Solidrariol
Am I Missing Something?
CrawlerChunky
In truth, there is barely enough story here to make a film.
Bob
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Desertman84
Ryou, who has just settled into her apartment, becomes intrigued when the room next door reveals a female voice. The phone rings, the shower runs, then gasping. From what is exposed from the thin walls,the sexy thriller, Man,Woman And The Wall reveals an unparalleled lifestyle to those who haven't watched it. The cast of the movie includes Keita Ohno, Hiroto Kato, Sho Nishino, Mutsuo Yoshioka, Rumi Otori and the well-known Japanese porn star,Sora Aoi.The movie makes us perverts but it also allows us to differentiate how two individuals live differently and how misconceptions can create bad results as both people start to have a relationship.In the end,it is a different brand of film as it takes us to people's sexual fantasies and urges. A highly recommended Japanese film.
lazarillo
A man moves into an apartment and realizes his neighbor is an attractive young woman (Aoi Sola). Since this a Japanese movie, instead of conventionally romancing her, he starts electronically eavesdropping on her through the wall, masturbating as he listens to her take a shower or have sex with her boyfriend. He finally conspires to meet her by "accidentally" having a care package sent to her house. Eventually he learns that she has another stalker, strangely enough her own boyfriend, who has wired her apartment with video and is making scary, obscene calls to her (after which she inevitably invites him over for some hot sex). The two stalkers begin "competing", but it's a rather weird competition since the boyfriend actually WANTS the shy introvert to sleep with his girl, as long as he does it on camera, and the introvert seems most comfortable maintaining his "audio voyeur" masturbation routine. Of course, in real-life a woman would probably be most comfortable not be stalked at all, but the girl here eventually settles on one of her two perverted suitors. . .This is actually a pretty superior Japanese "pink" movie in that it would be pretty entertaining even WITHOUT Aoi Sola getting butt-naked every ten minutes, but of course she does that too. Sola, a former AV starlet, also played a "teenage" stalking victim in "Raw Summer", a similarly weird but much darker film that almost makes this look a sappy romantic comedy. This is NOT a sappy romantic comedy though, thank god, and while it's not totally believable, it does perhaps make a serious statement on the relationship between the sexes and the alienation in modern-day Japanese society. I also like the final scene where you get see something--totally sans optical "fogging"--that you rarely see in Japanese movies (which I always find odd in the country that invented schoolgirl "tentacle-rape" movies).This is definitely worth seeing.
werdnahall
Watched this one on Netflix Watch-now, so didn't have many expectations. Intentionally or not, kind of an indefinable blend of styles. Turns up the erotic dial pretty high sometimes so that it starts to seem like one of those Japanese 'pink eiga' (think late night on Showtime), but it also throws in some humor, some action/suspense, large helpings of conversation, while mixing a reality TV feel at times with pure fantasy. Maybe the biggest 'never seen that before' aspect for me was having a guy who could both be a creepy voyeur type and a real social charmer. Not a combo I've seen. Some of the acting feels amateurish, and I can't say that the female lead ever comes across as much more than a nice-looking chick, but the film holds your interest regardless.
onionslinger
A semi-odd film coming straight from Japan. But it ends up a being a fairly interestingly presented story, a film which offers more than one's preconceived notions. On a very low budget, Autuer director Masashi Yamamoto offers up an interesting tale about fantasy and reality told through the medium of a stalker, though two are involved, and the female of interest, none other than Adult AV star Sora Aoi. After viewing the film some could write this off as nothing but soft core adult entertainment. But this is where I believe, like many Japanese directors before, Yamamoto has blended in enough of an interesting plot to go beyond such a simple structure. There is actually an intriguing character study employed - in this case, which stalker will win (or lose) ..and why? What's the difference between a simple case of overly played infatuation and menace? Is there any? This film is definitely not for everyone, especially for casual film go'er. There's enough skin, and two particular soft core scenes that should be satisfactory for those interested parties. This is actually the biggest flaw in my opinion due to the potential it attempts to erase. But it's reality, therefore I can only detract so many points. But for those that can handle it ..and the slightly unusual subject matter, I think there is enough of a thought provoking message to take back home with.If you end up getting something out of this film then I would recommend a few others to seek out: Tokyo Trash Baby by Ryuichi Hiroki, Raw Summer by Keisuke Yoshida (which also stars Sora Aoi), Moonlight Whispers by Akihiko Shiota (just be wary of the Kino release as there is a problem with the DVD mastering which causes about a third of the film to be missed - grrrrr!)
