LastingAware The greatest movie ever!

Softwing Most undeservingly overhyped movie of all time??

Pacionsbo Absolutely Fantastic

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

JohnHowardReid Operation Amsterdam (1959) sounds promising, but the film has a number of irritating defects. True, some of the atmosphere in the imperiled city is conveyed thanks to location lensing in Amsterdam which involved a considerable amount of organizing like removing traffic from the streets, replacing it with contemporary vehicles and making sure all the extras wore the correct wartime clothing. Unfortunately, all this admirable location lensing is somewhat undercut by the continuous and obvious use of studio cut-ins against a process screen. On the other hand, the editing of the action spots is nice and sharp, particularly the sequence in which the car goes over the wharf. This is most effective indeed! I was also thrilled by the sequence in which we wait for the time lock to come off which features shorter and shorter cross- cutting. Elsewhere, however, the editing tends to be rather slack, dragged out and as placidly routine as Michael McCarthy's direction.. There's also far too much padding in the script. At least 30 minutes should have been jettisoned, including all Malcolm Keen's scenes. True, he's a competent actor, but here his delivery is uncomfortably slow. And worse, what he has to say is of little importance and just time- consuming. Alexander Knox is also saddled with some of the script's most pious platitudes. The other players make an effort to overcome their banal dialogue, though Peter Finch also struggles to make an impression. And as for the miscasting of one of my favorite comedians, John LeMesurier, as a colonel in the Dutch War Ministry, the less said the better! Fortunately, the film does gain attention with a brilliant use of musical sound effects. In fact the music score throughout is a major asset.

ianlouisiana It shouldn't be forgotten that anti - Semitism was quite widespread in Dutch society prior to the arrival of the Nazis.It is by no means accurate to describe the reception given to the German troops as a heroes' welcome,but there were a significant number of people in Holland willing to adopt a pragmatism that perhaps seems a tad too accommodating in retrospect. You will see little of this in "Operation Amsterdam" set in the first days of the Nazi invasion where most of the population seem to possess a very sensible desire to put as much distance between themselves and the advancing Germans as possible.And who can blame them with the Luftwaffe's penchant for strafing refugee columns all over Europe. In the circumstances it took not a little courage for the Dutch diamond merchants to hand over their stock of industrial diamonds to the British rather than curry favour with the Nazi hordes already pouring across the dykes. Led by a not really up to the job Tony Britton (he makes a right pigs' breakfast of doing away with a Dutch soldier),they are landed by destroyer during an air raid and make their way to Amsterdam in a grand Mercedes convertible driven by Miss Eva Bartok whom they have saved from a watery grave after she has attempted suicide on seeing her fiancé's boat bombed by the Germans.Presumably as part of the grieving process she spends the rest of the day(it seems much longer) driving the boys round the city getting shot at. "Operation Amsterdam" gives every impression of having been fatally mauled in the editing suite.Little master Melvyn Hayes appears as from a hole in the stage,plays a pipe organ,gets shot,smiles bravely and disappears again.Mr Peter Finch's coat collar goes up and down seemingly at random,a wheel change to the Merc whilst under fire from a Messerschmidt goes along at a pace that is almost indecent......... Alexander Knox has a certain rueful charm,Miss Bartok plenty of pluck,Mr Finch looks a little bewildered for most of the movie,possibly wondering why Mr Knox is with them in the first place as he seems to have no point. John le Mesurier is sublimely out of place as a Dutch Colonel with a mysterious smile,but it's nice to see him anyway. Had the picture been made 10 years earlier it might have had a bit more relevance,but a Britain on the cusp on the 60s and with most of Europe moving towards some sort of detente it was not the time to be reminding people of a time when its citizens were at each others' throats. Miss Bartok I believe was a "celebrity" here in the UK for being a close friend of the Marquis of Milford Haven.When we look at her then,we are seeing a proto Victoria Beckham,but I'm not sure that she'd choose to be remembered that way,rather as a mysterious Euro - enigma driving her convertible through the sun - dappled streets of Amsterdam before kissing Peter Finch goodbye and disappearing - mysteriously.

