Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Nonureva Really Surprised!

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Wizard-8 Despite what my summary line reads, I want to state that I didn't hate this spaghetti western. However, I must confess that when the movie reached the end, I was kind of relieved that I didn't have to sit through any more. Things start of promising for the movie - it manages to build a bleak and violent atmosphere, there are some exciting action sequences, and the movie doesn't get to a point where it can be called boring. But it gets dangerously close to being boring. The plot is almost ridiculously drawn out to near the breaking point, with lots of scenes that serve no real purpose. Maybe sensing this, the director does try to spice some scenes up with some unconventional direction and editing, but for the most part it makes the scenes confusing. And the movie has the gall to rip off "The Good, The Bad, And The Ugly" in its climatic sequence. This is far from the worst spaghetti western I've seen, but I would only recommend it to spaghetti western aficionados who are also fans of Anthony Steffen and/or William Berger.

Spikeopath Una lunga fila di croci (AKA: No Room to Die/A Noose for Django/Hanging for Django) is directed by Sergio Garrone and features music by Vasco and Mancuso, with cinematography by Franco Villa. It stars Anthony Steffen, William Berger, Nicoletta Machiavelli, Mario Brega and Riccardo Garrone. Mexican's are being smuggled over the border to work as cheap labour for wealthy land baron Fargo (Garrone). Fargo's gang is made up of known criminals with bounties on their heads, this greatly interests two bounty hunters, Brandon (Steffen) and Murdock (Berger), who may have to team up to achieve their goals and stay ahead of the game? On plot terms it's simplicity 101, a couple of cool dudes are waging a war against the evil and wealthy town boss and his gang. In true Spaghetti Western style a lot of blood is shed, there's plenty of scowling from scuzzy men and pouting from the lead babe. A twist is thrown in for good measure, and on an action quota basis this never lacks in that department. In fact I think there might be more gunplay than actual dialogue! It's what I would call a safe Spaghetti Western, a chance to make a telling political point is wasted, but there's a lot of style around to ensure that the pic is never once dull. Garrone (Django the Bastard) knows his Spaghetti and indulges in the staples of the genre, with canted angles, revolving frames, whippy pans, zooms in and out, up-tilts and fight scenes that literally come through the camera. Add in Berger's 7 barrelled shotgun with its endless supply of bullets, a schizophrenic musical score, the gorgeous Machiavelli getting a female role of some substance, and it's all good really. Not top tier Spaghetti, and it is hardly original, but it keeps the plate warm with bullets and punches galore. 7/10

FightingWesterner Bounty hunter Anthony Steffen teams up with shifty, bible-toting rival William Berger, who dresses like a preacher and carries a shotgun with seven barrels, in order to take on a ruthless gang of human smugglers working the Mexican border.An entertaining, though somewhat standard-issue Italian western, this is well-made and fairly atmospheric, with a neat final gun-down. Steffen and especially Berger are pretty cool too, as is big Mario Brega (of Leone's Dollars trilogy among other films) finally getting to play one of the good guys!One interesting aspect of the film is the depiction of illegal immigration, the "coyotes", and their primarily well-to-do white enablers as a public nuisances that help in keeping poor Mexicans down. This is a point of view you'll never see in the scared, hypocritical film world of today.

The_Void This film was made in the same year as 'Django the Bastard', with the same director and the same actor in the title role. A Noose for Django feels a lot like an afterthought, and I wouldn't be surprised to find that is the case. This film doesn't benefit from as good a storyline as the aforementioned Spaghetti western, and it feels more like a film that has had the name 'Django' slapped on it to help it's selling prospects, as the title character feels very much like he's just been dropped into the plot. The plot highlights the antagonism between Mexicans and Americans in a story about smuggling illegal immigrants into an American township. Towards the start, we see a smuggler ditch his cargo in callous fashion. From there, we learn that there's a bounty on the heads of all illegal smugglers, and this attracts the bounty hunter Django to the fray in order to bring the men to justice. However, Django isn't the only hunter on their trail as he faces competition from other gunslingers. Well, I think this is the basic plot line; the muddled screenplay doesn't exactly make it easy to decipher exact plot details.A Noose for Django is one of the more difficult to find entries in the Django series, and that seems pretty apt it really isn't all that good. Naturally, the film features a plethora of violent gun fights and a handful of gritty characters; but nothing is really explained or done in any great detail, which really leaves the film feeling rather flat. Anthony Steffen gives a performance that is, in my opinion, better than the one he gave in Django the Bastard (albeit slightly); but it's spoiled by the fact that he's eclipsed by his rival bounty hunter and his very cool seven barrelled shotgun! Said gun represents what is probably the only real memorable thing about this film; which really says a lot for it. However, in typical Italian fashion; A Noose for Django compensates for its muddled and rather boring story with style. The atmosphere is dark and gritty and the locations, while obviously cheap, do help the film with regards to the atmosphere as it presents a very minimalist western style. Overall, I can't say that I liked this film very much and don't recommend tracking it down; although there may be something here for Spaghetti western fan.