Metallica: Some Kind of Monster

2004
7.5| 2h21m| R| en| More Info
Released: 09 July 2004 Released
Producted By: Electra Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.

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Director

Joe Berlinger, Bruce Sinofsky

Production Companies

Electra Entertainment

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Metallica: Some Kind of Monster Audience Reviews

SpuffyWeb Sadly Over-hyped
Tedfoldol everything you have heard about this movie is true.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
SnoopyStyle It's 2001. Metallica is making a new album and rents out space in the Presidio. Bassist Jason Newsted had left the band in frustration and starts his own band. The group is in therapy to work out their dysfunctional relationship. They continue to fight as front man James Hetfield leaves to enter rehab. Former Metallica guitarist Dave Mustaine explains the effects of his ejection from the group to Lars Ulrich and Kirk Hammett even with his subsequent success with Megadeth. After a year, James finally returns with new focus on sobriety and less time on the music. They slowly try to rebuild the band with new bassist Robert Trujillo.This is a brave documentary from Metallica. They're showing many of the ugly struggles behind the scenes. It is personal and messy. The most compelling scene is Dave Mustaine's breakdown reunion. James and Lars' complicated work marriage with each other fills most of the rest of the movie. It's not necessarily a fun watch but it is interesting. It's probably much more compelling for Metallica fans but it's also a human story for everybody else.
kai ringler wow I don't even know where to start so i'll start from my live Metallica concert May 86, on tour with Ozzy,,Ultimate Sin tour .. I remember James screaming and shouting, get the f__ back people,, just get the f__ back or w'ere not gonna play,, everyone was like well we don't care we just wanna see Ozzy. I've been a Metallica fan ever since that day. This movie is one of a kind I feel, one thing I hated was the shrink that the band hired.. I have my own beliefs on the band cutting their hair, selling out to mainstream America. all of that stuff, but as far this movie goes,, quite intriguing to watch all of the band members quarrel bicker and moan to put it nicely,, James goes at it with virtually everyone in the room,, it's so hard to imagine that during that time period there was a time when some of the band members didn't know if James was gonna make it back to the band at all or if there would even be a Metallica to come back to,, loved everything that this movie had to present,, the look and feel, the gritty feel of it all, it just all seems so intense and very real to me because I've been a Metallica fan since 1986 the night I went to that concert and had my first cigarette. , thanks James.
peter billionaire This film has far too much group therapy and not nearly enough music. The issues expressed in the therapy sessions are banal; important to the participants, but not interesting to an outsider. You get no sense of why Metallica was so important to so many people. It is hard to believe that they would allow a film crew to record them in such an unfavorable light. The thing that leaped out about Metallica's music was always the furious, dark, angry energy. Hearing Lars complain about James being late to practice is not that exciting.And visually, they don't look so good up close anymore. Pushing 40, gaining weight, losing hair, with wives and children -- they even say it themselves: it's not rock'n'roll.Part of the fun of idolizing a band is that you think that the people are somehow different or special. That is a fantasy, of course, but it is an important part of being a fan. The film reduces the musicians back to just normal whiny folks.The therapist is obviously eager for the spotlight. It was unethical of him to agree to the filming of the group therapy, even though the participants agreed. When a camera crew is present, people speak and act differently than if no camera crew was there.There is some talk of money that you don't normally hear. Lars offered Rob Trujillo $1,000,000 as an advance when he joined the band. There is a discussion of voting rights based on percentages based on length of service. The therapist got $40,000 per month.
Rooster99 I bought this movie at the same time as U2's Rattle and Hum. I had thought they were more or less the same type of "concert-film". Unfortunately, that is not the case. Rattle and Hum is one of the best concert movies I own, but I doubt I will ever watch "Some Kind of Monster" again. It is a documentary on Metallica's creation of their latest album, "St. Anger". And what is very surprising, it shows over and over again how puerile the members of the band are. Lars is nothing more than a baby, constantly whining about things which would only concern kindergarten kids. It is absolutely no surprise that he so vigorously pursued Napster after seeing how he is in "real life", it was completely in line with his character. James Hetfield is not much better, although he would equate to a primary schooler rather than an out-and-out baby. He would pick fights for the smallest slight, and he and Lars would argue like pre-schoolers.There is not a single complete song heard in the movie despite many concert clips. Every song is cut-off about 30 seconds into it just to show some additional petty little fight the band is once again trying to work out. It is almost like Lars was only willing to give movie-goers a "free sample" of his music rather than the full song. I guess you also need to purchase St. Anger to hear the complete songs. It's the only "album-making-of" movie I have ever seen where you don't even get to listen to the songs! I am a fan of Metallica and have been since the days of "Kill Em All". I am also the opposite of most Metallica fans in that I think the Black Album is a great album. Metallica fans divide themselves along the Black Album / Bob Rock line; purists believe that only albums made before the Black album are any good, mainstream fans believe that ever since the arrival of Bob Rock has the band been any good. Personally, I like all of their music, from "Seek and Destroy", to "For Whom the Bells Toll", to "Master of Puppets". But I have to say that no album works as a whole as well as the Black Album, one of the finest pure rock and roll albums ever released. And if that makes me a Metallica "bandwagon heathen", then so be it. (For that matter, I also couldn't care less if Greedo shot first).I don't think Metallica should have made this movie. It just made me think they were a bunch of spoiled children. I would have preferred to continue to think of them as rock and roll superstars. I understand perfectly why Jason left the band, it would have driven me insane after 14 years of putting up with all of that garbage. There is a particularly funny scene where Lars is selling some of his art collection "to let others share the artwork" as he states. He then goes on about how it is not about the money, but it is much higher than that. Of course he doesn't donate his newfound riches to an art museum or anything like that, but when he sees some of the paintings selling for millions, he is laughing like a spoiled little rich kid.All in all, a waste of time. I expected a concert-movie, and instead got a documentary about a bunch of whiny children pretending to be adults.