Scanialara You won't be disappointed!

Borgarkeri A bit overrated, but still an amazing film

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

AllNewSux Seytan is just one in a field of maybe two dozen or more Exorcist ripoffs made in the 1970s. Outside of the blaxploitation version 'Abby', I wouldn't refer to any of these movies as a "must see". However, because I like the plot of The Exorcist and I am also fascinated by demons and cases of demonic possession, I do tend to find all of these ripoffs rather enjoyable and this one is no exception. The effects and the make up are decent although nowhere near Exorcist levels of quality. However, I'm sure their budget was a speck of dirt compared to what French Connection genius William Friedkin was allowed. As far as our main characters go, the mother comes across with a bit more sex appeal, but far more bitchiness than Ellen Burstyn had. Maybe it's just a cultural thing, but are her cooks and housekeepers slaves or employees? Overall I'm sure it's just there to demonstrate to the audience how much she cares for her daughter Gül just as Burstyn had some of that anger. Gül is another thing that doesn't translate well to us Westerners as it sounds more like the name of a demon than a little girl. Canan Perver as the daughter is probably the high point of this film though. We realize that Linda Blair was a terrific child actor which is why her performance was so great. However, I wouldn't call Canan a great actress, but she does come across as a little unstable. She almost seems to love being possessed and this psychosis benefits her role as the demonic daughter. If you've seen The Exorcist you know the plot and I only recommend this film to you if you want to see another culture's take on the subject. Keep in mind if you are a fan of something like Turkish Star Wars don't assume this film will appeal to you. This film is not humorous in any way, shape or form...it takes itself and the story very seriously.

Scott Lefebvre A hallucinatory alternate-reality Turkish shot-for-shot adaptation of the infamous American "horror" film The Exorcist in which Christian iconography is replaced with Islamic iconography. Over-the-top scenery-chewing performances and high-school science-project-quality special-effects make this the prefect film to experience with a few friends and a lot of mind-altering substances. This film follows in the tradition of other Turksploitation films in providing similar thrills on a limited budget. I can truly say that this has to be seen to be believed. If this is the kind of thing you're into, there's a whole genre of Turksploitation films known more commonly by titles like "Turkish Star Wars" and "Turkish Spider Man" and "Turkish Indiana Jones".

KanaX This movie is an attempt to make use of a script, which was already turned into a masterpiece by William Friedkin only a year ago in 1973. To make things worse, they had only a tiny budget for this remake and well, I'm sure that the producers of this movie had made some money at the end, yet it was a useless risk for the big director Metin Erksan, who had won the Golden Bear in Berlin with his 1964 movie Susuz Yaz (Reflections).If you are a fan of The Exorcist you probably should watch it, yet for others, it will probably only be a waste of time. It is not so funny either, so if you attempt to watch it for a few laughs, in many cases you will just end up being bored. There are some Ed Wood/Cetin Inanc type low- budget B-movie mistakes in this one as well, yet someone has to point them out, so maybe you should invite some friends over to share this ridiculous experience, or maybe a talk-show host should examine the movie with the help of a studio audience, and in Turkey that was actually done for this movie ;)

judex-1 Legendary turkish remake of "The Exorcist" is really a hoot. The little girl who gets possessed looks amazingly like Linda Blair, the christian references are severely toned down, (though not quite completely replaced by Islamic counterparts), and they do about what one would expect in such a production. Technical aspects are amazingly minimal, although that isn't really unusual for such Turkish productions. There is a bit of atmosphere and menace to this production, but the cheesy effects work against it. Very rare, I guess, but it should turn up any day now. I suppose it would help if I spoke Turkish, but this is still a mindboggling ride. heh --Judex.1--