Brenda
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
binghambartee
Nerve had me hooked from the opening credits. Sebastien Guy has crafted a movie that is achingly beautiful in it's gritty, edgy form. Cinematically, it is a feast for the eyes with camera moves that give us hints along the way. The story is a plausible premise and the characters are well drawn with character arcs that are distinguishable. Sebastien is a master story teller. The music was especially flawless, the attention to detail that drove the entire piece emotionally. Sebastien Guy has created a cinematic wonder, this movie will stay with you. Let's hope this is the first of a long line of films by Sebastien Guy!
mel-336
Nerve is a new Aussie independent feature that is well worth checking out! It has uncovered great new talent in the film's director and the two leads who play Jakob and Grace. The film is a successful moody, dark take on one man's obsession to discover the identity of his dead wife's lover and is certainly an entertaining ride! Both the cinematography and musical score are fantastic and underpins the narrative fabulously. It is great to see inner city Sydney appear in the film in a gritty, dark way and becoming like another character in the film. Nerve also has a supporting cast featuring well known faces like Gary Sweet and Cameron Daddo but the stand out is Georgina Haig who plays Grace who is luminous on screen and delivers a strong performance through out alongside Christian Clark's Jakob. Following the screenings at this year's Sydney Film Festival, there were some less than positive reviews about the film which was surprising to read, as Nerve overall is bold debut. It is not a flashy, big budget film but a local, quiet achiever that slowly draws you in and keeps you guessing.
sjafleming
Nerve is a tense, spare, atmospheric thriller. Reminiscent in moments of the superb Silver Linings Playbook, it explores the psychological trauma that ensues when a relationship breaks down. In the case of Nerve, we explore this via Jakob Evans, superbly played by Christian Clark, a man devastated by the double shock of discovering his wife's affair shortly before her death in a car accident.Filled with a quiet, simmering desperation, Jakob seems disturbingly more obsessed with his wife's affair than her death. Trying to break away from his old life, he takes a filthy room in a run-down house, shared with a troubled young woman, Grace. Jakob appears to be trying to punish himself as much as escape himself, and we feel the agony of his empty, aimless, self-imposed exile. There's an extraordinary moment when Jakob attempts to clean a mattress so filthy no homeless person would dare touch it. This, and other small moments, hint at the desire within him to repair something, however small and repressed.His flatmate, Grace, only mocks and rebukes him, until he defies her violent boyfriend. Grace is perhaps the weakest link in the story – a character that is initially devoid of charm, who transforms somewhat abruptly into a willing accomplice in Jakob's journey to find his wife's lover and confront him.Intercut throughout are fragments of counseling sessions with Jakob's therapist, a strikingly beautiful Andrea Demetriades. The sessions are at once mundane and disconcerting, an effect emphasized by drifting extreme close-ups, where the characters' faces are sometimes off centre and even off screen. Jakob is angry and aggressive, but the camera often hovers on Demetriade's sensual lips and throat. It's intriguing and unsettling, reinforcing our belief that something is not right. Of course, the climax arrives when Jakob finds his wife's ex-lover. It's not a completely satisfying climax, but there is an excellent, powerful twist – and like all good twists, most will not see it coming, but will think it completely obvious in hindsight.Nerve is a subtle, slow-burner of a film that no doubt required exceptional discipline from director Sebastien Guy, but also asks patience of the viewer. Those looking for the slick, Hollywood style roller-coaster will be disappointed – this is a film that builds slowly, with spare and often very simple exchanges. It's not a perfect film, and certainly, there are scenes and exchanges that would have benefited from further script revisions.Credit must be given to Clark for delivering a character at once sympathetic and inscrutable, divided by rage and guilt and doubt. Credit, too, must be given to director Sebastien Guy, not only for eliciting such a fabulous performance, but for weaving a slow, powerful feeling of loss and guilt and rage. The cinematography is excellent and serves the story well, and there is a brilliantly moody, atmospheric score.Nerve is a strong debut by Guy and a fine film by any standards. Rumours of a tight budget and impossibly short shooting schedule only emphasize the skill and achievement of all involved. I would recommend it highly.
