TrueJoshNight Truly Dreadful Film

Platicsco Good story, Not enough for a whole film

Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

XhcnoirX Army-deserter Derek Farr is living in a small town under a new name. When a former army-mate accidentally spots him and tries to blackmail him, he moves to London. There he tries to sell his army gun in a pawn shop, but at that same time the shop gets robbed, and a cop is shot as a result. He hides out in the home of widow Joan Hopkins, who believes his story, and tries to help him clear his name. But his description is in all the newspapers, and because a cop has died, police inspector Edward Chapman and his assistant Laurence Harvey are under extra pressure to find the men who did it.A classic 'innocent man on the run' story, where Farr initially cannot go to the police because he is an army-deserter, and then becomes a suspected cop killer. Farr ('Murder Without Crime') and Hopkins ('Double Confession') are great and have good chemistry together. It's a shame Hopkins appeared in only a handful of movies, she's talented with good screen presence. This was one of Laurence Harvey's ('The Good Die Young', 'The Manchurian Candidate') first movies, he doesn't have to do much here except tower head and shoulders above the much smaller Chapman ('It Always rains On Sunday'), who is good as the smart and determined police detective.While the acting and story are good, but nothing remarkable, this movie has a beautiful noir look. The sets, especially the interiors, are exceptionally well-made, made to look as decrepit and dingy as possible. The rooms, pubs and hallways have a ton of details and items stuffed all over the place, to also make them look small and claustrophobic. The camera work by Wilkie Cooper (Hitchcock's 'Stage Fright', 'Green For Danger') is also excellent, with very moody lighting and stark shadows where necessary. Director and screenplay writer Lawrence Huntington ('The Upturned Glass') keeps things moving at a fast pace and keeps things focused on Farr and Chapman, making this a tense and thrilling movie. Farr's motives for deserting the army could be seen as a form of social commentary, but after they're mentioned nothing's done with it, leaving a slightly bitter end to the 'redemptive' ending. All in all tho, this is a good and thrilling Britnoir that doesn't break any new grounds but delivers on its premise and looks great. 7+/10

malcolmgsw My pet hate in thrillers is contrivances.For example when Derek Farr is on the run he dashes in to a door and admits to the lady of the house that he is on the run.What does she do,scream,no she takes him in and makes him comfortable.Then later on she goes into a café and there is a man having lunch with part of his finger missing.The film does go on like this.I tend to find that it represents a lack of imagination on the part of the writer and director,in that they cannot find anything original to cover these situations.The second half of this film develops a faster pace and there are a number of eyecatching performances.A very young Laurence Harvey at the start of his career.Also Eleanor Summerfield also at the early stages of her acting career.Competently made but nothing startling or original

Alex da Silva Derek Farr (Peter Burden) is an army deserter who is blackmailed by Kenneth More when More wanders into a pub on a coastal town and recognizes him serving drinks behind the bar. Farr goes on the run again and ends up owing rent to his landlord in London, who threatens him with eviction. Farr then goes into a pawnshop with a gun at the exact same time as an armed robbery is taking place. A policeman is killed and the assistant falsely thinks that Farr is one of the armed gang. Once again he's on the run, this time for his implication in the robbery and the killing of a policeman. He teams up with Joan Hopkins (Jean) and sets out to prove his innocence in this latter crime. Chief Inspector Edward Chapman and detective Laurence Harvey are the police trying to solve the case.This is a quick moving film that unfortunately suffers from a poor quality print. However, the story involves the audience despite some of the sliminess of Laurence Harvey and how he speaks. Joan Hopkins also effects a ridiculous Englishness when she talks, eg, the word "actually" becomes "ectually" – that kind of over-pronunciation nonsense.I tend to think that Derek Farr was a pretty lucky chap. Everyone seems to buy his story about being in the pawnshop as a victim. This is never made clear. From what we see, he pulls a gun out which is pointing at the assistant at the time that the burglars burst in. He was about to rob the place himself! Still, the film holds your interest till the conclusion, which has a fair British outcome.

waldog2006 Although I saw this on a very poor DVD transfer it held my attention from beginning to end. Yes, as other reviewers have pointed out, there's nothing new here, but it's expertly done, and it's interesting to know that there were apparently 20,000 deserters on the run in the UK in 1949, and one imagines that many of them were as hard-done-by as our hero, but I won't spoil anything by revealing why he deserted. The film is certainly sympathetic to those 20,000 men who get the blame, by several representative members of the cast, for everything that's wrong with post-war Britain. Derek Farr is excellent in the main role as the deserter who has to raise some money when Kenneth More, who had served in the same outfit, happens into the pub where he's working under an alias and decides to blackmail him. While he's trying to pawn a gun the pawnshop is robbed and a policeman killed making him one of the suspects. Joan Hopkins is the sympathetic woman who helps him. Edward Chapman is the inspector investigating the case with ever-increasing impatience. Laurence Harvey, although billed fourth, has little to do as a sergeant with a soft spot for Hopkins. Plenty of noir atmosphere. Recommended.