Rickee This movie has a premise with a lot of potential: a small group of agents has a just 14 hours to get into Amsterdam and take out all the industrial diamonds there. But the movie is ruined by three gigantic flaws.First, it is incompetently edited. It is obvious that some key scenes were left out and as a result, the plot is hard to follow. For example, at one point the agents go off to visit the mother of one of them. The next time we see them, they are back from the visit and have a new character, Willem, with them. All we get is a one sentence explanation for who he is and why he is with them.Second, the motivations of the various Dutch army units are baffling and never explained. Some of them help the agents while others try to kill the agents. At some points, different Dutch army units shoot at each other. We are never told why some of them are trying to kill the agents. Are they disloyal soldiers trying to help the Germans? Or do they believe that the agents are working for the Germans? Or do they think the diamonds should stay in Holland even if it is overrun by the Germans? Or do they think the Germans will fail to capture Amsterdam and, thus, it is unnecessary to take the diamonds out? Third, a group of about a dozen Dutch civilians help the agents get diamonds out of a bank safe and blow up a oil storage facility. It is never explained who these people are. They are not the Dutch underground. That was formed only after the Germans overran Holland; but this movie is set before they'd captured Amsterdam.

Piafredux 'Operation Amsterdam' is one that had gotten away from me. I thought I'd seen just about every WWII movie that ever was. So when I came across it on DVD, I felt nicely piqued.And when I watched it, I felt nicely surprised, decently entertained.The plot isn't terribly exciting, the script could have benefitted from a wee bit of polishing, but the production works well because tension is strung taut and relaxed, and strung taut and relaxed again and again throughout the film.Peter Finch and Alexander Knox are two Dutch diamond experts who sail in a British destroyer with an English secret agent: destination Amsterdam. Mission: come out, before the Nazis surround or take the city, with the Dutch inventory of industrial diamonds. Object: deprive Nazi war industry of the tool-cutting, metal-shaping worth of those diamonds.In the haunting desertion of orderly Amsterdam streets, the intrepid trio meets with Dutch diamond merchants, scampers in and out of the clutches of Dutch fifth columnists, mucks in with Dutch resistance fighters, and warily accepts guidance throughout from a Dutchwoman whom they cannot, at first, trust (played with restrained charm by Eva Bartok). Some of the diamond merchants are, as they've always been in Amsterdam, Jews. The point is made about Nazi persecution of Jews and about the dilemmas many Jews faced when the Nazis occupied their countries, but in 'Operation Amsterdam' the points are made unsentimentally - which highlights the stark panic, fear, and despair many Jews felt in that baleful time and circumstance. Indeed, throughout the film characters are beset by choices, choices they must make because time, as the story development lets us know clearly, is running out for everybody in the Netherlands.It's the storytelling and the actors' understatement - nothing is James Bondish about these ordinary characters finding themselves in extraordinary circumstances - that make the story absorbing, believable. Abetted by the unsettling counterpoint between carnivalesque Dutch pierement (organ grinders) music - happy music playing in a bleak city, over throngs of departing refugees, during the agents' tense search for and gathering of the diamonds - and by terse snare drumming, the story keeps ratcheting up its grip on the viewer, holding tight tempo with the agents' mission and their dedication to accomplishing it.The only serious flaw in the film's visuals owes to most of the deserted street shots having to be filmed immediately after dawn (else Amsterdam's population would be thronging its thoroughfares). This yields a bit of a crazy quilt mix of shots having long shadows intercut with shots having midday, short shadows - supposedly happening in the same instant. Otherwise, the camerawork and editing jive nicely with the unfolding of the plot.Also ramping up the tension is the script's bareness: one really must think a lot - sometimes too much - about what's going on, about what's coming next, but the need to think that way lends the viewer a heightened sense of uncertainty, danger, and dread. It also helps that the scriptwriter avoided the worst cliches of the genre: the scenes of Eva Bartok and Peter Finch are treated as bare-bones, wartime heartbreak rather than as apocryphal "we fell in love in battle" nonsense.Generally, props are first-rate, except for Dutch soldiers and resistance fighters toting German MP-40 machine pistols which were in short enough supply in the 1940 Wehrmacht, and for a few 1950's-era military trucks. The other weaponry is all true to period: Dutch army M1895 Mannlicher rifles, Luger pistols, period revolvers and such. Also, Dutch uniforms and personal gear are precisely from the story's 1940 time-frame. The only other minor quibble is one found in quite a few late-50's and 1960's WWII films: a four-seater Messerschmitt Bf.108 touring aeroplane stands in for the later, design-derivative Bf.109 fighter (See 'Von Ryan's Express', and 'The Longest Day' for more examples of this substitution - which was necessary since there were then no restored, flyable Bf.109E aircraft.).'Operation Amsterdam' hasn't dated nearly as badly as have so many other WWII films made in the twenty years following the war because it sticks to its story, because it tells its story without frills, excursions into moralizing, or distracting subplots. Though it didn't benefit from a larger budget, as did 'The Counterfeit Traitor' which was filmed in the same era, 'Operation Amsterdam' delivers the goods.Summed up: Agents voyage to Amsterdam to deprive Nazis of diamonds, return to us with a minor gem of a movie.