Inadvands Boring, over-political, tech fuzed mess

Keira Brennan The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

JohnHowardReid "Bugs Bunny", "Elmer Fudd", and caricatures of Leopold Stokowski, Gregory Peck, Ray Milland, Frank Sinatra, Humphrey Bogart, Sydney Greenstreet, Carmen Miranda, Lauren Bacall.Copyright 20 December 1946 by the Vitaphone Corp. Merrie Melodies (Bugs Bunny Special) Warner Bros. Cartoons, Inc. U.S. release: 1 November 1947 (sic). 1 reel. 7 minutes.COMMENT: Prices have climbed a bit since we visited Ciro's for Hollywood Steps Out. Dinner at the Macrumbo is $600, but small down payments are accepted. Although Steve Schneider likes this one, selecting it as both a Bugs Bunny and Elmer Fudd "best", I would not give it such a high rating. The spot gags (Milland paying for his drink with a typewriter and receiving three miniature typewriters for change; Sinatra drinking himself into a glass tumbler; Bugs imitating Groucho opposite Elmer's Harpo; and what is the point of the gag with Gregory Peck - or is it supposed to be Tyrone Power in The Razor's Edge?) are not all that funny. But Bugs eventually does get to dine with Bogey and Baby and in the meantime dances up a storm in a nice Carmen Miranda take-off. The rabbit is full of his usual vitality, and we like his snappy white tie and tails. Fudd has some "waughable" business too including a quick-witted trick with a mirror.

Vimacone One of the staples of the WB cartoon studio was lampooning Hollywood. The caricature cartoons are among their most fascinating period pieces, especially those that took place in the old Hollywood night clubs. Case in point, The Mocumbo. This short is strongly reminiscent of THE COO COO NUT GROVE (1936) and Hollywood STEPS OUT (1941), which had a nightclub setting with several caricatures. Humphrey Bogart threatens waiter Elmer to get him a rabbit for dinner "or else". Of course the rabbit Elmer goes after is Bugs. Both encounter (or impersonate) several celebrities during their pursuit. The highlight for me has always been Carmen Miranda's performance followed by Bugs' own samba performance.This was probably the last cartoon of that kind to come from WB. Truly the end of an era.

John T. Ryan NO SCHULTZ, IT ain't FANTASIA! It is rather one of those great old Cartoon Short Subjects that we all took for granted in years gone-by.STILL RELEGATED BY many as being strictly kids' stuff, the animated Cartoon short has slowly gained its proper place and commensurate dignity in the art of cinema. An objective viewing of any good, cross sampling of these 10 minute surrealist comedies would probably surprise many of their staunchest critics.TAKE INTO CONSIDERATION today's honored "guest", SLICK HARE (Warner Brothers Pictures, 1947). The madcap "plot" consists of a customer's desire to order Roast Rabbit and all of the complications that spring-up between customer and waiter. Then factor in that the principal characters involved in this mêlée are Customer(Humohrey Bogart), Waiter (Elmer Fudd) and the bone of contention, the Rabbit (Bugs Bunny).ADD IN SOME fine and genuinely funny gags; along with a whole company of Hollywood caricatures; a list of which would do Hirschfeld proud, and whatta ya have? You'd have a top flight comic romp, animated or live action. For all of its gag happenings, the film rolls along at an unbelievably brisk rate; with the ending coming along all too quickly.THE CRITICISMS WE hear about the short involve the inescapable fact that the Hollywood folks spoofed as well as the contemporary nature of the the then recent occurrences, leaves a modern audience in a bit of puzzlement.THIS WE CAN understand; having failed recognition of unknown Cowboy as Gary Cooper in the Bob Hope starring vehicle, ALIAS JESSE JAMES (Hope Enterprises/United Artists, 1959). Being about 12 years old at the time and an avid TV Watcher, quickly identifying Gail Davis (Annie Oakley), James Arness (Matt Dillon), Ward Bond (Major Adams of WAGON TRAIN), Hugh Obrian (Wyatt Earp), Fess Parker (Davy Croket) and Jay Silverheals (Tonto). (Roy Rogers & Trigger were super easy, playin themselves!) But I digress! Now back to SLICK HARE! THE CAST OF CHARACTERS being lampooned here are basically as well known today as they were in 1947. Furthermore, speaking for those among us who they call "Film Buffs", the Films and Stars of that Golden Age; as well as their Film Credits, are more familiar than an awful lot of current Hollywood. While we do enjoy a certain number of today's cinematic output, we do spend a lot of time on the Oldies; as we had viewed them; being on Turner Classic Movies, Fox Movie Channel and American Movie Classics (the old AMC, that is).

Lee Eisenberg While most cartoons had Bugs Bunny doing his own stuff to irk Elmer Fudd - and sometimes Daffy Duck - here he has the unexpected help of Hollywood's top stars. When Humphrey Bogart (sorry, it's not really him doing the voice) attends a fancy restaurant and orders rabbit, Elmer has to serve him within twenty minutes, or else. Sure enough, the only rabbit in the vicinity is that carrot-chomping rascal who isn't going down so easy.All in all, "Slick Hare" makes one nostalgic for old Hollywood* in many ways: it's the era of Bogie, Ray Milland, etc., but also the era when the people behind the Looney Tunes cartoons were producing some of the greatest cartoons of all time. You just gotta see it. Because remember: what baby wants, baby gets.*I know, Hollywood is the emptiest place on Earth, but this cartoon still makes one nostalgic for it.