Softwing Most undeservingly overhyped movie of all time??

GurlyIamBeach Instant Favorite.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

ashleybrownmedia We kick off in New York and right away, we're hit with the 'apparent' suicide of a very frightened security guard. It's not quite clear, as yet, why he's so afraid - but we see something weird in the mirrors near him.Mirrors has a lot of potential, but like many a courier near Black Friday, fails to deliver in a lot of places.Our protagonist is an ex-cop (Kiefer Sutherland) who takes up a position as night watchman for an old asylum. In some rather on-the- nose dialogue with his new boss we learn that he has that classic backstory of a drinking problem, and a tragedy that affected his career.He's somewhat estranged from his wife (could be divorced, I forget) and his two young children, and seems to be in something of a downward spiral.Soon things begin to get weird at his new job, and there's something wrong with the mirrors. Fleeting glimpses of unusual things in the glass catch his attention, but the creeping terror hits a crescendo when our hero's sister is rather unceremoniously dispatched in her bathtub by a malicious entity.From here on in, it becomes the classic man-on-a-mission-to-escape-impending doom tale. The stakes are high as his children and (ex)wife are also under threat by whatever it is that's stalking the world behind the mirrors. The search for the truth takes him to, among other places, a weird farmhouse and a nunnery - but, will he become a victim of a horror that he can't comprehend or will a deus ex machina jump in to save the day?Mirrors is very average - it had the premise to have been a lot creepier - however, sadly, the producers rely on a lot of jump scares and a team of run-of-the-mill special effects artists to generate any kind of shock value. Low budget filmmaking has its limits, for sure, but creating tension and dread isn't something that's limited by this, and it's really a case of laziness on the director's part.Don't get me started on the ending either, an attempt at intelligence that felt a little contrived.Still, Mirrors would hold up to a late night viewing and I think my 5/10 is more than a fair rating - the plot is just about cohesive enough to follow, for a low budget flick, and you'll probably jump a couple of times. But, ultimately - we're all left with a premise that could have been something truly scary.

ICanNeverThinkOfAGoodUsername I've watched enough films now to know how a film will pan out. The beginning is somewhat boring. However, halfway through the film I was surprisingly gripped it's like what happened in the start is irrelevant and almost acceptable because I was so gripped... Then I started to think the film was actually good and I'd been too harsh.But then towards the end of the film it does go somewhat downhill. I can't work out if it was a good film or not. I think it introduces irrelevant plots at the start and focuses on them too much. But that's not the real issue...I think the film drags a little bit? It's missing something which is preventing me from rating it higher than a 6! I just don't know what. The ending is actually quite good... But it's more what happened before the actual ending that is a let down.Overall, I wouldn't recommend this film. I'd say it's okay but not something I'd recommend. It's better than other films I've seen because you are gripped in the middle of the film... But it's not an amazing film.I think the acting could have been better... Because the plot isn't too bad apart from how the ending came about, I just don't feel like the characters were really 'into' their roles.I've watched this film and I'd rate it a 6. If nothing else is on then watch this film. I wouldn't recommend renting this film or choosing it over another one... It's not that good.

Python Hyena Mirrors (2008): Dir: Alexandre Aja / Cast: Kiefer Sutherland, Paula Patton, Amy Smart, Mary Beth Peil, Cameron Boyce: Stupid morbid horror film about image and illusion. This film has a self praised illusion while its image is pure sh*t. Kiefer Sutherland plays an ex investigator who accepts a job at an abandon mall that has burned. Soon he begins to see images of burn victims including his own reflection. Director Alexandre Aja can set up scare sequences but the graphic violence should be toned down in favour of suspense. Sutherland pulls through as he struggles to deal with reality and the unknown and coming off crazy. Supporting roles aren't quite as broad. Paula Patton is featured as his wife in a role that is strictly standard and predictable. Amy Smart is wasted as his sister whose mirror image tears her jaw apart thus killing herself. All she needed was a trip to the dentist for that kind of action and she can make return trips. Mary Beth Peil appears as an aged institutionalized woman. After being part of this film she may need to go back. Cameron Boyce plays their son, and having a kid to mind screw is typical with these films. Horror films in the past ten years seem to be all about gore and guts and it is beginning to take the place of true suspense. Grossing viewers out isn't suspense, it's just disgusting. Well made visually with a screenplay that shatters before the second act. Score: 4 ½ / 10

