Matrixston Wow! Such a good movie.

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Yash Wade Close shines in drama with strong language, adult themes.

zacknabo No Sergei Loznitsa...it was my joy. In his first fictional feature Loznitsa captures in a Kafka-esque adventure the joys (few they may be) and ills of post-Communist society. It is scathing, funny, horrifying, insightful and everything in between. The writing is impeccable and never dips off or drags for a moment. I watched this film when it was first released and there was no doubt I would watch any and everything Loznitsa would make.

akdubois-34734 This is a rich, beautiful, sad film. A really brilliant take on Putin's Russia. As for the critics who think it's a "mess" or doesn't have much to say, "POOH" to them. Again I have to say this: just because you don't understand something doesn't make it a bad work of art. I've noticed a lot of people on this website really lash out at films they don't understand. It doesn't make you look smart, believe me. I don't know if I fully understand what this movie is saying, not being from the Ukraine, but that just makes me want to re-watch this beautifully made film. It obviously isn't for people who need constant action or a Hollywood ending, but I think the world will survive without another film like that.

simonlmumford Three main issues = (1) Incredibly irritating to follow unless you know beforehand that the movie is composed of a series of short stories from different time periods. What adds to this problem is that the characters are mostly rough looking bearded Russians sometimes shot in dim light, therefore, it's hard to tell when a new character is being introduced or if it's the same rough looking bearded Russian as before. (2) The short stories themselves aren't really stories but a series of violent occurrences. (3) Since the film is not plot driven it must be making some type of statement or social commentary; unfortunately, that statements been made many times before in better fashion.

holden746 First of all, I want to say that the film simply blew me away. This film, Sergei Loznitsa's first feature is not only the best film (and discovery) of the year, but one of the biggest and most important works in cinema of this century.Before, Loznitsa was a documentary film maker and this effect can be seen in his fiction film. It is not only true and violent, but also very unconventional, different (truly ascetic, and here can be seen influence of Loznitsa's mentor, Robert Bresson), Loznitsa's use of long take is truly remarkable, in Russian cinema, long take has been used very ofter, beginning from Tarkovsky, then Shepitko, Sokurov, Zvyagintsv... but Loznitsa's use is different and unique, he absolutely refuses style (there is no disgusting exploitation of manner, that spoils Zvyagintsev's overrated, stupid and pointless "Vozvrascheniye"), he doesn't have style as a director, the film itself creates its style and language (and trust me, it's much difficult and much remarkable).And Loznitsa does very bold thing: he destroys notion of deep shot. Yes, Kiarostami shot films with digital camera (as Loznitsa does), but his shot is extremely static and Loznitsa makes very long travelings with hand held camera, what's truly new thing and it also creates a feeling of claustrophobia, of closed circle, of No Exit and it's really conceptual use of primitive cinematic method.It's extremely difficult film, but it's not art house and it's not the proud film, so called "not for everyone". It IS for everyone, but on the other hand, it should be watched very carefully: consider that you'll be shocked and maybe even depressed but I have one very useful advise: if you decide to watch this TRUE masterpiece, be patient and watch it till the end.It's really worth it.