Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

grypho One of the best movies I've seen lately. Once again Molina has granted us such a pearl. I wish there were more movies like this one - showing the eternal values and true things in life. At the end only the simplest things matter - have you really loved, were you fateful, did you have dignity.

Stacey S I have watched many and many movies and not every movie can actually leave a big influence on me. This one did it. "Palm trees in the snow" (or as I prefer in Spanish "Palmeras en la nieve") is very deep, sad, interesting too. You have to concentrate a lot to understand everything you need to. The biggest shock for my brain was when the movie ended and 10 minutes later I just started crying and couldn't stop. It has many historical things happening besides the actual movie plot. It made me think about lives of those people in Africa, second half of the 20th century. I am quite sure it will make you too. Brought to life by phenomenal actors, it will leave a mark in your head, I know it. Highly recommending it to you.

niutta-enrico The Cinematographic transposition of Luz Gabás' (first) fine novel.It's a wonderful story, very well adapted for the screen by Sergio G. Sánchez (screenplay) and Fernando González Molina (Director).It's a great emotional tableau, dealing with Universal themes.So no matter what age, race or gender you are: you will surrender to the romantic charm of Equatorial Africa at the end of the Colonial Era.

abisio The tells the story of Kilian (Mario Casas); a young white worker that on 1958 arrives to Equatorial Guinea with his older brother to work (as a white manager) on a cacao plantation; and fell in love with a local native (not acceptable by the natives and due to the political turmoil become something forbidden). In the present time; Kilian's niece decides to visit the place to find out information about her family history; so the tale become structured as a mix of flashbacks.If the intention was criticism on Spanish colonialism; the movie limits the attack to a few bad seeds on both sides and the obvious cruelty (locals were paid but punished like slaves) is mostly diluted. In fact the portrait of the liberated Equatorial Guinea is far more depressing and cruel than the old one. The movie seems to say "you left us and see what you got into".While the technical aspects of the movie are excellent (camera work, FX, action and/or violent scenes, sound effects), the editing somewhat confusing. If you do not pay attention to some names you will get lost in many characters relations.There are also a few unnecessary scenes that make the movie lag.The acting department is reasonable but on the white side; nobody really shines. On the native (black) side, performances are stronger and passionate even when characters do not have a lot of development.As many European productions; there are some violent and plenty of nudity and (moderated) sex scenes. In Spain the movie was consider PG but like most of Europe; but I am pretty sure it will get an R in USA.In brief; it is an interesting (but not perfect ) movie worth a look