Cubussoli Very very predictable, including the post credit scene !!!

Cleveronix A different way of telling a story

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

adrianmonk-russell The opening scene is in my opinion one of QT's most (if not his and only matchless immortal most) iconic genius works of dialog. With a hypersensitive observer of pop ism like QT their works can grossly radically rewire the worldly adult computer mind. It can quite literally turn us into adult children. Either my mind is playing tricks on me from my godlike manic state from QT's genius or QT's writing can be comparable with JD Salinger or even Shakespeare.The opening scene is in my opinion one of QT's most (if not his and only matchless immortal most) iconic genius works of dialog. With a hypersensitive observer of pop ism like QT their works can grossly radically rewire the worldly adult computer mind. It can quite literally turn us into adult children. Either my mind is playing tricks on me from my godlike manic state from QT's genius or QT's writing can be comparable with JD Salinger or even Shakespeare.

DuDEwithAGuN Tarantino is the man! The movie is watchable (surprising for how old it is), obviously its lacking the polish (both script and video) of his later movies but who cares. This movie probably cost him the price of a six pack and it shows. Whats great about it, is that it shows this generations greatest director in his youth giving this whole "movie" thing a shot. In that respect this movie really succeeds. It's one of those things that you watch and then say "Hey I could do that... why arn't I doing that?". Really cool to know that this guy started with this... offbeat... film and then went on to direct the Pulpiest of Fiction (hands down, best film ever). The best part of this movie is not the script, directing or acting. The BEST part of this movie is that it has inspired me to get going on a film of my own.Thanks QT No time like the present.

Boba_Fett1138 We will never see this movie in it's full glory. The final reel of this movie was destroyed in a lab fire that broke out during editing and the only surviving parts were edited together to make this 34 minutes short movie. Still you never get the feeling that you're ever really missing any sequences while watching this movie.This is a Tarantino movie alright. It has some absolutely amazing dialog. The story isn't really about much but the dialog makes sure that this movie is an interesting enough one to watch. The line 'Your ass is grass, and I'm the lawnmower.', right before two persons get into a fight, is an absolute classic in my book and now actually one of my favorite movie quotes. The movie is interestingly told and divided in several different parts, in the same style as "Pulp Function". This movie would latter also form the basis for Tarantino's script for "True Romance".Real problem with this movie is that it lacks style. It's a very amateur like looking movie and it uses standard camera-positions and weak editing. Because of this not everything in the movie works very well, such as most of the comical moments and the weird kung-fu fight toward the ending. Tarantino's vision was obviously already present but he didn't had the right tools and persons around him to make the right movie he had in mind with it. Oh well, he eventually ended up alright with that!Probably only truly recommendable to Tarantino fans though.7/10http://bobafett1138.blogspot.com/

MisterWhiplash SPOILERS AHEADTo those who wonder how I discovered My Best Friend's Birthday, I found this video on ebay, and it was definitely worth the money despite the deteriorated quality of the copy. This is filmmaker Quentin Tarantino's first independently funded film, and from what was assembled (the film wasn't completed and this can be seen since a couple of plot points are left un-answered at the end of 40 minutes) I can tell that it was one of those well-intentioned (if slight) signs-of-things-to-come. Clarence Pool (Tarantino, with a full-on "Elvis Man" look) is a disc jockey at K-BILLY Radio (Reservoir Dogs' music conductor in a sense), and is planning to give his friend Micky Burnett (co-writer Craig Hamann) a call-girl for his birthday party (a story later re-used for True Romance). This is used as more of a signpost for the film to follow as the characters, in particular Clarence, go off on riffs of Dialog - the "I'd f*** Elvis" speech is in its first revelation - and it's often very funny. Even a kung-fu fight between Mickey and the call girl's pimp (Al Harrell) is executed with the similar sense of dark hilarity that has made Tarantino the pro he is now. Truth be told, the film isn't without its shortcomings for a budget of so little, and a couple of the scenes really don't work at all. Yet for what it's worth it's a small ruby of underground cinema.