Diagonaldi Very well executed

Boobirt Stylish but barely mediocre overall

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

bradleybean86 I spent a considerable amount of time trying to get ahold of this, so I was delighted to finally see the original movie (with eng subs) once I had procured it here in the states!Olaf Ittenbach makes really cool and crazy over-the-top-not-necessary- but-now-that-you-mention-it-that's-kind-of-awesome type horror movies. He executes special effects with unquestionable brilliance - I dare any of you to create a CGI that has a comparable effect. - And the movies he directs often dispatch a rather generic plot that allows for such gore and action sequences to be thread together. Personally, I really enjoy his style and totally grasp where he's going with it.This movie in particular shines for multiple reasons. The special effects and Gore in this film are abundant. In addition to that, it actually has a pretty good plot and interesting main character as well (who also happens to be completely nude for almost the entire film.)It explores things like Drug Addiction, Mood & Mental Disorders, Heaven & Hell, Sensory Perception & Colors, while piecing together the heroine's memory and contrasting that with what ends up being the reality. It is somewhat self-important but it works for this film.The musical score is EFFECTIVE, creepy, and surprisingly poignant considering the genre of film. While this movie did not reinvent the wheel, It certainly captures the elements necessary to make something resonate as creepy/scary/disturbing. This movie would STILL be very creepy without all the over-the-top violence and blood/gutspilling - However; The fact that it is there makes it even that much more delightful. Buy/Rent It ;)

ElijahCSkuggs Ittenbach's latest diabolical mind-bender of the colorful kind may bemuse you as well as shrink your dink.If I tried explaining the story to you, or even – I'm losing patience just thinking about it – discussing what it all means, I'd probably come across dumber than I sound right now. So, with that said, let's give it a shot! Ya got a girl who's visited by a tentacle bearded demon guy that is trying to teach her the truth of her ways by bringing her to different layers of some type of afterlife realm…or some sh!t like that. Hey ya know, that wasn't that bad of a summary. What's most important is knowing if Olaf's flick was able to deliver while his cast of characters did their thing. The answer is sure.Pretty early on you get the picture that the story is a take it or leave it type of thing. I personally thought it stunk, but if you dig heady, weirdo German type story-telling then I guess you'll dig it…at least a little bit. But again, we know better. Ittenbach fans know better than to expect an average tale. We hope for one, but we don't expect. What we do expect is blood. So we sit there with our bibs on, waiting for that first splash.It doesn't take long.What No Reason does have going for it is that it's possibly one of the goriest films of the past couple years. Besides some lighting techniques that may have cut corners around how realistic the gore should look, the film still delivers on the blood front. There's a sequence, a hellish sequence you would say, where we stroll along through a torture dungeon of sorts that is basically just non-stop atrocities. Some creative stuff is going down too. Graphic is an understatement, as we peep peeing girls, some skin tearing, a bound to be classic penile mutilation, and of course, lots of blood spurting. It's the highlight of the film.There are other scenes of OTT violence, and our leading lady is one hundred percent naked I'd say 80% of the movie - nice bum, small boobs, camel toe in your face. So as you see, there is enough here to keep your eyes glued to the screen. At a little over 70 minutes the film does feel longer because of Olaf's talky tale of colors, but I'd say it's definitely worth any gorehounds time as well as a must see for fans of Olaf, and, without a doubt, a definite for feminist gorehounds.An average output for Olaf by my standards, but still, gore is gore, ass is ass, and how much more can you ask for when Ittenbach is in the big boy chair?

Earl Toper Olaf Ittenbach's first love is plainly producing the most disgusting gore effects possible, so his fans will not be disappointed with 'No Reason'. Especially in the central part of the film the viewer is 'treated' to some of the most grisly effects you'll ever see - limbs are hacked off, flesh is torn, skulls are split and the blood never stops. The trouble is that Olaf and his team obviously spent the bulk of their time & energy on the gore scenes that actually don't add anything to the plot while not putting enough effort into some of the other sets. The majority of the cast give the kind of uninspired performances one associates with this genre, but not the lead actress. Irene Holzfurtner gives an outstanding performance despite having to be completely naked apart from blood & grime for the majority of her screen time. Ittenbach wisely cast the talented Ms Holzfurtner who was in her early forties rather than a younger, more nubile woman and this decision is what puts 'No Reason' above the standard gore offerings.

nightwatch4773 This movie wastes no time getting into gear exposing full frontal female nudity and excessive gore. This movie reminded me of some great horror films of 2010 such as The Farmhouse, Blood River and Devil but unfortunately for this German export, it didn't live up to its potential. The problem with this film is that it is too confusing and convoluted for the average gore fan. The acting is tenuous at best and the ending seems a little rushed although i did like the conclusion. Other negatives to this film were the special effects and the audio. Some effects were so bad and obviously fake that it took a bit of the gore authenticity away from the proceedings. The audio sounded like it came from another film at times and was badly recorded into this picture. It's not all doom and gloom for this picture, the pacing is good and moves along at a very crisp pace and for the budget I think the heart of this film was in right place. It also had a grimy '70's grind house feel reminiscent of great 1970's exploitation sleaze such as Malabimba and one of my all time favourite's Alucarda. So for those of you that love grisly gore and nudity running amok...proceed, the rest of you stay far far away.....