InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Cassandra Story: It's very simple but honestly that is fine.

Yazmin Close shines in drama with strong language, adult themes.

Kirpianuscus it is the only word who could be used about this film. because it represents the best way to remind/present so painful , delicate events from the East than other manner is more than risky. it is a film about dictatorship. about fear, hope and about beginning. about courage and community. about the absurd who defines ordinary people life. and about survive. a film by a remarkable actor who use his laws and nuances and sketches of his experience of performer for do his so personal film. it reminds Kusturica but the theme and the subtle style to give the right image of a dark period does it unique. because it is a profound Romanian film. and this fact does it universal. because , in fact, it is a history lesson. honest, clear, using the most strong, convincing bitter humor. it preserves the taste of Urmuz, Eugene Ionesco or popular jokes under the Communist regime. and this does it a real masterpiece.

cix_one The director is a well known-Romanian stage actor, and the movie (his directorial debut) shows it - or suffers from it, depending on your point of view. The subject of the picture is inspired from a true and painful story of repression under communism. The story is told with humor, but many times the humor is over the top, cheapening somewhat the tragedy that swept over the Eastern block after the second world war.The movie is framed as a fantasy/allegory the director and his crew take a few liberties with the script. The editing however is a bit sloppy (modern cars showing in the background in the field scene, mike booms cutting into the frame) and that left me with a tinge of disappointment.On the bright side, the director's brilliance as an artist shines through in many scenes, such as one in which he masterfully and seamlessly weaves in a silent black and white comedy scene in the best Laurel and Hardy tradition.

Sebastian Despite the favorable comments left here by other users, I think that watching this film was a total waste of time. About 45 minutes pass by before the main story even begins. Thus way too much time is wasted introducing the audience to every single character. The film jumps from genre to genre without bothering to resolve every storyline it begins. At one point you may expect this to develop into a crime story, but you can only guess who the perpetrator was. The next moment the film seems to turn into a horror story but after only two scenes that storyline ends without being resolved properly. The key scene may lead you to believe that this film was intended to be a comedy. The actors had to mime everything during that part. But sometimes you can almost "see" the director telling everyone to look right / left / up or down - the whole thing is not exactly acting at its best. The comedy part ends and drama kicks in. Obviously the film makers couldn't make up their mind! The basic story line might have been turned into an interesting film, but unfortunately this chance was wasted.

taff89 Tonight, 1st of May 2009, I have been invited to the Ratiu Foundation's Film Festival in London to see the film. Reviews from Romania came as a poor film, with a simple matter not well directed. I have to say that I've had the best cinematic experience in years. Malaele's film is truly a masterpiece, in directing actors as well as in his choice of cutting and music and everything that anyone would want to see. If some voices call it a copy of Kusturica's films I gotta say that is 10 times better, because on top of a colorful cast he also has acting, drama, tragedy, and comedy at the top of his sarcastic lungs. Malaele is a master in film that needs to be praised, and he needs nothing more of my words. All he needs now is his recognition that I as a Romanian director would give him with all my heart: I wish I could do a film like that!