SoftInloveRox Horrible, fascist and poorly acted

Supelice Dreadfully Boring

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Desertman84 La mujer de mi hermano,The Wife Of My Brother in English,is a Mexican film based on the novel of the same title by the Peruvian writer, journalist and TV host Jaime Bayly,who also wrote the script. It features Bárbara Mori, Manolo Cardona, Christian Meier and Angélica Aragón.It was directed by Ricardo de Montreuil.Zoe is a beautiful woman who has been married to Ignacio for nearly a decade. While Zoe still loves her husband, she feels the spark has gone out of their relationship, and she's become restless and anxious. Hoping to find the excitement she craves in forbidden fruit, Zoe falls into an affair with Gonzalo, Ignacio's rough-edged but handsome brother. Zoe and Gonzalo's passionate affair is deeply satisfying to them both, but the adulterous couple must deal with the sharp sting of betrayal when Ignacio finds out they've been sleeping together.Far from realistic, the film's shallow characters' sexual escapades and heaving passion are the only interesting aspect of particularly with the sexy and gorgeous Barbara Mori. The movie's sensational glimpse into a wealthy Mexican family's business, at its best or any other story about a love triangle between family members as well as the marital strife presented are far too common in many Mexican films and this film adds nothing to it.But with clean and crisp cinematography, this modern rendition of a strict taboo provides nothing else but temporary entertainment but lacks sustenance.

moviemaster I don't know what all the ravings about. If people think this is good, they should subscribe to Telemundo and watch their telenovelas, for this is surely no better. We call it soap. And some American soap has more lather. The plot is acceptable. The acting is OK, for a soap. But there is no depth. We have one brother who runs a business (which we never see). a haus frau who has little to do but talk with her gay confidant, another brother that paints sometime (we never know when) the gay confidant who does nothing but pine for one of the brothers and a mother, who has lunch, because she seems to be perpetually out to lunch. That's about all we know about these people, except when they run into each other. We know as much about the maid as we do most of them. Fine screenplay writing requires showing the characters in depth so we can appreciate their dilemmas, there challenges, their triumphs, their failures. Zoe- she likes flowers, she likes midnight swims, she likes sex but is on a Sat. night diet,( she suspects her husband is gay since he'd rather do almost anything instead of sex with her (not a bright bulb), she wants a child, she loves phallic paintings, she hates Bach, she's dangerous with a microwave. Ignacio- he says he loves his wife but seems to love men also, works a lot, is rich, loves Bach, hates moonlight swims, and as for sex, never on a Sunday... or Monday... or Tues... or Wed... or Thurs... or Friday... with a woman. Gonzalo- is a stud, is very selfish, was molested by his brother (and is still haunted by it), likes to paint phallic symbols, doesn't want to work in the rumored factory, doesn't want to get married but does want lots of sex. The mother...merely drops in for lunch and useless chatter. Wants a grandson. The Maid... knows how to make breakfast and keep her mouth shut. If one wants to make a good movie, he has to devote a lot of care to the craft. There was no depth to this. It was just slopped together.

andrabem This film is a production that employed actors from various Latin-American countries in order to attract viewers in all Latin America. It's something that should be tried more often. We should organize distribution & production companies in Latin-America to integrate the whole region and give us more opportunities to see Latin American films, because there's such an overload of American films that we in Brazil know much more about Hollywood stars than about our Latin-American neighbours. This said, let's go to the film.The film is about a triangle love story but it is in some ways unusual -there's no moral preaching and no conventional happy ending. The characters belong to the privileged class and live in a conservative background where the Catholic Church is still a power to reckon with, but the modern world is their real world. They may sometimes go to mass and confession but when conflicts between the two worlds arise their own wishes prevail, in spite of conservative dogmas, and the Church and their icons go to the background.There was a reviewer that said that the sex scenes were a fill-up and were not necessary at all. I disagree with him. Sex is essential to show the reason why Zoe (gorgeous Barbara Mori) in spite of her conservative upbringing, engages in an affair with her brother-in-law. And the sex scenes are really sensual, showing a woman discovering herself through sexual pleasure. Can someone tell me of any American actress able to do the same in such a sensual way? The acting of the whole cast is excellent, the film has such a good story that manages to keep our interest till the end. I'm not telling you that "La Mujer de mi Hermano" is a masterpiece but certainly it's a very good film.Other Latin American films I recommend are: "Pantaleon Y las Visitadoras", "Maria Full of Grace", "Nina Santa", "El mismo amor, La misma lluvia", "Y Tu Mama Tambien", "Machuca" and so many others!

bartisoft A few days ago, I went to the theater to watch this movie that somehow got my attention.This movies focuses on the story of Zoe (Mori). A woman whose marriage is in constant conflict. Her husband Ignacio (Meier) inheritor of the family business, and Gonzalo (Cardona) Ingnacio's younger brother who gives his life to painting, but makes a living thanks to his brother and strangely always shows hatred towards him. With all these background, it isn't hard to presume where the story is leading to.As the story goes on, more background details explains why every character acts the way they do, and how a triangle of betrayal and disloyalties is taking part in the plot.Acting: I think Cardona (Gonzalo) though not outstanding, is the only one who achieves a little touch of truthfulness to his character, showing himself as someone careless and incapable of commitment. Meier (Ignacio), He got his moments of clarity, but not enough to convince with his character. Mori (Zoe), I must say that it's the first time I see her acting, and to be honest, I think that she never managed Zoe, being absolutely lacking of the emotiveness required by her character. It's supposed that Zoe is a woman full of inner conflicts as a result of the relationship with her husband. Though, she never get to make the audience feel any empathy. I should say that being a beautiful woman is never enough.Plot: It always kept predictable, that's why I expected any surprise near the end, but it never happened. Sometimes it might bores you or find that something doesn't fit.Directing: Not outstanding, it has some highlights. For instance, the manage of close-up within conversations between character, where you can see that everything blurs but the faces.Soundtrack: Apparently doesn't have one, you just can hear the song "Mentiras" from the Chilean band "La Ley"In summary, I wouldn't recommend it. But if you want to give it a try, do it at your own risk.