GamerTab That was an excellent one.

Colibel Terrible acting, screenplay and direction.

Lumsdal Good , But It Is Overrated By Some

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Nick Damian When it first came out in '88, I read in the newspaper that it was not well received.Years later I watched it again and I now thing it's one of the best comedies out.Randy Quaid and Richard Prior made pure humour.It would have been great to see them both in something much more intense.Each great in their own way, as a team they would be double the trouble and 5 times the fun.Far better than any Adam Sandler or Seth Rogan movie made and better than the Sandler/Rogan actors themselves.Nothing enormously award winning, but a pleasurable waste of time.

Idocamstuf In this silly, but fun comedy from director Alan Metter(Back To School), Richard Pryor plays an engineer finds what seems to be the perfect job. The only problem is that the job is in Idaho, which means that his family would have to sell their home in Chicago and move out to Idaho. Several disasters occur as Pryor attempts to pack up and move across country, everything that could possibly go wrong does. The film is not exactly a laugh fest, but Pryor keeps the film entertaining with his great comic energy. Dave Thomas and Dana Carvey are fun in supporting roles, as well as Rodney Dangerfield as a gambling loan officer. Overall, a harmless film that benefits greatly from the presence of Pryor. 5.8/10.

FeverDog In the '80s Richard Pryor jumped the shark with THE TOY, which kicked off a string of forgettable films. Ranging from awful (SUPERMAN III) to merely mediocre (CRITICAL CONDITION), his Reagan-Bush output didn't produce anything decent until he reteamed with Gene Wilder for 1989's SEE NO EVIL, HEAR NO EVIL (which, granted, was no classic). MOVING wasn't his worst movie, but it certainly didn't help his career. Playing a meek suburbanite, Pryor's raw comedic persona was castrated with a silly name (Arlo Pear???) and a bland, inoffensive script. Watch him in this movie and note how defeated he appears. In a decade Pryor went from STIR CRAZY and BLUE COLLAR to a feature-length sitcom that could have starred anybody.That's not to say MOVING is without merits. It provided Dana Carvey with his funniest role that didn't co-star Mike Myers, and Randy Quaid (a good actor who can do comedy as opposed to a good comedian) earns a lot of laughs here in a dual role. But the efforts of the supporting cast are wasted by a script that should have gone through more re-writes. A comedy about moving your family across the country could find a lot of humor in the small but countless frustrations that can happen when undertaking such a challenge. Instead of wringing laughs from human foibles, here we've got stupid professional movers who do things to be funny, therefore making what they do unfunny. That old guy wrapping every toy separately? The other guys breaking furniture and taking a side trip to New Orleans? It's dumb, and not believable, and not funny. (However, Carvey acts like he's in a whole 'nother--and better--comedy. I gotta admit: his shtick in drag was hilarious.)The movie has structural problems too. It spends half the movie packing their things and dealing with the slob neighbor, and -- bam! -- it jumps to the family's new home. What happened during the 3000-mile drive to get there? Did the kids get on the parent's nerves while cooped up in the back seat the whole time? Surely there are possible cross-country mishaps that weren't already explored in NAT'L LAMPOON'S VACATION, right? (One minor thing. What road did they take out of Jersey? They're on some blacktop with a sign stating they're leaving the Garden State. Um, don't they have to cross the Delaware River to enter Pennsylvania?)And I wonder if a black family from Jersey would assimilate so easily in suburban Idaho. Since anybody could have been cast in the role, was this movie written with Pryor in mind? Doesn't seem so, since this family is white in every way except skin color. Their closest friends are an elderly white couple, and their daughter, played by Stacey Dash, appears to have blue eyes (leading me to believe she should have been cast instead as a Wannabe in Spike Lee's SCHOOL DAZE). Forgive me for raising racial issues in a lightweight '80s comedy, but wouldn't this affluent black family from the East Coast have any reservations about relocating to Aryan Nation? A 1990 census shows that Idaho was over 94% Caucasian while Blacks made up less than one percent around the time the movie was made. (American Indians, at 1.3%, were more represented.) Wouldn't this have been a factor in their decision to move there? Finally, for a movie that's barely ninety minutes long, MOVING coughs and wheezes to the closing credits. It somehow feels both overlong and too short, if that makes sense. And there's a chase scene to wrap things up. A chase scene to end a bad comedy? What else is new?

angebaybee I have seen this movie more times than I could think to count. It is absolutely hilarious! I know every word.Really. Moving is my all time favorite comedy. When I come across a friend who hasn't seen it or even heard of it, I quickly rectify. It's a classic. Randy Quaid's performance(s) is flawless. Dana Carvey will make your tummy ache from laughing so hard.Richard Pryor is perfection. Anytime I need a guaranteed laugh, I pop this one in. Excellent from beginning to end.