Steve Pulaski
Geoff Marslett's Mars is immediately intriguing based on its visual style, which may be the closest a film ever came to looking like a graphic novel that I have yet to see. Sin City merged the styles of film noir and graphic novel to create a film that's dark and murky visual scheme gave it new layers of life, but Marslett's directorial debut includes the graininess that would ostensibly be visible in a graphic novel had it come to life before one's eyes. The result is a film that looks very similar to A Scanner Darkly or Waking Life, one of Richard Linklater's uniquely animated, existential films with an animation style that, to my knowledge, hasn't really been exploited since.Marslett achieved the unique animation style through the similar rotoscoping technology Linklater put to use with the aforementioned films, though through all the heavy colorization in the characters' features and details, the design doesn't mirror that shiny sleekness Linklater's films did. The film's animation likely comes into play due to Marslett's scope and ambition outweighing the mass of his bank account, and the result is a lot better than one would imagine, though its film school-style narrative and structure comes through when you realize the film doesn't really have any strong insights to cling to.More on that later. The film focuses on three astronauts, Charlie (Mark Duplass), a cocky, washed-up man who relishes in his great spacewalk victory years ago, Casey (Zoe Simpson), a New Zealand doctor who is about to fulfill her dream of being the first woman on Mars, and Hank (Paul Gordon), the gang's leader, who seems like he's forever wallowing in a cloud of bong exhaust with his slow, sometimes slurry, manner of speech, who are embarking on a trip to Mars. The three are constantly monitored by their boss Shep (Howe Gelb) at Mission Control, who instructs Hank to go against the grain numerous times without informing his crewmates, in addition to a group of Television journalists. All eyes are on these three brave souls and their uncertain futures as they embark on being the first astronauts to set foot on the red planet.Once your eyes have feasted on Marslett's beautiful and layered animation, in addition to embracing the hilarious sarcasm of Duplass and the listlessness of Gordon, Mars devolves into a romantic story, perhaps questioning "is there really love on Mars?" (read that twice, if need be). Marslett strays away from any kind of political or social commentary here, and unfortunately, that feels a bit like a copout with this film, as Marslett has gone all this way, literally out of this world, to basically craft a cutesy, hipster romance on another planet. Sure there's evident romanticism, and sure, Duplass and Simpson strike an amiable chemistry, but when the visuals are this unique, the plot is this significant, and the characters are deemed so important, it seems kind of elementary to confine them to a basic romance plot when they're Mars of all places.Mars gets a lot of creativity points in its visual scheme, and it's pleasantly short at barely eighty minutes, making this expedition a brief and marginally satisfying one overall. The problem this film - which is essentially a mumblecore film set in space - is that because it's so minimalist in plot, the screenplay must immediately rely on characters, themes, and dialog in order to be successful, and instead of soaring to new heights, like Marslett does with the visuals and the narrative, he keeps everything relatively grounded. The result is sweet, cheerful, but kind of forgettable.Starring: Mark Duplass, Zoe Simpson, Hank Gordon, and Howe Gelb. Directed by: Geoff Marslett.
Pablo Villalobos
This is beyond rotoscoping. The animation is more on the live picture side than on the animated. If you saw WAKING LIFE, then you might be familiar with this style. Thick outlined drawings (or computer enhanced live action pictures) and intense colors. I love animation and when I saw Waking Life I didn't enjoyed it because of the variety of animation styles. At least this time, the whole movie follows the same style. The story is unusual and captivating. You won't be disappointed if you like original plots and original animation. Check out the little details too, they're plenty (eyes in the dark, cigar, hair, clothing items) and the outtakes during the credits. Also, check my 4000+ reviews here: www.cinematerapia.blogspot.com Thanks!
heidi-19
Quirky: check. Perhaps not Oscar-worthy acting: check. Creative love story or stories: check. Reluctantly happy and wealthy "sidekick:" check. Swimming pool scene: check. JUMPSUITS: check.I love this movie. Maybe some might say my bar isn't set super-high, but Bottle Rocket is my favorite movie, and this comes close to that (I also like science fiction and graphic novels). My boys watched it (9 & 11) because the profanity was mild, and there were only cigars and champagne.Don't want to ramble on, but this is supposed to have ten lines. If you just want escape for about 90 minutes, this is the film for you. If you like a more polished movie in terms of acting, story line and production, perhaps you should pass or you'll be really sad.
gregoryno6
I saw Mars two nights ago at Revelation Film Festival here in Perth. There is just so much wit and creativity in this movie. The script is sharp, the visuals are brilliant, and Kinky Friedman is the sort of President I'd vote for if I was American. Apart from Kinky the cast were unfamiliar to me, but their performances were all spot on. The marsnauts were especially good in the way they portrayed the shifts in and between their characters. The movie's animation style is somewhat like Waking Life - or some parts of Ralph Bakshi's Wizards - with live action being the base and other elements drawn in. The credits show very neatly how a scene with two marsnauts in their rover is built up. Two people sitting in chairs, with a little magic and a lot of hard work, become space travelers driving across the martian landscape. So why only 9 out of 10? Because so far as I can tell, there is no DVD release in the offing. Damn, because I'd really like to see Mars again. And again.
