Softwing Most undeservingly overhyped movie of all time??

2freensel I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Michael_Elliott Silent Britain (2006) **** (out of 4)Excellent documentary hosted and narrated by Matthew Sweet that covers the impact that Britain had on the silent cinema. It's funny to think but when most fans and even film buffs talk about silent cinema, they usually start with America and then places like Germany and Italy. Britain is pretty much overlooked until you start to discuss the work of Alfred Hitchcock so this documentary really is special because it's going to introduce you to many films and names that most might not have heard of. The film starts off talking about who "really" invented cinema and of course this starts with Edison but we're introduced to three other names who had their hand in it. We then see countless clips from various British silents that were made between 1898 and 1910 and then we see how the films started to get longer. There's also breakdowns of certain films showing how close-ups were being used long before they're often given credit for and we also see how something like THE GREAT TRAIN ROBBERY was influenced by a British film. The documentary really does a great job at telling the history of the British silent film and in just 88-minutes you feel as if you're given the entire story and a great place to start off in viewing some of these films. Fans of cinema will certainly find this documentary to be a must-see as the topic is just so interesting and it's going to open your mind to things you might not have known about.

MartinHafer It's pretty ironic that I would see this the very day after seeing another documentary about the British film industry. Yesterday, I saw "The Golden Gong"--an indifferent documentary about the Rank film studio. There was at least as much I disliked about the film as I liked--and it really didn't seem to try very hard to do a good job of telling its story. However, with "Silent Britain", you could see that the folks making this documentary really, really cared--knowing gobs about the subject and trying infuse enthusiasm in the viewer. In every way this was a quality production.The film begins at the earliest days of motion pictures--even predating the work of Auguste and Louis Lumière as well as Thomas Edison. How some obscure Brits contributed to the process of creating the first films and failed is pretty interesting to people like myself who love film history. Then, the film slowly moves from the early ultra-short films of the early 1900s and progresses to the last of the silents in Britain in 1930. Along the way, the film has tons of film clips, excellent and insightful narration as well as archival and recent interviews that really enhance the story. Fascinating throughout.

Cineanalyst Matthew Sweet presents a chronological overview of the silent era in Britain, from the inventors of the medium who worked in England to the surrender to talkies by 1930. Along the way, Sweet succeeds in dismissing views that Britain was mostly lacking quality productions during the silent era. Sweet does, however, reinforce, by the amount of time he devotes, the history that the UK was the most ahead of the curve in the beginning, roughly from "Rough Sea at Dover" (1895) to "Rescued by Rover" (1905), went into commercial decline with the Great War, and saw an artistic peak of the medium at the end of the 1920s. Perhaps, the beautiful films of the late 1920s in Britain (as elsewhere) hasn't always been recognized, with the exception of those made by Alfred Hitchcock, but that's been changing thanks to historians like Sweet and this program's producer David Thompson.If you want to purchase this show on DVD, for instance, and regions aren't an issue for you, then get the American Kino one, where it is included with "A Cottage on Dartmoor" (1929); it's better than the short film included on the British DVD. After all, the best and worst part of "Silent Britain" is that it garners interest in these films by showing clips and discussing them: some of them are accessible even on home video, but others are mostly hidden in the archives or lost entirely.

Ross My interest in this docu came about as I've been all my life a fan of Ivor Novello's music and persona even though I didn't know a great deal about his movie period until his centenary when he became briefly fashionable again and I picked up some 2nd hand books about him and read those of his major musicals for which I could get hold of libretti. I was stunned to discover just how much a superstar he was on film and after seeing The Lodger and reading a really excellent BFI book called Ivor Novello : Screen Idol, I realised just how he accomplished this and just how amazingly good he was. I've since managed to obtain The Phantom Fiend (unfortunately the cut down American version but it's still vg. up to the abrupt ending) and Return of the Rat (well, better than nothing about the Rat but clearly not as good as his earlier Rat movies).So I bought this DVD sight unseen and was delighted to discover a whole chapter on Novello and a single still right at the end of the docu of his famous Apache Dance. But I was also surprised at just how dynamic and interesting British film making was in the silent period. It was very exciting to discover so much about our movies and infuriating to learn just how stupidly reticent we've been about that golden era. What is wrong with the British that we denigrate our own terrific history in film and we allow our oh-so-clever and sarcastic movie critics to carry on this calumny as though praising anything British is both incompetent and even disgracefully silly whilst it's an absolute necessity to rave about the movie past of the USA and France?