Rear Window

1954 "It only takes one witness to spoil the perfect crime."
8.5| 1h52m| PG| en| More Info
Released: 01 September 1954 Released
Producted By: Paramount Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Info

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.

Genre

Thriller, Mystery

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Rear Window (1954) is now streaming with subscription on Prime Video

Director

Alfred Hitchcock

Production Companies

Paramount Pictures

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Rear Window Audience Reviews

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Chantel Contreras It is both painfully honest and laugh-out-loud funny at the same time.
wth-60179 Rear Window From an artistic perspective, I thought that this movie was very well done. The colors were vibrant but also showed the dullness that living in an urban environment can have. I also enjoyed the costumes and makeup of all the actors. I found that it reflected the time period well and accurately represented what a middle class person would dress and look like. I also enjoyed the sounds that were incorporated into the film. Throughout the film, birds could be heard or dogs barking and this gave a very open feel to the otherwise closed in feeling of being in a walled in apartment complex. Another very good aspect of the film was the quality of the actors. Throughout the movie, the actors do a very good job of "show don't tell." What I mean by this is that many scenes in the movie do not need the actors telling each other how they feel and it can be read on their faces. An example of this is when Grace comes to the realization that LB's theory that Lars killed his wife may have some truth behind it. You can see the change of expression on her face and without her even saying anything, the audience knows what she is thinking. The film had a very slow and relaxing feel at the beginning which I found interesting because it would be the opposite of what you might feel living in a downtown apartment. At the beginning of the film, the camera pans from apartment to apartment showing the daily lives of the people around LB. This gives us the feeling that we are actually looking through LB's eyes and feeling what he feels. I had a slight sense of loneliness when watching this because I felt that all of this was going on around me but I still felt distant and not a part of it all. I believe this is what Hitchcock was intending when filming this because it allows us to relate more to LB. During this scene, and in many other parts of the movie, it is as if LB is actually in a movie theater watching all of this unfold in front of him. In many scenes, such as the one where Grace breaks into Lars' house, LB must sit back helpless and watch it all take place as with the audience in the theater or the viewers at home. I found this very unique in that I have never experienced this perspective with any other movie I had seen. One thing about the film that can be seen as both a positive and a negative is the fact that there is a very long buildup from the beginning of the film to the climax. Although this can be seen as very important aspect of the story, I found it kind of boring at times and a little slow. There were times that I found myself spacing out and losing focus in the film. While I believe that a large portion of the film was slow, the last half hour of the movie had me on the edge of my seat. When Grace broke into the apartment and when Lars confronted LB were very well done. I felt the suspense that LB felt because we both felt that we were helpless and trapped in our seats.
pcr-05045 This movie was something I would have never expected. As a freshman in college I have always been into the more modern things in life. New movies, new cars, new everything. I have never really been known for watching old movies. However, this movie was a lot different to me. When I think of a movie from 1954, I was thinking of black and white or silent or just something that doesn't seem as much of an interest to me. This movie passed my expectations by a mile. I have heard of Alfred Hitchcock and I have heard of the credibility of the man but I have never really watched any of his work. Rear Window was a story that I will probably remember for a long time. A man is in a wheel chair and all he does is watch the city go about around him from day to night. He experiences everything from happiness to sadness and even a murder. The whole movie was eye pleasing and just well thought out. The use of the city to display emotion in the movie was wonderful. The main part of the movie that really stuck with me was the suspense within it. Every time the main character, L.B. Jefferies, would just look through people's windows and he thought they were looking at them just made me feel fear knowing that they could see him watching them. His caretaker, Stella, made it worse by talking about how he could go to jail for looking through people's windows and I thought that was foreshadowing to him actually going to jail which made me nervous each time it was a close call. Especially when Lars Thorwald was looking out the window and he had to hide in the shadows. This movie also had me asking "What happens next?" as it took our hand and brought us through this great story. What makes a movie great is what ever emotions are going on, you feel them as well. This movie did that very well, any sort of fear, I felt fear. Any sort of happiness, I felt. Any sadness, I felt that too. Being able to bestow emotions onto the viewer is what means a movie is really well thought out and put together to try and help us be in the shoes of L.B. Jeffries. I could feel myself in that little apartment in that wheelchair and just watching everything going on. Another thing done really well was character development. I could really tell the personality and how each character would react in these situations. You could really tell the social classes within each person based on how they dressed and how they act which really shows the problem with the love interest throughout the movie. Each character out the window had their own personalities and you could really see who the people in their apartment were and how they acted. It really shows how a city is back in that time, there is such different events happening in each room and the amount of people really creates the chaos that is in the bustling cities we had back then and what we have today. Do I recommend this movie? Absolutely, this movie was very well made and put together and just looks beautiful. From the characters to the story, it was practically flawless in my opinion. Would I watch this movie again? Yes, I would, it is just so interesting and I feel like it is a kind of movie that the more times you watch it, the more times you realize something new. Do I recommend this movie? Yes, I do.
