Night at the Golden Eagle

2002
5.8| 1h27m| R| en| More Info
Released: 17 May 2002 Released
Producted By: Shangri-La Entertainment
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

Genre

Drama, Crime

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Director

Adam Rifkin

Production Companies

Shangri-La Entertainment

Night at the Golden Eagle Videos and Images

Night at the Golden Eagle Audience Reviews

CommentsXp Best movie ever!
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
objesguy Night at the Golden Eagle is a gritty film, yet gritty isn't half the word to describe it. Even though films such as Pulp Fiction, Reservoir Dogs, The Usual Suspects and even the mediocre Way of the Gun have all been praised for their gritty atmosphere, Night at the Golden Eagle blows them all away with a gritty atmosphere that perfectly replicates the locations depicted in great novels from pulp legends such as Mickey Spillane and Dashiell Hammett. Night at the Golden Eagle is pure pulp, with an emphasis of illustrating the means streets and back alleys themselves rather than the story of the two old ex-convicts and the other people in between. The result is a fantastic movie, that utterly shows what life in a slum is like and the lives it creates for the poor people that cross upon its path.However, viewers seeing this movie should not look for story, because it is non-existent or weak at best. The story of the two-old ex-cons is never really developed and leaves the audience somewhat confused since the director wants to be "Tarantino-like" and ambitious and switches between three sets of characters. While the story of the whores, both old and young, is a nice interlude, the emphasis on the two old black men is rather pointless. It is nice the director decided to show the laziness of some people, yet a good chunk of the movie is just dedicated to the old man watching TV, which deprives the audience of further understanding the more important characters such as the whores and ex-cons.Yet despite this strange blunder by the director/writer with the story, the acting is great. The two men do a great job at their parts, giving great and quite believable performances as the two ex-cons, with both giving great mixtures of cynicism and paranoia in their dialog. Their acting is truly enjoyable, and makes the audience only yearn for more. The young girl does an admirable job as the young whore, for she constantly is the only reminder of innocence throughout all the chaos and sleaziness of the hotel. Hence, her performance sticks out greatly and is a sleeper performance that deserves some recognition, but probably won't because of the serious holes in the plot.It's a shame this movie isn't more recognized because it is a fantastic film with a fantastic atmosphere that literally puts the settings in Tarantino and Guy Ritchie flicks to shame. While movies these days tend to be more glamorous and over the top, this movie is the epitome of an indie film, breaking the rules in all sorts of ways in order to depict an environment that only great pulp authors dream about. The story is disappointing, yet after watching the film, the audience really doesn't care about the film. The only thing stuck in their minds is the maniacal characters, the sleazy hotel and its dirty surroundings. This is truly a masterpiece "pulp indie" film that should be seen by any kind of "crime fiction" lover, and shows audiences there is more to "pulp" than a few guns, broads and some "Tarantino-esque" dialog. Not to say that I don't love the man, but a little variety is necessary, and this film fits the bill perfectly.My analysis: If you consider yourself a fan of the "Pulp" genre, see this or you're truly a "pulp" poser.
vichercules@yahoo.com This movie looks great if you like stereotypical flop house sets. Every character every set, every bit of body language is a cliché. From the dancing hooker to the stilted poorly delivered dialog. The movie feels as if there were no rehearsals and the actors were either reading their lines off of cue cards or checking their scripts between takes. I found it impossible to suspend disbelief long enough to embrace the story. The rushed line delivery alone dooms this film.The film stock looks good and some of the shots are great, but while the girls tears from the closet start to seem like good film making, the sex scene she watches is too abstract and blurry to be disturbing enough to draw a reaction from the viewer. The murder that the film hinges on is cut away from after a few short seconds. And the attempts to violate our sensibilities with a corpse are straight out of weekend at Bernies. It is clear that the director wanted to disturb the audience, but did not have the guts to take it to a level that could possibly inspire an emotional response.Save your valuable time and watch something better. If you are looking for gritty and disturbing, take it as far as you can go and check out Irreversible (The most difficult to watch film I know of). If you are looking for a well acted character piece, try American Buffalo. If you want realistic hard edged urban drama, see Fresh. Any of these films will be a far better use of your time.
HyperPup That is how I felt after watching this spectacle of humanity. Completely down. Like I was damaged and left for refuse on the side of the curb. Rifkin did a wonderful job of giving us a side of humanity that we usually see but not at its gritty and gnarly best. This film is right up there with Aronofsky's "Requiem for a Dream" only it feels slightly more polished. The locale for one lent a perfectly hopeless air to the mise en scene. Rifkin played with the color saturation in such a way that it also added an extra layer of desperation to the visuals. Perfection, and this movie is right up there with other modern despair epics like Atlantic City and Requiem for a Dream.
alserve I was undecided halfway through this very dirty movie whether I was being entertained or satisfying some sick curiosity I keep chained up in the basement of my lower brain. Don't get me wrong; I'll pay good money to satisfy both appetites. But I made up my mind about this film when it tried to sell needless additional shock value by exploiting ignorant stereotypes. I so sick to death of Black, and now apparently Latino Men being cast as nasty sexual predators. What makes matters worse is these movie bogeymen are always laying in wait for the pure white female youth of America. How frightening this must have been for those of you who found this film a work genius. It would have just been too tame for the white pimp to deflower our white teenage runaway (which is what would happen in reality). No… what's needed here is a really malevolent, un-naturally dark, sweaty, black man to scare the hell out of ignorant moviegoers. I'm not saying minorities shouldn't play the bad guys in the movies, just try to be more creative. Hey, if you liked this theme, you should rent Requiem for a Dream and Traffic as well! It's no wonder the cancer of racism won't go into remission, when you keep ingesting poison like this!

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