Scorching Sun, Fierce Wind, Wild Fire

1979
5.8| 1h32m| NA| en| More Info
Released: 11 July 1979 Released
Producted By: Kwang Yi Film Co., Ltd.
Country: Taiwan
Budget: 0
Revenue: 0
Official Website:
Info

During China's 1920s Republican Period, warlords carve out personal fiefdoms across the country and impose self-serving laws with the barrel of a gun. Into this anarchy rides a masked feminine Zorro, nom de guerre Violet, to do battle, right wrongs and foment rebellion against the most corrupt and brutal warlord of all, Tung Ta-Chou. Unbeknownst to Tung, however, Violet is his own daughter. Tung orders his psycho enforcer Master Wu to track down and dispose of this pesky rebel queen. Meanwhile, Violet begins a flirtation with an attractive stranger who comes to town with the other half of a treasure map held by Tung. Ultimately, Master Wu betrays the warlord on the lure of the complete treasure map, enabling Violet and the stranger to apprehend Master Wu and beat the warlord at his own game.

Genre

Action

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Director

Sun Sheng-Yuan

Production Companies

Kwang Yi Film Co., Ltd.

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Scorching Sun, Fierce Wind, Wild Fire Audience Reviews

BroadcastChic Excellent, a Must See
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Leofwine_draca I saw this under the title DRAGON CONNECTION. It's a densely-plotted Taiwanese kung fu movie with more story than action, and what a confusing story it is too. It begins with a music score sampling STAR WARS and a guy getting messily dissolved and it ends with a bunch of larger-than-life characters duking it out to the death.In between we get confusing character motivations and a large tapestry of main players usually working against each other. There are at least four familiar performers here if not more, and watching them at work almost makes this worthwhile. Tien Peng is the stock hero character and saddled with all of the heroic stuff while Angela Mao appears and is underutilised. She may or may not be a purple-clad masked avenger called Violet who has been hunting and killing bad guys. Chang Yi is a psycho villain and very effective with it, while Lo Lieh plays an escaped convict who gets involved in the affair. It's all rather routine, and the martial arts is acceptable rather than electrifying, but you could do worse.
ckormos1 Every Angela Mao movie leaves fans of the genre hungry for more. Personally that means more of her martial arts skills and more of her beauty. This movie borders on starvation. The plot started out okay then added stuff that just did not matter and was not resolved. More important is the action. In the first hour there were times that Angela could have and should have taken off the stupid hat and veil and kicked some ass. Didn't happen. Yet the last 20 minutes or so (excusing the excessive acrobatics of the stunt double) were done just right. Perhaps they should have started at the end and filmed the beginning last. Anyway, a taste is all we get. Watch it anyway and think of what could have been.
gorthu I usually don't care whether or not a kung fu movie has a good story, but the story is the reason I didn't like this movie. Everybody is looking for a map and it just doesn't make much sense. There are other parts to the story but it is mainly just mindless talking.I suggest just fast forwarding to the last 20 minutes. Dorian Tan, Lo Lieh, Roc Tien Peng, Angela Mao Ying, and Chang Yi all get to show off, and Chang Yi is the only one I felt got enough fighting time. He is on fire in the final fights and he is the only reason this movie is worth watching./////////////////
Brian Camp SCORCHING SUN, FIERCE WINDS, WILD FIRE is a Taiwanese-filmed kung fu drama offering plenty of fights and six top-ranked performers, none of which quite make up for the meandering, confusing storyline. There are so many major characters and so many tangents followed that no one quite emerges as the hero of the story, which is supposed to be about warlords and rebels, bandits and soldiers in the early days of the China Republic. There is a plot thread about a search for the second half of a treasure map, but it's conveniently forgotten at various points. The period detail is so casual that much of the film looks like it could have taken place hundreds of years ago, yet when the head of a prison visits a chain gang, he is driven up in a late 1960s-model American car.The most underused performer here is kung fu diva Angela Mao, who is visible in only three fights, two of them quite brief. She plays the daughter of a warlord and has a secret identity as the masked freedom fighter Violet, who rides the country righting wrongs and organizing rebels (similar to Zorro). Tien Peng plays a mysterious stranger who comes to town looking for the other half of the map. Lo Lieh and high-kicking Tan Tao Liang play prison inmates who escape and wind up in the thick of things. Chang Yi plays Master Wu, the security chief who does most of the fighting for the warlord. Jimmy Lee plays one of Violet's band. There are lots of other familiar kung fu faces in the cast.Chang Yi was a great villain (EAGLE'S CLAW, TRAITOROUS, IMPERIAL SWORD, CHALLENGE OF DEATH, FATAL NEEDLES FATAL FISTS) and does such an efficient job fending off the good guys here that one can easily be forgiven for rooting for him. It's fun watching all these performers in constant fighting motion, mostly at outdoors locations, but one wishes there were some semblance of a real storyline and some reason to root for one side over the other.ADDENDUM (9/8/10): I don't know where IMDb got the title, ANY WHICH WAY YOU PUNCH, but I've never seen this film referred to by that title anywhere else.