Hellen I like the storyline of this show,it attract me so much

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Boba_Fett1138 At most times books and movies have very different styles and completely different constructed stories. Some of the book stories and styles simply don't translate well to the big screen. The book "Phileine zegt sorry" written by Ronald Giphart is one of those books that doesn't translate well to the big screen. As a movie "Phileine zegt sorry" leaves a pointless impression. It's one of those movies which makes you wonder after you have seen it; Why did I even watched this in the first place?It's pretty obvious throughout the entire movie that it's one based on a novel. It features some typical book elements that I'm sure work well in the book but feel completely pointless in the movie. It also has some characters walking around in the movie that feel absolutely pointless and serve no purpose at all. On top of that it's incredibly irritating that most of the New York characters are played by Dutch actors, almost as if there weren't any available actors in New York. their American-Dutch accents are notable and at points even irritating.The two main actors Kim van Kooten and Michiel Huisman are really great but van Kooten couldn't prevent me from being irritated by her character Phileine at times. Her character is over-the-top and really pushes it at times. I would had dumped her almost immediately! but again, this is not van Kooten's fault, she plays her character with lots of profession and passion., simply blame the story.Appereantly this was supposed to be a comedy but there are no real laughs here. Also as a drama it isn't serious enough. I think this is the main reason why this movie leaves an overall pointless impression. The movie is just mostly about Phileine talking rudely about mainly sex and acting like an uncontrollable young hormone filled-woman.The movie however deserves credit for how it looks. The cinematography by Bart Pot is most excellent, especially for the scene's in New York, where this movie is set for about two-third of the entire movie. The editing by Peter Alderliesten keeps the pace high. Robert Jan Westdijk isn't an horrible director he has just been given horrible material to work with.I can't think of any reason why someone should ever watch this movie.4/10http://bobafett1138.blogspot.com/

webwords-nl Even though the author of the novel (Ronald Giphart) has a cameo in this movie where he states that the movie is in fact a lot better than the book - this film is absolute crap.I love Giphart's books, and Phileine Zegt Sorry is one of his funniest, but the adaptation is too slow, has too little funny moments to be a comedy, the actors are worthless (surprisingly, even Kim van Kooten's performance is below par) and the storyline proves to be too thin for a movie. And as usual in Dutch film, everything is covered up by lots & lots of nudity. My conclusion: stick to the book and spend your money on some of Giphart's other novels instead. 2/10

allessiexrs I have read the book and I laughed. I saw the movie on the Dutch Film Festivl and I laughed. I'm thinking back to the scene where Phileine is intending to give Max the pleasure of his life and I'm laughing. This is by far the most humoristic Dutch movie I saw in my life!

Merman Sex sells. That is something Dutch author Ronald Giphart is very well aware of. This was evident in the first filmed novel by the author: 'Ik Ook Van Jou' but even more in 'Phileine Zegt Sorry' (Phileine Says Sorry).The original novel is hilarious, quick, witty, from a female perspective, but written by a heterosexual male author. The novel is full of quick one-liners and so is this move ('I believe in sex at first sight' and 'We don't care you have a low self-esteem, just don't bother us with it').The thing is a quite weak story as 'Phileine' demands a quick witty approach, which Robert-Jan Westdijk (the director) seems to be perfectly able at. He seems to have understood what the story is all about: Phileine, a super-bitch, follows her boyfriend Max to New York, where she finds out about the rather exclusive approach he's giving to Shakespeare's 'Romeo and Juliet'.Although the movie is quick it has quite some flaws. Westdijk doesn't take enough time to finish off some crucial scenes. The final scene has been handled off quite fast and almost messy and the movie really lacks emotion at times. Westdijk doesn't seem to wanna fall in the pit called 'false sentiment' but in stead of carefully avoiding it he doesn't seem to use any of it in 'Phileine'. To be perfectly honest one wouldn't care less whether or not Phileine regains the love of Max or how she handles it. She's a bitch, so she'll survive and go on with her live. Kim van Kooten however is perfectly cast and throws in the one-liners one at a time from scratch. Michiel Huisman may be nice to look at (all pumped up) but is rather disappointing as the flat character of Max. This is also due to his rather poor acting qualities. Roeland Fernhout's part as the androgynous Jules is unforgettable and could have used deserved more screen time.The novel already makes use of too many character with their individual story-lines that push away the main story-line: the one between Phileine and Max, but in the movie this gets annoying at points.Fortunately Westdijk's quick approach makes up for a lot but not for everything. 'Sometimes the movie is just better than the movie', says author Giphart in a cameo (please no more cameos in any of his movies!). I am afraid I have to disagree with him. But then again: is the movie ever better than the novel?Still 'Phileine Zegt Sorry' speeds up hope for the Dutch movie industry (especially now that governmental finance has been abolished) and especially for Dutch rom-coms.