Shakedown

1988 "In a city where everyone is for sale... They're the best money can't buy."
6| 1h33m| R| en| More Info
Released: 06 May 1988 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
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When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.

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Director

James Glickenhaus

Production Companies

Universal Pictures

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Shakedown Audience Reviews

NipPierce Wow, this is a REALLY bad movie!
Interesteg What makes it different from others?
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Hulkeasexo it is the rare 'crazy' movie that actually has something to say.
Wizard-8 Since its theatrical release, "Shakedown" has all but been forgotten by the public. Having just watched it again after more than twenty five years since I first saw it, I think I know why it has faded into obscurity. Don't get me wrong, it's not a terrible movie. For starters, it looks great, with expert cinematography and lighting despite being made with a somewhat conservative budget. And director James Glickenhaus, like in his other movies, definitely shows he can direct action - the action scenes in this movie are very well done. But a closer look at the movie soon reveals some big flaws. While Sam Elliot shows his trademark weary charm and makes his character appealing, his co-star Peter Weller doesn't fare so well. Weller is kind of stiff, maybe because his character is eventually made to be not so likable despite being in a lead protagonist position. The screenplay (also by Glickenhaus) is also kind of a mess, with important characters disappearing for long periods of time, as well as the central story moving extremely slowly (or not at all) for equally long periods of time.Is the movie worth seeing? In some circumstances, yes. If you actively seek it out and/or pay good money to see it, chances are you'll be disappointed. But if it crosses your path during a slow day for free, you'll probably find it helps pass the time in an acceptable manner.
Pepper Anne Behold! Another movie about crooked New York cops and the two unorthodox cop and lawyer that gives them the shakedown. The story was alright, but the action scenes were tremendous. In fact, they were too good for a movie that had a very solemn thriller aspect in addition to having trouble picking up the pace at points. Things will go slow and then bam! Some wild action scene occurs. This also makes the ending, ala True Lies, far too ridiculous to really enjoy. Perhaps, if the story was all about Sam Elliots character, the quiet and rugged cop who doesn't ask too many questions, it would seem fitting as an explosive cop shootout kind of movie. But the film is transplanted into the courtroom with subtlies of Peter Weller's character, a lawyer, who is defending the drug dealer accused of killing a cop who is part of a whole line of New York's finest shmoozing the city's notorious drug dealers. This movie wasn't too bad, and probably enjoyable for those who like cheap, 80s cop thriller movies without too much regard to writing. If they'd have kept up with the action scenes, it'd made a fine action/suspense film. And, without all the action, it'd made a fine thriller. It just changes tempo too often is all.
culwin Another buddy-action movie, but this time it's a lawyer and a cop. Nothing original here, but plenty of action and an interesting plot will keep you watching. Ending was ok, but it could have been much better. Good for watching when you've already seen all the Die Hards and Lethal Weapons. 6 1/2 out of 10. Can you spot the subtle references to other Glickenhaus movies like The Soldier and Exterminator?
ChoiBaby Director James Glickenhaus (The Soldiers, The Exterminator, McBain) has composed a reasonably well constructed thriller with the usual spectacular action sequences and an interesting plot. This time though, the strong performances from the lead stars help propel Shakedown above the usual mundane low budget films. Peter Weller (Robocop, Screamers) is excellent as Roland Dalton, a frustrated attorney who must help defend a troubled youth who has been accused of murdering a police officer. However, there is more to the scene of the crime than meets the eye...Sam Elliot (Road House) is grand as Richie Marks, a rogue police officer who is always at the wrong place at the right time. Marks and Dalton happen to form a "buddy-buddy" type bonding, and their investigation eventually leads knee deep into a conspiracy of corruption, deceit, and murder...Shakedown is a decent action flick with an intriguing plot with enthralling plot twists and top notch action sequences. The fist fight aboard a moving roller coaster is a highlight and the extended vehicle chase through the streets of Manhattan is another highlight.What makes Shakedown an exceptional thriller though, is the three dimensional performances. Peter Weller is definitely the performer worth watching in Shakedown. His convincing portrayal as a tough lawyer adds an extra depth of integrity to an otherwise standard "kill or be killed" actioner. Sam Elliot has his moments too as a cynical renegade cop who helps Weller expose corruption in the police department.Shakedown is worth watching just for the high caliber performances from both Weller and Elliot. The action scenes are worthwhile as well. The only setback though is these action sequences are used a little too sparesly. The lack of a breathtaking pace destroys an almost superior thriller. Otherwise, Shakedown is an adequate film. This movie would benefit greatly with a faster pace, but the acting from stars Weller and Elliot make Shakedown a film worth a look.RATING: **1/2 out of ****.