Hellen I like the storyline of this show,it attract me so much

Softwing Most undeservingly overhyped movie of all time??

GetPapa Far from Perfect, Far from Terrible

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

cinemajesty Movie Review: "Snow White and the Huntsman" (2012)Universal Studios, indulging on an exclusive distribution deal with Roth Films, led by New-York-City based producer Joe Roth, who commissioned a re-interpretation of the 1812 published fairy tale compilation of German-folklore-rooted writing "Brother Grimm", when screenwriter Evan Daughtery & Hossein Amini grooming a script for director John Lee Hancock, known for directing "The Blind Side" starring Sandra Bullock, to then again all-around industry surprises given the direction to feature debutante Rupert Sanders, convincing producer Roth as Universal executives with a well-executed as visually-stunning, feature pre-visualized short film to be given an high-end presumingly minimum of a 170-Million-Dollar production budget, two feminine-striking Hollywood stars with Charlize Theron as Evil step-mother Ravenna and Kirsten Stewart as cell-hidden and tortured Snow White, battling in major league décor designed by production design Dominic Watkins, to the death.Cinematography under Greig fraser's orchestration had been the chance to be awe-striking brilliant, but then with still-keeping-up to industrial possibilities searching first-time director Rupert Sanders becomes the coverage for "Snow White and the Huntsman" industry close-to-television standards, which tend to convince only through impossible-strong as expensive visual effects supervised by Cedric Nicolas-Troyan, known for learning his craft on the production for "Pirates of the Caribbean: Dead Man's Chest" (2006), when a further joyful ensemble cast led by supporting character "The Huntsman", performed by another-heroic-act pushing actor Chris Hemsworth, alongside an amazingly entertaining group of dwarves, digitally-shrunk performers surrounding actor Ian McShane, Toby Jones, Eddie Marsan, Ray Winstone and Bob Hopkins (1942-2012) as Muir in his final performance.Leading actress Kirsten Stewart left in still-recovering moods from endless production cycles of the "Twilight" movie series somewhere between early 2008 and mid-2012 re-shoots, when the actress plays for the camera with haunting green eyes and white skin; nevertheless to much left alone by technically-overthrowns director Rupert Sanders to be of conviction in final confrontations with Charlize Theron's out-for-blood as overly-raging performance as Ravenna, stealing every single scene, she performs in to further at least lavishingly-accomplished Academy-Award-nominated costume design by Colleen Atwood, who won her first Oscar for designing all wardrobe in favors of Rob Marshall's musical crime-drama "Chicago".© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)

Filipe Neto It has been common to release films that seek to update old fairy tales, which seem to have gone out of style. So we never quite know what we're going to find when we're going to watch a movie based on a fairy tale: personally, I still prefer movies closer to the original tales but my taste, I acknowledge, doesn't seem to agree with the preferences of most people. However, I liked this movie, and it seemed to me good enough, turning the original tale into a story about revolt and resistance, in which the princess turns into a political and military leader, a mixture of Martin Luther King and Joan of Arc. This has its merit and its potential, although I think it was an option that wasn't taken to improve the film but only to transform the fragile princess of the original tale in a woman more acceptable for today's youngsters, removing the misogyny with which feminists usually accuse traditional tales. Nothing against, but if that was so, it was a good choice made for the worst reasons.Although I enjoyed the film overall, there are points in the story that I think the script sank, starting with love. The film shoots in all directions and misses all: the love story between the Princess and the Prince is never more than a teenage platonism while all the attempts made to suggest an infatuation of the Huntsman end up looking ridiculous for never materializing in something. Another problem is the Dwarfs, who have been stripped of their dignity and transformed into mere props, very convenient for solving one or two complicated situations but totally irrelevant to the story itself.Visually, the film is wonderful but that was to be expected in a film with much of its budget was for technical issues. The CGI is good but sins because its excessive, being so strong and abundant that at times it becomes clearly unrealistic. Its great, but we never feel danger or fear... this is evident in action scenes, where fightings looks like dances. I liked the medieval look, reminded me a little "Game of Thrones". Cinematography, sets and costumes also fit very well and was magnificent, especially with the excellent soundtrack, by James Newton Howard.As far as the actors and characters are concerned there is so much to say that I decided, contrary to my writing habits, to leave the subject to the end. I may start by saying that I find the characters generally undeveloped. The only characters that really get room to develop are Queen Ravenna and the Huntsman. Both have some common characteristics, like their painful personal past, with very strong psychological notes. This allowed the actors (Charlize Theron and Chris Hemsworth, respectively) to have better material to work with, which had an immediate impact on their performance. In fact, Theron dominated the film, in one of her best performances to date, while Hemsworth proved to be able to do much more than he did in "Thor". All the other characters were very vague and had no personality at all. The dwarfs, as I've already said, were stripped of relevancy, so the actors who gave them life (some of them as prestigious as Bob Hoskins, Ian McShane or Ray Winstone) didn't have much to do. Sam Claflin also tried to do something good but his character seems to exist only to "fill the sausage" (as we usually say in Portugal when something is placed only to occupy an empty space) and therefore is quickly discarded. The same thing applies to Sam Spruell, whose character is totally redundant.And what can we talk about Kristen Stewart, who played the lead role? Personally, I've always disliked this actress. Those who watch her early works ("Zathura", for example) are able to see some potential, but the truth is that she wasn't able to develop it and become a good actress. She was very deified by "Twilight" in an irrational attitude by fans driven by the impulse and not by an analytical judgment. Personally, I have nothing against her, I just think she's in the wrong profession, has no talent and is not as pretty as people say. She has a very strange look, being too thin and having such weird eyes that remind me of a half-dead lamb. As an actress, she looks like an ice-cold robot, being unable to create some chemistry with her colleagues or showing a trace of human emotion. So the choice of this girl for the lead role was an epic casting error, only amenable to an explanation: the attempt to conquer the audience that liked "Twilight" and turned the girl into a teen idol. Its the only explanation for a decision that completely ruined the main character and compromised the entire film. I think it would have been preferable to continue the whole movie with little Raffey Cassidy (the little girl who gave birth to the main character as a child), who made an excellent interpretation. Since they changed the whole story, why not?Moral of the story: there is no love equal to the first one. Those who grew up listening to the original tale will never do without it in favor of a modern rereading. Visually great, the film is an unbelievable but gorgeous CGI overdose, with a remarkable but under-appreciated cast, poorly developed characters, a great Charlize Theron and a satisfying Chris Hemsworth. Unfortunately, a casting error compromised all the movie and, instead of a great actress in the lead role, we had Kristen Stewart, who I eagerly want to see spending more time fishing than acting.

