Channeling the Gary Cooper/Patricia Neel version of Ayn Rand‘s Fountainhead, David Kramer tells the story of his accidental “big break” in the art world.
Ogosmith
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
