AniInterview Sorry, this movie sucks

Mjeteconer Just perfect...

Teringer An Exercise In Nonsense

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Jack Vasen I don't laugh out loud that often at films, but this film had me doing that several times. Yes, some of the situations were absolutely ridiculous like Marlo Thomas and Elliot Gould doing LSD.At the center of it all is Alicia Witt as Claire. Witt has to do a number of different kinds of things in this part and she manages to keep it all together pretty well. And I read that she even plays her own piano, some of which is material typically done by concert pianists. In those scenes, she does an entertaining job. But she also has to do silly, and a little crazy, and depressed, and love sick like a 13 year old. But she also does seriously dealing with the future of her life. I love Witt when she does strange faces, and she gets a couple of chances to do that here. One slight negative - this wiry redhead doesn't look or sound a bit Jewish, while most of the rest of the family is definitely so.Fierstein does a passable job as her mentor. But Thomas and Gould are totally one-dimensional and at times cliché as are the actors playing her sister and girlfriends, and for that matter her family.In craziness such as this movie, it is easy to look too closely and forget that sometimes even the cliché parents on LSD can get a laugh or two if you just let yourself enjoy it.

Amy Adler Claire (Alicia Witt) is having one of those months. A skilled pianist, she has failed to gain acceptance into a major piano competition, causing her sorrow. Her teacher and mentor (Harvey Fierstein) is sympathetic. But, then, in short order, her boyfriend dumps her unceremoniously and an earthquake ruins her San Francisco apartment, making it necessary to move back in with the folks. Ah, the family ties that bind and choke! Mother (Marlo Thomas) is trying her hand at cooking and offering unwelcome advice to her stricken daughter. Claire's father (Elliott Gould) is a having a midlife crisis and her overachieving sister is getting set to marry a stiff-shirt dentist, in coral and bisque, no less. As Claire is seeking to pull herself out of the blues, one bright spot emerges. She meets a good-looking fish merchant (Ivan Sergei). Will her life improve? This is one zany film, with a cast of characters and a script as offbeat as they come. Witt is luminous as the gifted pianist who runs into the year from hell. Thomas and Gould are terrific as the crazy parents and the rest of the cast is very nice, especially the gorgeous and charming Sergei. With some nice costumes, scenery, and photography, the film looks good and the San Francisco setting is lovely. Even so, the script is still the big winner here, being imaginative, humorous, and surprising. If you are drawn to romantic comedies with an off-kilter charm or you get tickled watching families much crazier than your own, find this one fast. You will like what you see.

zimbo_the_donkey_boy This is obviously a chick flick and therefore not aimed at me but, even so, I cannot see that this movie serves any point whatsoever. Alicia Witt is charming but that is NOT all that a real film requires. This is a "comedy" created by Hollywood hacks who do not really respect comedy. "Let's have a normal heroine and throw ha ha hilarious eccentric characters all around her." That's not how you create comedy, it's how contemptuous people slough junk off onto us. If you enjoyed this film, you must laugh uproariously when you see people around you fall into mud puddles. I sure wish Hollywood would quit trying to market this sort of thing as comedy and come up with some new term for it. My suggestion would be "lamedy" but I don't suppose they'd go for that. While taking a walk, a little kid in the park said, "Poop," to me. If you find that hilarious, then you'll enjoy this flick.

FilmOtaku Another case of "should have left it alone". I read the description of the film on digital cable, I saw "classical musician" and "Harvey Fierstein" and decided to give it a shot. I figured if anything, I would get some decent classical music and well, Harvey Fierstein - one of my favorite people in entertainment after seeing "Torch Song Trilogy" 16 years ago.Unfortunately, that's pretty much all I got out of this film, and in very small doses. Playing Mona Lisa is has a ridiculous premise: A gifted classically trained pianist graduates from the San Francisco Conservatory and is first proposed to after a drunken night, then dumped. She then moves back in with her family, which tries really hard to be quirky but truly fails and is actually irritating. In between spastic situations with her family, she hangs out with her impossibly "cool" friends who hold some pretty outrageously expensive looking parties and then finds a guy to mess around with. (A relationship that goes nowhere, despite the movie's attempts to make it seem like it's all hot and heavy). Like I said, the only personal saving graces for this movie were the short appearances of classical piano playing (by Alicia Witt herself, which is impressive) and the fabulous Harvey Fierstein. He should be a "relief actor". Anytime a film looks like it's going to fail miserably, bring in Harvey as a pinch actor, and you'll have at least one redeeming factor. It worked for Mrs. Doubtfire and Independence Day. --Shelly