Skunkyrate Gripping story with well-crafted characters

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

hal-9010 -Minor Spoilers-I was impressed with the acting, but pretty much everything else was a hit and a miss; poor scripted dialog, bad editing and the storytelling was embarrassingly obvious - radiated a lack of cinema experience from the directors side. Basically, a sweet attempt to make a farce, but nothing more.Had a few moments of missed great comic opportunities like the scene at the attic which kept calling out for more (could have been great), the poison scene was blatantly non-mysterious when it could have been a jaw-doping scene of disbelieve and we have of cause the no-surprise buildup to the son at the airport in the end. Its many quirks of techniques (e.g. the odd almost random present- day shots from time to time - and not because of the bad old-woman makeup - and the momentarily out of focus shots) did not work or support its purpose, thus repeatedly reminding us of itself and creating a theatre like distance which made it impossible to emotionally truly identify with any of the characters: A fatal flaw of any would-be comedy, be it black or not! At its core I can see the story holds a hint of potential, but not enough to carry a feature film - well unless a serious makeover in the story was done, adding subplots etc. Film school 101.Rome wasn't build in one day, but neither was Warszawa it seems ... so Polish cinema will hopefully learn from this empathy seeking mishmash of a dark comedy attempt and return at some point with some true heartfelt cinematic storytelling instead? (I intentionally leave this with a question mark)

Andres Salama A quirky noir comedy-drama from Poland. It is Warsaw in 1952, and Poland is under a Stalinist regime. Sabina, a woman perhaps around thirty years of age (played by Agata Buzek, showing her unusual beauty beneath the eyeglasses and the nerdy, clumsy demeanor of the character), lives in a crowded apartment with her mother and her grandmother (What happened to her father I believe is never mentioned). Her family is worried that she remains single despite her age and they keep presenting her dubious candidates. Just when her family is about to give up of matching her up with someone, a dashing stranger appears one night saving her when she was about to be mugged. They start dating, he seems handsome, masculine, articulate. But if he seems too good to be true, he is, because he has sinister plans towards her (I'm not going to reveal more of the plot here). Shot on black and white (with the exception of a few scenes happening in the present shot in color), with a good recreation of postwar Poland, perhaps the movie would have benefited from less stylistic flourishes. The performances by the lead Buzek and others (Andrzej Wajda regular Krystyna Janda plays her mother) is a plus.

Seemp deHond Sophisticated dark comedy/ Thriller film noir set in Stalinist Poland of the 50ies plays out perfectly the times where fear for the party ruled every day life and only an abundance of Wodka could smooth things out.Spinster and plain Jane Sabina, leads an uneventful life sharing an apartment with her mother and grandmother, working for a Warsaw publishing house. Just when almost given up on finding a husband, she runs seemingly by chance into mysterious macho Bronislaw, perfectly casted Dorocinski. Quickly how ever the reason for the suitor is revealed. The women have to stick together to get out of this one.

brixtonbathtub With some films black and white photography is used as a cheap device to supposedly convey the mood of the past despite editing techniques and lighting that could only belong to the 21st century. Not so this film. The black and white photography reminded me of such classics as the Third Man, with deep black shadows and superb lighting, skills that I thought were lost decades ago. The cinematography and editing are unapologetically European, rather than American.The mood of Warsaw in the period shortly after the suppression of the Warsaw Uprising is chillingly portrayed, while scenes in the present, shot in colour, are intriguing short episodes rather than annoying tricks, which such flashbacks/flashes forward often can be. Because the less you know in advance about the plot and events the better, all I will say is that while it it has humour in places, it is mostly of the noir variety. This well-paced intriguing thriller makes you want to know what will happen next, gives you some surprises and doesn't reveal the full story until near the ending, which was moving, funny, and probably could relate to many women deeply affected by world events over which they have no control.All round excellent casting and acting, with Agata Buzek conveying Sabina beautifully. It's a relief to find a film where production values come first. It certainly made me think, and still does, one month after I saw it at the Karlovy Vary film festival. See it if you like the best of European cinema.