Lancoor A very feeble attempt at affirmatie action

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

cellar_door__ I watched this film with high hopes and as a big fan of Irrfan Khan, but am afraid to say that this is the biggest pile of garbage I have seen in a long while and feel that I have been robbed of my time.The plot line is an outrageous, piecemeal, predictable mess, which left me feeling unfulfilled and irritable. The sound was equally awful and had me thinking back to viewings of the stunningly bad 'Fun 2 Shh: Dudes in the 10th Century'. The score was disjointed and out of place, not my cup of tea at all.The only saving grace was Irrfan Khan, who's exquisite acting skills were unfortunately eclipsed by the truly dreadful writing and direction. All in all, worth a look if this is your sort of thing, but for me this is one of the worst films out of India in 2005. Abysmal.

shariqq Father-Daughter Bhatt have embarked on a mission to ensure Film-Noir is a set genre for Bollywood audience. Jism, Murder and a few other movies of theirs are adaptations of Hollywood movies from years ago. ROG is one of the better movies they have produced, and most of it's credit goes to a brilliant performance by Irfan Khan. I am not exaggerating when I say he is the worthy successor to Naseeruddin Shah in the ease with which he slips into any role he portrays. This movie follows the murder investigation of a beautiful model, Maya Solomon, by 'super-cop' Inspector Uday Rathore (Khan) who suffers from mild-insomnia. While conducting the investigation and piecing together the past of the model, the cop starts falling in love with the image of the dead woman; all the while trying to find her killer. With a cast of a few extras (including a loud 'accented' confused-desi), none of the other performances are worth note. Yet, the movie itself is well made (a proper script, whoa!) with a beautiful score (M.M Kreem) and a brilliant lead performance. The twists (save one) are a little predictable, but the presentation is a revelation for a low-budget Indian movie. Kudos to the director Himanshu Brahmbhatt for a job well done (he is Mahesh Bhatt's AD from the Gumrah & Sadak). If nothing, the movie is worth for the Irfan Khan alone. I have set myself up to watch any movie this man stars in. Oh, and the music is awesome.My Rating ---> 2.5 of 5 Trivia: * Irfan Khan is the same titular 'The Warrior' from Asif Kapadia's epic English movie (which I thought was very slow). * M M Kreem insists on proper poets to pen lyrics for his songs, else he doesn't compose music. (Never expect a 'David Dhawan' song from him). * This movie is a remake of Laura (1944)

AishFan I thought this was a nice, fresh movie to ring in 2005. Irfaan Khan acted brilliantly. He played his role of a depressed cop who has no desire to live very convincingly. The actress, however, was quite lame. She is portrayed as drop-dead gorgeous, heavenly, and very innocent. I thought she was the complete opposite--she seemed kind of ugly and quite worldly. Nevertheless, the story and characters are quite interesting. Pooja Bhatt always has a thing for creating extremely mysterious characters that strike the audience's curiosity as they do in Rog. The actress's friend, boyfriend, etc. all have interesting personalities. The very idea of falling in love with a dead person is indeed very haunting, and it is disturbing to think of love as a disease as the tag line suggests. There are some really nice scenes and dialogs. Songs are excellent, especially Guzar Na Jaaye.

Malik Taufiq - ur - Rehman Awan ROG produced by Pooja Bhatt who tasted her first success as a producer with Jism, so she thought to go ahead with such kind of genre and taste the success again but sorry Pooja this time you went wrong as you went wrong with your directorial debut movie Paap where you promoted it as a Sex Movie Jism Part 2 which it was not and because of this reason it was rejected by the audience. Rog was screened last year in Pakistan at Kara Film Festival and Paap was also screened in 2003.The film is about Ilene Hamann around whom the story of 'Rog' moves. She heads for an ad man Suhel Seth and soon their life flow peacefully. But, the silence turns deadly when one day she is found dead.Then the story takes the turn that who has done this? What was the motive behind this brutal act against a woman? And, it is here when the investigating officer Irfaan Khan enters the scene. First he considers it as a usual crime case, but soon realizes that it is not as simple. Hamann's daydream makes him fanatical. Is he sick? But, this is only the start of the confusion that he is going to lead into.What could have been an edge-of-the-seat thriller loses focus soon after the principal characters are introduced. The climax is insensible that whatever shocks a few sequences created just disappear. Even the identity of the murderer does not come as a shock.The worst writing by Mahesh Bhatt, bad direction by Himashu Brambhatt and also not good cinematography by Anshuman Mahaley. 1 out of 5