Dirtylogy
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
Keeley Coleman
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Nick Dees
This movie was very engaging. It focuses on the dialogue between two people. It is very intelligent, shot well with a great script. The music helps to tie everything together. I think it would be a great date night film with your significant other. This movie also proves that a film does not need to have a big budget and lots of special effects to work. This one works great with limited resources and it still seems to work. The whole theater was impressed and so was I. Check it out on a rainy night when you and your partner are looking for something to watch that isn't too engaging but yet tells a beautiful story.
Pepedrabbit .
I saved this movie on my Netflix's list for so long, and I could never bring myself to view it because it's an indy and all, and with all indies, it's hit or miss. Then, for no reason, I turned it on and couldn't stop. Okay, the first 15 minutes were just steamy sex. Thereafter, the movie settled down to serious stuff.This movie affected me in strange ways. I am much older than this couple, yet I marveled at their life experience. It is the helplessness and hopelessness and carelessness of youth. I was once their age, but I was never come close to doing any of the things they had done. My life was typical, almost too boring to bear. This is a low-budget film, but very thoughtfully made and well-acted. A young man and a young man meet on a dance floor, and end up in his apartment to have sex the same night. After that transpires, the "now what?" is very revealing. This is the story of two "lost" souls, both searching for a meaning, but living each day in a haze of drugs, sex and alcohol, yet finding hopelessness wherever they turn. Long after they should have known better, they continue to exist in this warp of self-destructive behavior. In the end, you are left with a feeling of emptiness for this couple, yet you think that it might all work out. The ending doesn't really neatly tie up things. Good thing that it doesn't. They will continue to struggle, but it seems two lost souls found one another.
suite92
Clara and Nikolai meet at a rave. They go home together. They have sex.She cannot sleep, takes a bath, then leaves. He calls her back before she's out the door.They talk, endlessly, in long, pointless, low-energy monologues. Then they talk some more. The problem is, their lives are flat, failed, undistinguished, prosaic: the lives of two slacker drug users who cannot engage life. Who cares? Self-loathing is just not appealing.------Scores------Cinematography: 7/10 Fairly good for the difficult low light conditions often chosen by the director. When there was sufficient light, the visuals were rather good.Sound: 5/10 OK, though nothing great.Acting: 4/10 Meh. Any high school drama student could have swapped in for either of the principals.Screenplay: 4/10 Plain, boring, non-engaging. The script is not clever enough to make one care about the characters, who are about as engaging as lichen on rocks. Write an essay, get it published, get it out of your system, but don't make a film about it, especially one this bad.
johno-21
I recently saw this at the 2012 Palm Springs International Film festival where writer/director Anne Émond was on hand at my screening for a Q&A following the film. Clara (Catherine de Léan) and Nikolai (Dimitri Storoge) go to Nikolai's apartment after meeting at a rave club for a one-nighter. Strangers to each other but each, no stranger to late night sexual romps with people they have just met. This film plays out like a three act stage play with the passionate sex as act one, his story as act two and her story as act three. They open up to each other in frank tell-all discussions about themselves and their thoughts and views on life and love. Mathieu Laverdière skillfully works the camera shots as cinematographer capturing the angst and disregard of the actors in tight and shots and confined spaces. Mathieu Bochard edits. The role of Clara as an elementary school teacher by day and cruising the city bars by night for multiple sex partners in one night stands is reminiscent of the 70's film Looking For Mr. Goodbar, although Émond has never seen that film. Clara ultimately gets audience sympathy as a lost girl trying to get back on the right path bu Nikolai has little hope in his future. Some great acting by these two veteran Canadian television actors with lots of dialog. I would give this film an 8.5 and recommend it. There is no violence but there is a lot of sex and sexual language that may offend some. An excellent debut feature film from a short film director.