Coventry This is likely to go down as the least popular user-comment in history, but then so be it. I believe in honesty and freedom of speech. Although universally considered as one of the top three (or maybe top five) best thrillers that Alfred Hitchcock made in his lengthy and undeniably brilliant career, I personally feel that "Rear Window" is the most overrated movie of all times and I sincerely can't fathom why it's such a cinematic landmark. I reckon that the basic plot idea is utmost intriguing and that it's rather inventive how the cameras film literally everything from within the same secluded living room location, but that about sums up all the film's strengths. The narcistic photographer L.B. Jefferies (James Stewart) sits immobilized in his apartment, bound to both a wheelchair and a humongous plaster cast around his leg ever since he took too much risk during a photo shoot on a racetrack. Purely out of boredom, he begins to watch all his neighbors across the little cement garden. The watching quickly turns into observing with binoculars and then into spying with his most professional & strongest photo lenses. He then thinks he witnesses a middle-aged man murdering his wife in cold blood, but a befriended police inspector, his lovely girlfriend and even his nosy housekeeper have trouble believing him. I was particularly annoyed by the behavior and ignorance of the protagonist. Jeff is supposed to be an intelligent person, so he must understand or at least respect that the police can't just go invading someone's private property and interrogate them about a possibly felony for which there isn't any evidence. The entire film evidently revolves on L.B. Jefferies' arrogant persona, and of course it doesn't help that I never really liked the actor James Stewart. I can appreciate him when his characters aren't omnipresent, like in Hitchcock's "Rope" for example, but here he was rapidly getting on my nerves. The other characters, including Grace Kelly who never looked prettier, are downgraded to mere extras. I am also aware that practically every review praises that the powerful impact of "Rear Window" lies in the fact that it's a statement on the human towards voyeurism and blah blah, but to me a film has to be entertaining and plausible first and foremost. "Read Window" along with "Vertigo" and "The Man Who Knew Too Much" made me realize that can't get into Hitch's espionage or 'wrong-man-condemned' thrillers, and that I find his more polished thrillers extremely boring, unrealistic and overrated. I'm primarily a horror fanatic, and thus love the nasty Hitchcock films the most, like "Psycho", "Shadow of a Doubt", "Rope" and "Frenzy".
jwex-02298 Rear Window By Alfred Hitchcock's 2/6/18L.B. Jefferies played by James Stewart is depended on his wheelchair after a broken leg. Jefferies is forced to stay in his apartment for several weeks because of his injury. Because of this he gets a deeper meaning to his girlfriend Lisa Carol Fremont who is played by Grace Kelly. Lisa was this perfect woman which every guy dreamed of having but because of Jefferies injury he realizes she has a rebellious side to her. Jefferies nurse (Stella played by Thelma Ritter) who was hired to help him out gets launched into the drama of Jeffries spying on his neighbors. The story was written by John Michael Hayes and filmed by Alfred Hitchcock. The movie was produced by Paramount Pictures in 1952. The story is based on Cornell Woolrich's 1942 story "It had been a murder". In 1995, The film won the Edgar Allen Poe award for best motion picture screenplay. In 1997, the movie was honored by the United States National Film Registry in the library of congress. In 2002, the film won the online Film and Television Association Award. After Jefferies broke his leg during a photographing a racetrack accident he is forced to stay in his apartment. His apartment overlooks multiple other apartments in the building over. He creeps on multiple people over the course of time. Until one night during a thunderstorm he hears a woman yell "Don't!" then the sound of breaking glass. He witnesses a guy named Thorwalds who is played by Raymond Burr. Thorwalds lives in the apartment directly across from Jeffries with his wife for the previous six month. Jefferies notices the next day Mr. Thorwalds wife is missing and that he is cleaning a knife. Thorwalds later that day locks a trunk and has moving men move the trunk away from the apartment. Jefferies soon become convinced that Mr. Thorwalds killed his wife and, becomes obsessed with finding out the truth.Jeffries believes that Mr. Thorwalds buried something in the court yard and killed a dog to stop it from digging. Jefferies and his wife Lisa go try and dig it but don't find anything. Lisa than climbs into his apartment. Mr. Thorwalds comes home and catches Lisa; Jefferies calls the cops to save her but in the mix of everything, the police arrest her for breaking into the apartment. Stella goes to bail out Lisa at the police station. Mr. Thorwalds calls Jeffries to confront him but Jefferies thinks it's detective Doyle who is played by Wendell Corey: says, "the suspect has left the apartment". When Mr. Thorwalds goes speechless, Jefferies quickly realizes that it's not detective Doyle and makes a huge mistake. Mr. Thorwalds comes over to confront him. When he gets there, he grabs Jefferies and throws him out the window. As he falls to the ground the police enter the apartment and arrest Mr. Thorwalds. A few days later, Jefferies goes home to rest peacefully but now with a cast on both his feet. All the neighbors seem to go back to living normal lives and a happy ending is at ease. It is not certain if Jefferies and Lisa ever get married.Jefferies isn't by definition, someone who goes out of the way to do good nor is he a detective. He is simply someone who likes to snoop around in other people's business. He is driven to be someone who likes to be next to the drama but not actually involved in it. You can see this in multiple occasions in the movie where he delays doing something because he's afraid to get himself involved.