Adam Foidart "Mirrors" is an attempt at an American remake of a Korean horror film and it just doesn't translate. Even if you're not familiar with the original story, there are constant inconsistencies present and a climax that shatters the film like a tea cup thrown out onto the pavement. The premise is that an ex-police officer (Kiefer Sutherland as Ben) that is down on his luck is hired as a night guard at an abandoned shopping center. There he begins seeing strange images inside the mirrors of the building. They turn out to be far more than just hallucinations; they're deadly. If he wants these horrifying images to stop and his family to be safe he will have to solve a good ol' fashioned horror-ghost mystery.If you're a fan of what I call "J-Horror" films, you will see an overall story that's pretty familiar. You expect the movie to set up some terrifying visions, a quest for the hero, a couple of deaths here and there and a terrifying mystery in the end. The trick will be to get to the bottom of the catastrophe while avoiding any mirror surfaces, which are conduits for the ghostly forces. Trouble begins when The rules set up early in the movie keep getting broken. The further you get in, the more it becomes both confusing and frustrating. For example, the main way that mirrors kill people in the film is by having the reflections act on their own and force people to commit suicide (it's odd, but that's the general idea). Towards the climax of the film this changes completely. Sometimes reflections attack other people or appear without the person who created them being in the room. The reflections feel more like evil ghost duplicates than actual evil versions of themselves that are trapped in reflective surfaces. There are even some scenes where people are being attacked without any reflection present, so in the end you just give up trying to understand what's going on with the movie. Another inconsistency is in the sounds. Most of the time, the mirrors don't make any noise. That makes sense because they're just images reflected that gain the supernatural ability to influence people instead of the other way around. Once again towards the end of the film you hear some reflections making noises and talking and it doesn't make any sense. In theory it would work because just when you think your character is safe, suddenly he or she will be in mortal peril, but in practice it just feels like the script was quickly written with additional scares thrown in without anyone taking a second look at them to see if they worked with the film's pre-established rules.Another big flaw in the film is that it isn't very frightening. You'll be jumping out of your seat plenty, but that's because the movie uses cheap tactics to startle you. If it isn't a quick flash of a grotesque mutilated body accompanied by a music sting, it's a sudden flapping of bird wings or a door slamming. The movie has some genuinely creepy looking sets and some unsettling scenes but instead of building suspense and letting the chills slowly come to you as you start playing with possible scenarios in your head, it just interrupts itself with these cheap sound cues and loud noises. It's a shame because the movie actually starts off pretty creepy. You have this really big derelict shopping center that was the setting for a big tragedy and our main character is stuck there for hours by himself in the dark. There are creepy burnt manikins, perfect for setting up an unsuspecting sneak onto Ben... but it just drops that entirely by making the bulk of the film set in a series of different location. It doesn't help that the characters in the movie make the same mistakes as every other character that sees ghosts and is forced to solve a supernatural mystery. Ben acts erratically, breaking mirrors and painting over them without giving any explanations to the people around him and he doesn't ever try to collect evidence that there are weird things going on. He never tries to convince the people he is trying to protect that he isn't crazy, just so we can have the scene where he gets into a fight with the people that don't believe him.Then, we get to that ending. This is A MINOR SPOILER, but we're basically told that long ago the problem of the ghosts/mirrors/demonic creatures was tackled by exorcists and priests and that they had no success in taming this threat. This information is not only inconsistent with the end of the movie, but it makes the behaviour of the characters in the film totally unexplainable. The ridiculous reason for the mirrors being dangerous is nothing compared to the climax of the film, which is taken from a totally different genre and is downright silly. It would be wrong to spoil exactly what happens in the scenes right before the very end of the movie but if you see this confrontation you'll be shaking your head in embarrassment.The movie isn't a complete disaster but there are points where you can totally tell that the original story just wouldn't translate into a North American setting and nobody knew what to do. Solution? Pick something at random from another horror movie and fill in the gaps. It ends up playing like a terrible Asian ghost movie and a terrible American haunted house story mashed together and coarsely stitched so it would stay in place just long enough for the film to conclude. If the concept of "Mirrors" sounds interesting to you, track down the original source material, or just grab a good Asian horror film. Don't bother sitting through this 111 minute train wreck because you'll be really frustrated as everything that looked promising at first falls flat on its face. (Dvd, April 11, 2013)