One Froggy Evening

1955 "My kind of frog!"
8.4| 0h7m| NR| en| More Info
Released: 30 December 1955 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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A workman finds a singing frog in the cornerstone of an old building being demolished. But when he tries to cash in on his discovery, he finds the frog will sing only for him, and just croak for the talent agent and the audience in the theater he's spent his life savings on.

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Cast

Director

Chuck Jones

Production Companies

Warner Bros. Pictures

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One Froggy Evening Audience Reviews

StunnaKrypto Self-important, over-dramatic, uninspired.
Tedfoldol everything you have heard about this movie is true.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Yash Wade Close shines in drama with strong language, adult themes.
Hitchcoc We are so fortunate. We get to see the frog sing and dance. This is the remarkable tale of a man who finds a box. In the box is a frog who is an accomplished song and dance man. He performs at a high level but only when his owner is around. This cartoon takes us on an uncomfortable ride as the poor man who has been victimized by the frog embarrasses himself over and over, trying to get people to see his amphibian act. Unfortunately, those who get to see the little guy only get a croaking piece of sludge with almost no personality. The way this is put together is wonderful. Once again, Chuck Jones couldn't be matched for creativity. I first saw this at a movie theater in 1956 and it has stayed with me for all time.
TheLittleSongbird Oh what a wonderful surprise this cartoon was. It is just so irresistible and endearing, not to mention funny and charming, and is just a froggin' masterpiece. The song "Hello ma baby, hello ma honey" is not only catchy but also memorable, I am still humming now writing this review. The other songs go without fault and the dancing routines are slickly done with lots of pizazz. The animation is spot on, with beautiful backgrounds, sharp character features and lovely colours. Michigan is a great character. Sung marvellously by Bill Roberts, he is charming, likable and sweet for a frog. The story is simple and well told, and its simplicity added to the charm that this gem has. All in all, wonderful and a must see! 10/10 Bethany Cox
phantom_tollbooth What is there to say about Chuck Jones's 'One Froggy Evening' that hasn't been said already, not just one of the greatest cartoons ever made but one of the best things to ever happen anywhere ever! The story of a demolition worker who discovers a singing frog in the cornerstone of a building and attempts to exploit the creatures talents for profit, 'One Froggy Evening' is often called "the 'Citizen Kane' of animated shorts". That level of artistic worth is not an exaggeration. Everything, absolutely everything, is perfect about 'One Froggy Evening'. For one, the timing is astonishing. Jones tells the story (from a uniquely brilliant script by Michael Maltese, the author of many of the greatest cartoon scripts of all time) completely silent apart from the singing of the frog, who bursts into song at precisely the most hilarious moments possible.Aside from being side-splittingly funny, 'One Froggy Evening' also works on a deeper level as a profound parable about greed. Presented with this wondrous of a singing frog, the demolition worker's immediate and only impulse is to use it to make money. To his ever-growing frustration, the frog will only sing in his presence. Despite his obsession with money, the demolition worker is extremely sympathetic and the audience shares in his pain even as they howl with laughter at his misfortune. The cartoon ends with another poor sap about to make the same mistakes, showing that no matter how much we progress as a society, greed is a constant in human beings. One element that is not often mentioned is the haunting quality of 'One Froggy Evening'. There's a sense of the supernatural in both a singing frog and a frog that can last for years sealed inside the cornerstone of a building, which always leads me to think of the frog in slightly more sinister terms, as a karmic lesson enforcer! The final image of 'One Froggy Evening' coupled with the distant echo of the frog's song always sends a shiver down my spine.Aside from all this, there's the wonderful animation and the glorious soundtrack. From the moment the frog leaps out of the box, his back foot slipping a couple of times, he is one of the great animated creations. His ability to snap from spellbindingly charismatic showman to the most uninspiring and ordinary croaker you've ever seen is both hilarious and impeccably achieved. The demolition worker, meanwhile, goes through a wonderful range of Chuck Jones's trademark expressions. The music is great throughout, with a virtuoso performance from singer Bill Roberts who sings a range of classic Tin Pan Alley songs, a snatch of opera and, best of all, a cracking original composition by Chuck Jones and Michael Maltese themselves. Called 'The Michigan Rag', the song is not only the best and catchiest in the whole cartoon, it also provided a name for the frog character when, overwhelmed by the popularity of the film and inundated with requests for the character's name, Jones dubbed him Michigan J. Frog. Despite this popularity, Jones wisely refused to use Michigan in any other cartoons, ensuring 'One Froggy Evening' remains a true one-off and one of the greatest strokes of genius animation has ever seen.In the interests of keeping it brief, I'll leave it there but I could gush about 'One Froggy Evening' for pages and pages. It really is a landmark piece of film history and more than justifies its appearance on every single list of greatest animated cartoons that's worth a damn.
Robert Reynolds Although some consider What's Opera, Doc? the perfect Chuck Jones cartoon, I would argue that this is the best choice to represent Chuck Jones boiled down to one short. Jones did a great variety of work, but he was at his best with little or no dialog, a visual cartoon that wasn't just slapstick visuals. Put a character into a situation where they either see something they want and grab it (or try to), throw in the law of unintended consequences, stir in a little bad luck and stand back to catch the fireworks! A one-shot cartoon that made its lead character a star. Think about the impact a short like that as to have had over nearly 50 years to accomplish a feat like that! To top it off, it's a morality play in 7 minutes. The more things change, the more they stay the same! Great short, an essential work in the sub-genre of the animated short. Most highly recommended!!!!