A several-second passage depicting a woman's agitated face is repeated in a loop that decomposes, distorts and reassembles her expression and gesture into an image of masochistic violence, whipped by gusts of voice synthesizer-induced, destroyed sound. The author appropriates the videotape and, through jerks of fast-forwarding and rewinding, it disintegrates the temporality not only of the original shot but also of the event depicted.
Pushann Pushann (1986) is currently not available on any services.
Raphael Montañez Ortíz
