imperceptibly from 'who' to 'who next?', and there's a real tension in the sunlit afternoon that leads up to the events of the final part of the plot.Given what is evidently a low budget or a high sensitivity threshold for gore and explosions -- the body count is all off-screen -- this story of murder and espionage adopts a detached and narrowly-focused viewpoint that perhaps inadvertently echoes the observer/telescope motif running through it: scenes are shown at face value, without a guiding detective figure to steer viewers' deductions, the villain declines the obligatory revelation of his true identity, motives and plans, and we learn of the boy Philip's fateful interview only at second-hand and piecemeal after the event, with no more certain knowledge of whose version to trust than the characters themselves. The result -- for me at any rate -- was a surprisingly understated and effective treatment of what is basically an Agatha Christie or W.E.Johns-type story, relying on the classic plot-lever of vital knowledge locked up in the head of one man. The slow-moving and potentially sentimental amnesia-scenes culminate in a genuinely chilling moment of breakthrough; and the 'flag-waver' finale caught this viewer, at least, into an unfeigned lump in the throat. For those with the requisite knowledge, there is also a wide range of naval melodies to be picked out of the sound-track!I felt the only false note was Philip's sudden change of career plans by the end; not perhaps implausible as a reaction to events, but presented abruptly as a 'fait accompli' rather than as a revelation of self-discovery. This could have been more convincingly handled to achieve the desired outcome.Otherwise, the film came across as an enjoyable little piece, and an unintended snapshot of its era with its boyish emphasis on honour, duty and service and its carefully non-specific foreign threat -- attractively photographed, with good use of its location, and well-judged touches of comedy and drama bringing to life the secret-agent-by-numbers plot. This is a Boys' Own adventure in the best sense of the term; not up there with "The Four Feathers" or "Beau Geste", but good lively matinée fodder.
ubercommando An early British colour movie from the 1930's (the only others that spring to mind are The Divorce of Lady X and The Four Feathers) but sadly not as enjoyable as the other two. As has been mentioned, this showcases the Dufaycolour film process and it does good give results; making the 1930's colourful without overpowering the viewer with garish colours (compare with other early Technicolour movies). The shots of lovely Devon countryside are a bonus as well: As a recent visitor to Devon, I was amazed to recognise Dartmouth, Slapton and Brixham in this movie, all of which seems little changed to this day.The plot is plodding and so so. The direction stilted and stiff and the acting is, at times, woeful but this is all balanced by a intriguing look, in colour, of an era long gone.
ekgee I first saw "Sons Of The Sea" during the war (circa "40/41) in Victoria and was struck by the vibrant color of the film. The story line was not memorable and I completely forgot what the story was about. The only actor who's name I remember was Leslie Banks. (That may have been partly because I associated him with the FIRST color film made in the UK, "Wings Of The Morning". (I was about 15 at the time.) In later years, as I became more involved in film (working in television and later in the National Film Board of Canada, in distribution), I kept looking for some mention of this title, but to no avail. I happened to mention to my son, just the other day, about this title, since we had been discussing "Wings..", its' color and its' female lead, Annabella. Today, he called me in to my computer, where he had located IMDb on the Internet, and there was my long lost film! I'm so happy to have found it again and learn more about ITS' history, from then to now. Has a DVD been released of this film? ..or a VHS tape (NTSC!) I'll be back to check soon. Thanks again for finding me!