Interesteg What makes it different from others?

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Spikeopath If ever there was a wasted opportunity to add another Great British prison movie to the roster headed by Alan Clarke's incendiary Scum, then Screwed is it. The credentials were promising. Based on the real life memoirs of Ronnie Thompson, an ex squaddie who post a tough tour of duty joined the prison service and apparently found another kind of war on the inside, and the adaptation to screen is headed by Brit thespian bad boys Noel Clarke, Frankie Harper and James D'Arcy. Yet what unfolds for the duration of the pic is the standard raft of clichés we movie fans have seen time and time again.There's some early promise that maybe this will have something to say as regards a returning war veteran, hints that the screenplay will have caustic asides on the British penal system – and the problems inherent within our prisons, but it never delivers, instead choosing to macho everything up in such a fanciful fashion you have to wonder exactly what is actually based on facts? There's also the small matter of the fact the whole picture plays as very similar to Phil Davis' excellent 1995 football hooligan movie, i.d. Only there it was an undercover policeman getting in feral with his work, here it's a prison officer doing likewise. There's even a sex scene that is lifted straight from Davis' movie.Having not read Thompson's book, "Screwed: The Truth About Life As A Prison officer", something which I intend to correct in the immediate future, I can't vouch for the veracity of this adaptation to screen. However, the film feels empty, like it's following a guide book written by the British press on how they "think" our prisons operate, fuelling the horror fire of what filmic adaptations over the decades have led us to believe are regular occurrences. Only Thompson knows the truth, both of his experiences and of how his book has been translated on screen, but all things considered it's a lazy same old same old film. 5/10

OJT An Irak veteran takes job as prison guard after returning from the war, still bothered with memories from the war traumas. The veteran, Sam Norwood, knows his stuff, but are soon realizing that the prison is not run the way it should. It seems that it's not easy to please all ways. Does he have the backing needed by his superiors?The film is great played, very real and believable, like most British films. You could hold Against it that the film is Being more than an action flick. It's also loaded with realism back home. There's also an excitement lingering and true enough, you never can be sure what you get into at this station. Being based upon real events, making base of a novel, and with this film following, I can't say anything else that I really enjoyed the flick.This film is better than it's rating here at the moment, and is well worth a watch.

davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Sam Norwood (James D'Arcy), a former soldier, takes up a new job at a local prison to make ends meet. Already anxious at having to work among the undesirables he knows he'll come across, Sam is unprepared for the guards, headed by the burly Deano (Frank Harper) to emerge as just as corrupt, if not worse, than the convicts, as a drug dealing network emerges, while he also has to contend with a warden who seems to take the side of the inmates more and head con Truman (Noel Clarke) steps up the pressure to make Sam snap.Based on a novel by former prison guard Ronnie Thompson, Screwed attempts to bring the grim horrors of prison life to the screen, as if it's a feat that hasn't been attempted before, taking in hostage situations, scaldings and pretty much everything bar gang rape. Somehow, this adaptation of his work has all the right ingredients in the pot, from the cast to the gritty, drained style. Somehow, though, the end impression really isn't as impressive as it could have been.Somehow, an impressive cast, including D'Arcy, Clarke and Harper, and a supporting cast including Jamie Forman and Andrew Shim fail to shift a low key tone from the film, which comes off as an amateurish, messy, misguided effort. Better use of the cast probably could have raised it up a bar or two, but D' Arcy can't let his character rise above the typical raging ex soldier sort, while Harper and Forman are also stuck with cardboard prison officer roles. Clarke is impressive as ever, but takes too long to make his presence known and come alive, as well as the vicious villain he's portrayed suffering an ill judged, nonsensical ending that is at odds with everything we've seen through-out.It's a bit of a let down, but it's not a complete failure. It remains an unflinchingly brutal depiction of the prison world, how the drama plays out remains intriguing and it retains a sense of style and atmosphere that is some compensation. But sadly not quite enough. **

James Toole What a powerful insight into a World behind bars. D'Arcy, Clark & Harper were superb in portraying the realism of life on the wrong and right side of the law. Although this film was rated as an 18 due to it's language and violence, Travis shows the brutality, but cleverly leaves the outcome to our imaginations without ramming it down our throats. Very watchable, the way the narrative switches between D'Arcy's character Sam and his home/work relationships is riveting, drawing the audience in, making us ask ourselves what we would do in a time where money doesn't come easy and more people are turning to drugs hoping to lose themselves in the darkness. A nice film to high light the dangers of crime and how easily people can get trapped and enticed, but good prevails in the end.