TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Benas Mcloughlin Worth seeing just to witness how winsome it is.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

ntsci This is one of the most riveting films I've seen in a long time. Isabelle is captivating, flirtatious, beautiful, and the girlfriend from hell. I loved the dinner date. What an amazing scene. Isabelle is entirely convincing in all her moods from sexually flirtatious to depressed to passionate rage. This film is a virtuoso performance showcasing a great actress. In addition to great acting, she is simply gorgeous leaving you wanting to see more of her and this being a French film, one is not disappointed in that respect. The way the story unfolds forces one to pay attention to every little nuance. Sometimes its a bit corny like when they zoom in on her when she first asks about the organ in the barn, but overall the directing, acting, and cinematography are fabulous. I highly recommend this. To me the mark of a really good film is wanting to watch it again and getting a different understanding of scene each time you watch it. In part this is to get the point of the story. There are scenes that seem to be out of place like the scene in the forest, but everything fits together in the end. The first time I watched it I couldn't quite understand why she was so depressed when she found out that the revenge had already been done, but when I watched it again, it all made sense -- to find out that knowing that it was all done did not make her feel better; revenge does not solve ones problems. But it is too late, she has already set things in motion that make the ending ironic and tragic.

dromasca The source of this film is a book of Sebastien Japrisot - a thriller author and script-writer who also directed a a few films by himself. After having seen the film directed by Jean Becker in 1983 I start to wonder whether it would not have been better in this case if Japrisot brought to screen his own novel.The whole film turns around Isabelle Adjani, By the time she made L'ete meurtrier Adjani was already at her 20th film or such and Truffault's 'L'Histoire d'Adele H'., or Polanski's 'Le locataire' were already behind her. Yet, she has in this film the freshness of a debutante and a sex-appeal that equals few films I have seen (Tornatore's 'Malena' with Monica Belucci comes to my mind). Adjani plays here the role of the victim and of the avenger, her beauty, changes of mood, suffering and mistakes make and destroy everything in the story and in the film itself.Seen through the perspective of almost three decades the story of the young girl seeking revenge for the rape of her mother may seem conventional and melodramatic. It is however very much into the style and approach not only of the classic French cinema but also of the literature - the characters seem to descend to us from the world of an Emile Zola, with their predestination of giving up to passion and with the tendency of making fatal, destinies breaking mistakes for the seek of love.If there is anything or anybody to blame for this film not really aging well despite Adjani's fabulous performance (seconded by Alan Souchon, an actor who seems to have all but disappeared after having made this film, and I have a hard time understanding why) I think it's the direction and the director. Similar material has created masterpieces if I am to think about films like 'La mariee etait en noir' - Jean Becker seems to have lacked the daring of taking a 'classical' story and using lesser conventional cinematographic means in order to make the story more credible. And yet, the film is worth seeing, even just for the pleasure of seeing Isabelle Adjani at her best.

brunoabp It seems incredible, but I only got to see this picture 26 years after its release. A surprising plot that, at first, seems just like any other we would have already seen on screen. Allthou later it reveals itself to be full of surprises. Isabelle Adjani is at her peak of beauty and talent.One thing was always on my mind while watching her figure and style. It seems as if the director Jean Becker had based her image on one of Milo Manara's characters. Adjani's body lines and her face were a form of inspiration for one of these two artists.An absolute "must see".

Afracious Isabelle Adjani is good, and voluptuous as ever as Eliane, a recent arrival with her mother in a small rural village. She flirts about in her short skirt, and catches the eye of a man named Pin Pon. They are soon dating, and it isn't long before they are married. Pin Pon's mother takes a dislike to Eliane. Eliane asks a lot of questions, especially about an old piano that was delivered in 1955. The story gradually unfolds to show us flashbacks of that fateful day back then. Eliane is here for a purpose of revenge. The film gathers pace towards its shocking conclusion.