Sexyloutak Absolutely the worst movie.

Intcatinfo A Masterpiece!

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

sogoishi The largely inferior American bastardization is a genuine travesty. I recently saw the original 114 minute Japanese language version on glorious widescreen. I must say this film packs a serious wallop. Unlike the US version which goes for the throat in the first ten minutes, this version takes time to properly develop it's characters and set up the mood. The film opens up in feudal Japan with a descendent of Nishiyama (Tetsuro Tamba)being persecuted for bringing the writings of Nostradamus into the country. His father was also persecuted during WWII as he predicts the rise of Hitler. The opening credits are chilling, one of the best intros I have ever seen in a movie. The music by Isao Tomita is one of the best film scores ever produced. I hope Toho ends the studio ban. This year marks its 30th anniversary and it's been banned for over 20 years. What are they so afraid of? Their are plenty of films over there more offensive to sensitivities than this film. This is a very different kind of Toho film and the US version obscures it. There's graphic violence, brief nudity and the handling of its subject matter is unflinching. Many of the scenes presented in the US version that appear nonsensical, pointless and mediocre are all explained here. The actors do a fine acting job (Seven Samurai and Godzilla's Takashi Shimura makes an appearance as a doctor) and Kaoru Yumi is a real hottie. The director Toshio Masuda and screenwriter Yoshimistu Banno (the Godzilla vs Hedora director) do a splendid job balancing beauty and the grotesque. this film is SUPERIOR to all other disaster films because it has heart, spirit and a brutal go-for-the-throat approach. The filmmakers were fearless making this. Lastly, Teruyoshi Nakano's special effects are superb to say the least, but admittingly some scenes dont work (the giant bats and the little girl jumping incredible heights). The traffic jam explosion scene is amazing. There's some stock Footage from The Submersion of Japan and The Last War, though. A subtitled print has to exist somewhere. I really hope classic media does a wonderful job on the DVD release.

John Seal I have a bad feeling that this started out as a serious indictment of man's destruction of the Earth's environment. Unfortunately it was treated no better by it's American distributors than any other Toho daikaiju epic. The dubbing is as bad as ever, the pan and scan transfer makes the film almost unwatchable, and there are lengthy (dull) expository passages that probably played better in Japanese. I'd like to see a widescreen print with subtitles. Good music by Tomita, at least!

wjack I know a lot of people don't like this movie, but I really enjoyed it. I'm not a big sci-fi fan, but there is something about this one I really enjoyed. The special effects are cheesy, and it gets silly, but I really got a kick out of it.

emm We can expect more IMDb user coverage on LAST DAYS OF PLANET EARTH, and tons more that fall into the "schlock" category. And for a good reason! This one is about as bad as, say PLAN 9, and may just be the worst science fiction production imported from Japan. Why science fiction? Is it because Earth is under peril from natural and man-made disasters that is described in the prophecies of Nostradamus? This is a classic example of a plot used heavily in these movies, minus the seer's words. In fact, you can always expect ANYTHING to happen, making EVERYTHING go wrong in the plot without a trace. It all ends up as an in-depth documentary that focuses on the stages of mankind's existence in the final days, spoken by an overpaid voice actor who needs his lips glued with Mucilage. Read the Weekly World News and you'll soon find out that feeding on fear is such a silly idea after all. Anybody else want to comment?