Panamint
This is one of those movies where the actors all seem to have known it was not gonna turn out well while making it. The downside of an excellent cast of veteran actors is that you have seen them in other movies wherein they have been great, so you tend to compare those performances with the flat performances in "Montana Belle" and find this film doubly disappointing.Much of the action consists of actors riding fast on horses in long scenery shots, but all they are doing is just riding horses, not really doing anything. On the plus side, Jane Russell does some musical numbers displaying real talent and allure, and in these numbers her work is impressive.Overall, as I watched it I was thinking "wake me up when either (1)the actors and director wake up, or (2)when its over". The only reason I can think of to explain the poor results in this movie is that maybe it was extensively and badly re-edited, making it choppy and slightly disjointed at times. The overall structure of bad guys fighting another group of bad guys, and almost everybody is mean, seems to be a structure that leads to a lack of plot tension in this case.So I wouldn't recommend "Montana Belle".
weezeralfalfa
My review title names the two incarnations of Jane Russell's character: a gorgeous androgynous version of historic Oklahoma outlaw moll Belle Starr, and classy saloon femme fatale singer Montana, supposedly from Butte, in this complicated , rather short, western. No, the real Belle Starr didn't ever have an association with the Daltons, although she apparently knew the Youngers and James in her early life. That doesn't bother me. This clearly isn't intended to be a biographical treatment of either. Russell's Belle is a tough crack shot outlaw, who sometimes rides to holdups dressed as a man. She soon acquires her own little following in handsome Mac( Forrest Tucker) and wooden Cherokee Ringo(Jack Lambert). Although the Daltons rescued her from an imminent lynching, after the murder of her outlaw husband, Belle and her associates more often pull their own jobs, and are at odds with the Daltons. This complicates things, because both Bob Dalton and Mac have designs on marrying this recent widow, causing several altercations between them. Meanwhile, saloon owner Tom Bradfield(George Brent) has struck a deal with a bank insurance company for a reward if he captures the bank robbing Daltons(who are blamed for many of the heists by Belle's gang).Bradfield hatches a plan to induce the Daltons to steal money from his saloon safe, sending henchman Pete(Andy Devine) to suggest a plan for the Daltons. They swallow Bradfield's plan, trusting Pete. Meanwhile, Belle learns about this, and plans her own heist, timed just before the Dalton's. Unfortunately, it turns out to be too close in timing, and the two groups interfere with each other, resulting in two largely busted holdups. So, Belle hatches another scheme to get into Bradfield's safe. She dawns a blond wig and 'gay '90s' high fashion outfit and walks into Bradfield's establishment('The Bird Cage'), looking for a job. After winning a huge amount in gambling, she accepts Bradfield's offer of a half share in his business in exchange for her winnings. Bradfield recognizes Montana as being Belle, but doesn't let on because he hopes her presence will somehow aid his pursuit of the Daltons, and because he has a romantic interest in her. Rather reminding us of Marilyn Monroe, with her blond wig, she sings two numbers: the extensive "The Gilded lily", and the first verse of the strange '90s song "My Sweetheart's the Man in the Moon"(One line of the second verse was probably too racy for the then censor board.) The romance between Bradfield and Montana continues to heat up, resulting in a 3 way scramble for Montana's romantic attention. Things get more complicated, but I won't reveal the details. Unlike many westerns, it's not real clear from rather early in the story how things are bound to play out in the end.A scruffy Andy Devine has an interesting role as a sort of double agent go between the various groups, hoping to be paid for information about the others or to deliver a suggested plan of action concocted by another. George Brent was in the declining years of his lengthy Hollywood career, thus relegated to mostly B pictures. Forrest Tucker gives some additional class to the outlaw element. Although it has some clear B picture elements and the color print I saw on Encore Westerns is poor, the presence of Jane and a complicated plot make this film sufficiently interesting to warrant a recommendation. True, the ending is a bit bizarre. Jane was featured in two other straight westerns: the infamous "The Outlaw", released a decade earlier, and the subsequent "The Tall Men", with Clark Gable, as well as two popular western spoofs: "The Paleface" and "Son of Paleface", with Bob Hope. The present film is much the least known of these. It's also the shortest, at 84 min. vs. around 2 hrs. for "The Outlaw" and "The Tall Men". Nonetheless, quite a bit of story and action is packed into this time. Jane is given a much more complicated role than in these other films. Although it's given a rather low mean rating at this site, about equal to that of "The Outlaw", there are currently 70 IMDb reviews for the latter film vs. only 4 for this film. There is even a recent colorized version of "The Outlaw", currently a rare privilege for old B&W films! Apparently , provocative scenes of busty young women still sells films! In the present film, she's a tough cookie, who's in no hurry to encourage a successor to her late husband. In spite of this attitude, Bob Dalton and Mac have a ferocious tussle in a barn, with Jane above in the loft, over rights to encourage Jane to change her mind. Later, they have another fight in a more public setting.This was one of a rash of films released in the early '50s that featured a feisty woman of a bygone era in a role traditionally reserved for men only. This includes "Anne Get Your Gun", "Calamity Jane", "Comanche Territory" and "Against All Flags".
bkoganbing
Montana Belle which probably at best started out to be an average B western product from RKO got to Howard Hughes's attention because it starred his protégé Jane Russell. This make believe account of the famous female outlaw Belle Starr got cut and recut and edited down to a mess of a story if you're looking for coherency. The film was made in 1948 and released in 1952 and that's always bad news.Like Jane's first feature, The Outlaw, certain western legends who never in real life met up with each other, have dealings in the Hollywood west. In The Outlaw, it's the Pat Garrett and Billy the Kid story rewritten to have Doc Holiday's participation. In Montana Belle, Jane as Belle Starr is rescued by Bob Dalton played by Scott Brady. But later when she mistakes a doublecross she forms her own gang with Forrest Tucker and Jack Lambert as a most stereotypical Indian.In the meantime another guy with his hormones in a tizzy over Jane's titanic weaponry is George Brent, gentleman gambler and owner of the largest liquor&gaming establishment in Guthrie, Oklahoma. He's going to reform Jane and separate her from her disreputable outlaw companions. Nice work if you can get it.You can't say too much about the story, Howard Hughes muddled this one, the same as he muddled, The Outlaw, Jet Pilot, and My Forbidden Past. One thing he didn't do for which we can thank the Deity is that he didn't cut Jane's number, The Gilded Lily from the film. It's definitely the best thing about Montana Belle.But over at Republic they were shooting westerns with all their B stars that had more coherent plots than you see here.
moonspinner55
Here's an odd one: sexy Jane Russell as western sharp-shooter Belle Starr, here competing with rivals The Dalton Gang. Movie opens with fruity bravado, but don't expect a camp-fest. Things gets surprisingly serious in the film's second-half, leading to a curiously downbeat conclusion. Very strange, and not particularly successful. Worth a look for the curio value alone. Supporting players George Brent and Forrest Tucker take turns getting out of Jane's way; Russell poses, pouts and scowls as Belle, her high-point coming in a crowded saloon where she warbles "The Gilded Lily".** from ****