Stuart Whyte This is an ensemble cast although the leads are exemplary in their service of the story. Scenes are well timed and the landscapes, locations, framing and art direction are quite exceptional when compared the film-making shown in other, perhaps more generic, films released contemporaneously (and since).What the film does well is to marry the fantastical / allegorical content of the tale with a human / natural context. The locations provide suitable backdrop to the primary tone and emotion of particular scenes which should carry the viewer and the set design for close action and dialogue-driven parts are realistically executed, life-worn and substantial.Possibly what is less well achieved is the overall 'package' of the film. I watched this at home and was able to pause and return to the film. If I had been in the theatre my attention may have strayed or it may have been fatigued by the volume of the well written score.It seems unfair to haunt this film with criticism based upon the previous roles played by the cast. The optical impact, restrained visual effects, and story drive are to be most engaged with not the (unfortunately?) familiar starring actors.

TheLittleSongbird 'Snow White and the Huntsman' did have potential. The trailers looked decent, and Charlize Theron, Chris Hemsworth and all the actors playing the dwarfs have been responsible for great work in their careers.However, although she has given good performances outside of 'Twilight', this reviewer doesn't care hugely for Kristen Stewart (though she is not a detractor either) and cares even less for the 'Twilight Saga'. So expectations prior to seeing the film, a live-action re-imagining of the classic fairy tale, were mixed.Watching it finally at a film night with friends, 'Snow White and the Huntsman' wasn't as bad as feared and does have a good amount going for it, but it should have been much better than it was.First and foremost, starting with the good assets, the best things about 'Snow White and the Huntsman' are the production values and Charlize Theron. The film is very beautiful to look at, with luscious but also atmospheric photography, Gothic but also elegant and rustic set and scenery design and lavish costumes (Ravenna's are a knockout). The special effects are mostly fine too. Ravenna is the one character that 'Snow White and the Huntsman' properly tries to develop (and it does so reasonably, but there are parts that could have been elaborated upon more), and Theron positively sinks her teeth into the character, giving a very enjoyably hammy (sometimes), sinister and also tragic interpretation.James Newton Howard's score complements very well, it's beautifully orchestrated, rousing, elegiac, atmosphere-enhancing and very involving. Hemsworth is appropriately stone-faced and brooding as the Huntsman, displaying charisma and emotion. Sam Claflin does well too, though with an underwritten character.Was mixed however on the dwarfs and Rupert Sanders' direction. The dwarfs are very enjoyably characterised, with all of them displaying much needed character, humour and charm, more so than their material deserved. Ian McShane is particularly noteworthy. However, they are written in a very glossed over and bland fashion, almost like they were written as an afterthought. The decision to scale down the actors may not work for some people, those who feel that casting real-life dwarfs would have fared better, personally enjoyed the performances but felt it would have been better if Warwick Davis played all of them. Sanders' direction exudes confidence visually, but in the chemistry between actors, direction of some of the actors and direction of the drama he seemed ill at ease.The biggest problem with 'Snow White and the Huntsman' is Stewart (an opinion this reviewer well before reading the reviews for the film, so this is own opinion talking), she gives a very wooden, expressionless and one-note (constant surprise and "sucking on lemon"-like) performance that makes identifying and sympathising with Snow White incredibly difficult. A shame because her younger child counterpart was very believable. The story has moments (mainly with Theron), but flounders from a lack of chemistry in the pivotal relationship between Stewart and Hemsworth, a particularly dull middle act and stuff brought up but barely explored giving an incomplete and jumpy feel to the storytelling.Action is episodic and lacking in tension and excitement generally, while the script clunks badly and the characters are bland with the exception of Ravenna. They do start trying to develop the Huntsman but the development is forgotten about once he becomes protector and lover.Overall, looks great but fails to engage narratively. Not awful, not great, wildly uneven more like. 5/10 Bethany Cox