gabedrumminggamer
As being a fan of low budget films, I enjoyed this one greatly. It had a good story line that kept me paying attention throughout the whole movie. The acting was fine; I did like Greg Sestero casted as Andre Toulon. I liked the evil minions of SuTekh, with their powers and abilities. There was cool fighting sequences between good and evil. And, was pleased me most of all was the puppets! Their names, features, and abilities were quite interesting. And, let me tell you something; they kicked butt! With this film, it felt like a Full Moon classic again. It was a good entry. I recommend this film to all Puppet Master/Full Moon fans.
barnthebarn
David DeCoteau directed 'Curse of the Puppet Master' (the sixth Puppet Master movie) as Victoria Sloan and here directs the seventh as Joseph Tennent. Not sure why a director of some of the most ridiculous movies ever made would replace their name on their more credible work but there we go. This seventh instalment is well made and excellently acted with the last actual performance of Guy Rolfe, not just as Andre Toulon, but ever. Rolfe is without doubt one of the world's greatest actors and as Andre Toulon the most fantastical performer of Full Moon Productions' entire catalogue. This film travels back to early 20th century Paris to find the origins of the Puppets, there are a few extra puppets here that - as yet unexplained - do not appear in other films. Our favourites here, such as Pinhead; Torch and Tunneler are more traditional wooden puppets, not yet fully developed and very low on personality and colour - their oak finish makes them seem far more sinister though. For the first time Richard Band's amazing Puppet theme does not appear and is ultimately the only major error of judgement in a fun and fantastically produced addition to the series. Watch the dead homeless man on the steps though (who first gives his 'life' to the puppets) - though dead and looking almost like a puppet himself he can't help blinking in full camera shot. The film is old fashioned and almost Sunday afternoon family fun (like an old detective drama or something). Surprising.
José Luis Rivera Mendoza (jluis1984)
In 1989, writer Charles Band and director David Schmoeller created "Puppet Master", an inventive horror film about a group of puppets magically brought to life by its maker, Andre Toulon, and took to America during World War II. While the original film and its sequel were basically straightforward slashers, the third film made an important big change in the format, moving away from horror to fantasy and setting the movie in the WWII, explaining how Toulon escaped from the War and moved to America. The following three films in the series had the Puppets as heroes and took place in the present, returning the gore and violence to the series by walking the fine line between horror and fantasy. "Retro Puppet Master", the seventh chapter of the Puppets' saga, takes the series again further into fantasy, telling the story about the origins of Andre Toulon and the Puppet's first adventure.In turn of the century Paris, young puppeteer Andre Toulon runs a small puppet theater where every night he and his crew make a living. One night after a show, he meets Ilsa, the Swiss Ambassador's daughter who secretly watched his act, however, the circumstances of their meeting are not nice as Ilsa found the body of the mysterious Afzel after he was brutally attacked by a pair of thugs. Andre takes care of the wounded Afzel, who claims to be a 3000 years old sorcerer, but while at first he believes the man is crazy, soon Andre begins to believe, as the dying Afzel tells him the secret that will put Andre in danger for the rest of his life: the ancient gods' secret of giving life to inanimate things.Ever since it was released, "Retro Puppet Master" became quite a controversial movie among fans of the series, as the screenplay (by Benjamin Carr) is definitely more a fantasy adventure than a horror film, making it receive many critics due to the lack of gore and suspense. Personally, I think the move really helps to the story, as for the first time in years the focus of the film is not on the Puppets, but on the Puppetmaster himself, so the toning down of the horror is a reasonable change. The story is also about how he met his future wife Ilsa, so romance plays a very important part of the story (another difference with the previous installments).Directed by a long time Full Moon regular, the notorious David DeCoteau, "Retro Puppet Master" is surprisingly a change of tone from the typical late 90s Full Moon releases. It's a lot subtler, and even classier than other DeCoteau films, and is probably his best film in a long time. While the cinematography looks like the average TV movie and the special effects are of a terribly bad quality (due to budgetary constrains), the movie looks very good considering its a period piece, and even the score (by John Massari) fits the new tone of the film as a glove.Newcomer Greg Sesstero has a big challenge when playing the younger version of a character that basically was created by the great Guy Rolfe (who has a cameo), however, Sestero makes a terrific job and adds a lot of charm to the role. Brigitta Dau makes a good job as Ilsa, and like Sestero often make sup her lack of experience with her charming personality. Jack Donner does a terrific low-key performance as Afzel, but the efforts of these three actors get ruined by the average performance of basically everyone else in the film. Worth to point out are the terribly bad performances of the three servants (the main villains of the movie), who easily are the worst part of the film. While some of this may not be entirely their fault (as their lines are also the less inspired part of the script), their lack of talent make a bad role atrocious, as it literally kills what could had been a good movie. While I praised Carr's original take on Band's idea, it's safe to point out that his work does not help the film to reach its true potential, as some lines of dialog are simply awful. Many has been written about the simplistic special effects, and while sadly they are not on the level of the previous films (they are of TV Series quality at best), at least there isn't an overuse of them through the movie."Retro Puppet Master" has received a lot of what I think is an undeserved bash through the years, however, it's safe to say that it's one of the best film sin the series. While it certainly could had been a lot better, it really shows that Band was concerned in saving his beloved franchise (he would do a better job in "Legacy"), and DeCoteau's direction is remarkably effective (almost reminiscent of his better earlier work). While many fans don't like the change to fantasy, I think it was what this particular chapter needed. Watch it with an open mind and low expectations, and you'll be rewarded.6/10
insomniac_rod
Now this is a movie I really dislike. It's one of the most boring Horror movies from the 90's mainly because it starts slow and centers in a boring atmosphere. The settings are not even attractive for the eye and do not serve for the movie's purpose. The puppets look really cheesy , not in a good way like in the Puppet Master 80's flicks. What did they do to our favorite toys?!The story is lame, not interesting and NEVER really explains the sinister origins of the puppets. There aren't death scenes like in previous movies and the f/x are terrible. I felt asleep the first time I watched it, so I can recommend it for insomniacs.
