Never Open That Door

1952 "WHEN YOU CROSS THE DOOR OF EVIL, ANGUISH AND TERROR FOLLOW YOU FOREVER..."
7.3| 1h20m| NA| en| More Info
Released: 23 May 1952 Released
Producted By: Estudios San Miguel
Country: Argentina
Budget: 0
Revenue: 0
Official Website: https://flickeralley.com/products/never-open-that-door-no-abras-nunca-esa-puerta
Info

A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.

Genre

Drama, Thriller

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Director

Carlos Hugo Christensen

Production Companies

Estudios San Miguel

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  • Top Credited Cast
  • |
  • Crew
Ángel Magaña as Raúl (segment “Alguien al teléfono”)
Renée Dumas as Luisa (segment “Alguien al teléfono”)
Diana de Córdoba as Nelly (segment “Alguien al teléfono”)
Pedro Fiorito as (segment “Alguien al teléfono”)
Nicolás Fregues as (segment “Alguien al teléfono”)
Roberto Escalada as Daniel (segment “El pájaro cantor vuelve al hogar”)

Never Open That Door Audience Reviews

Btexxamar I like Black Panther, but I didn't like this movie.
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
waldog2006 Eddie Muller, noir novelist (The Distance; Shadow Boxer) and President of the Film Noir Foundation, brought this film to my attention in an interview he gave to Despina Veneti which was republished in Noir City Volume 6, Number 2. He called the film 'a terrific adaptation of two Cornell Woolrich stories'. It's certainly a surprise to see that this kind of noir fare was being made in Argentina in 1952. This film never had a release in the UK, and is not available on DVD here. But it can be seen on YouTube, albeit in Argentinian Spanish without subtitles,(fortunately, I'm bilingual), with terrible sound, and not the best picture. The visuals alone, however, are worth it. This is pure noir cinematography. The second story, in fact, has a blind protagonist who can distinguish night from day because "it's a different kind of shadow". The actors resemble Hollywood players of the era (one of the baddies must have been Argentina's answer to George Raft); the women are beautiful, the men are desperate, and the shadows are waiting...Well-written, well-acted, well-shot, well-paced, well...watch it!